Ethyl Meatplow – Happy Days, Sweetheart
| Label: | Dali Records – 61354-2 |
|---|---|
| Format: | CD, Album |
| Country: | US |
| Released: | |
| Genre: | Electronic, Rock |
| Style: | Alternative Rock, Industrial |
Tracklist
| 1 | Opening Precautionary Instructions | 0:44 | |
| 2 | Suck | 4:08 | |
| 3 | Devil's Johnson | 3:13 | |
| 4 | Car | 2:26 | |
| 5 | Queenie | 3:35 | |
| 6 | Close To You | 3:29 | |
| 7 | Tommy | 4:36 | |
| 8 | Mustard Requiem | 1:44 | |
| 9 | Abazab | 4:27 | |
| 10 | Ripened Peach | 4:30 | |
| 11 | Feed | 5:25 | |
| 12 | Rise | 4:53 | |
| 13 | For My Sleepy Lover | 0:51 | |
| 14 | Sad Bear | 5:06 | |
| 15 | Untitled | 6:18 |
Companies, etc.
- Record Company – Chameleon Music Group
- Record Company – Warner Communications Inc.
- Distributed By – Elektra Entertainment
- Manufactured By – WEA Manufacturing Inc.
- Phonographic Copyright ℗ – Dali Records
- Copyright © – Dali Records
- Phonographic Copyright ℗ – WEA International
- Copyright © – WEA International
- Published By – She-Male Penitentiary
- Published By – Casa David
- Published By – New Hidden Valley
- Produced At – Motiv Studios
- Recorded At – Dodge City Sound
- Mixed At – One On One Studios
- Mastered At – The Mastering Lab
- Glass Mastered At – Specialty Records Corporation
- Pressed By – Specialty Records Corporation
Credits
- Design – Skiles
- Engineer – Chris Fuhrman
- Management – Monty Hudson
- Performer [Ethyl Meatplow Is] – Carla Bozulich, Harold Barefoot Sanders III, Wee-Wee
- Photography By, Artwork [Collage] – Exum
- Producer – Barry Adamson, Ethyl Meatplow
- Violin – Eeda Kitto, Sayuri Kawada
- Written-By – Ethyl Meatplow (tracks: 1 to 5, 7 to 15)
Notes
Recorded at Dodge City, Glendale, CA.
Mixed at One on One Recording, North Hollywood, CA.
Mastered at the Mastering Lab, Hollywood, CA.
Preproduction and sound effects at Motiv Studios, Los Angeles, CA.
Design by Mackie/Skiles
All songs published by She-Male Penitentiary (BMI), 1992
except "Close To You", published by Casa David and New hidden Valley (ASCAP)
Mixed at One on One Recording, North Hollywood, CA.
Mastered at the Mastering Lab, Hollywood, CA.
Preproduction and sound effects at Motiv Studios, Los Angeles, CA.
Design by Mackie/Skiles
All songs published by She-Male Penitentiary (BMI), 1992
except "Close To You", published by Casa David and New hidden Valley (ASCAP)
Barcode and Other Identifiers
- Barcode: 7 3704-61354-2 6
- Matrix / Runout: [SRC logo] 2 61354-2 SRC**01 M1S2
- Rights Society: BMI
- Rights Society: ASCAP
Other Versions (5 of 7)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Happy Days, Sweetheart (CD, Album, Promo, Letterpressed Discfolio) | Dali Records, Dali Records | PRCD-8725, PRCD 8725 | US | 1993 | ||
New Submission | Happy Days, Sweetheart (CD, Album) | Dali Records | 3704-61354-2 | Germany | 1993 | ||
New Submission | Happy Days, Sweetheart (CD, Album) | Festival Records, Chameleon Records (2) | D 30961, 61354-2 | Australia | 1993 | ||
New Submission | Happy Days, Sweetheart (CD, Album, Promo) | WEA Music | WMC5-616 | Japan | 1993 | ||
New Submission | Happy Days, Sweetheart (Cassette, Album, Stereo) | Dali Records | 61354-4 | US | 1993 |
Recommendations
Reviews
i'm surprised no one has written about these guys here. relatively short-lived, i think they would have been right at home among Pigface's touring/collab. roster had they had the longevity. when this album came out i took a gamble, not knowing anything about them, and seeing this cd in the industrial section... it was quite different to what i'd at the time was used to in terms of industrial music, even types of industrial that were cross-over... this is definitely a '90s album, racked with decadence, turmoil, and fun.... elements of industrial, alt. rock, funk, even hints of the blues and jazz.... at times though perhaps a bit too overdone, especially in the vocal department, however sometimes that really worked in their favour.... overall it's well produced and a lot of parts are just stunning... i've heard their live shows back in the day were pretty crazy.