Rebecca Pidgeon – The Raven
Label: | Chesky Records – LP115 |
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Format: | Vinyl, LP, Album, Reissue, Stereo, 180 Gram |
Country: | US |
Released: | |
Genre: | Rock, Pop, Folk, World, & Country |
Style: | Indie Rock, Vocal |
Tracklist
A1 | Kalerka | 3:02 | |
A2 | The Witch | 2:47 | |
A3 | The Raven | 2:51 | |
A4 | You Need Me There | 3:40 | |
A5 | Grandmother | 6:34 | |
A6 | You Got Me | 3:01 | |
A7 | Heart And Mind | 3:16 | |
B1 | Her Man Leaves Town | 3:32 | |
B2 | Seven Hours | 4:00 | |
B3 | Wendy's Style Shop | 3:29 | |
B4 | The Hight Of Land | 3:43 | |
B5 | Spanish Harlem | 3:35 | |
B6 | Remember Me | 2:31 |
Companies, etc.
- Phonographic Copyright ℗ – Chesky Records, Inc.
- Copyright © – Chesky Records, Inc.
- Recorded At – Master Sound Astoria
- Published By – Blue Mountain Music Ltd.
- Published By – Dwight Street Music
- Published By – Coconut Bay Music
- Published By – ABKCO Music, Inc.
- Published By – Mother Bertha Music
- Published By – Jerry Leiber Music
- Mastered At – Sterling Sound
- Lacquer Cut At – Sterling Sound
Credits
- A&R [A&R Director] – Steve Kaiser
- Arranged By, Music Director, Piano, Producer – Joel Diamond
- Backing Vocals – Coco Kallis, Paul Miller (23)
- Bass – David Finck
- Cello – Erik Friedlander
- Consultant [Technical Consultant] – George Kaye
- Coordinator [Production Assistant] – Dave Windmuller*, Lisa Hershfield, Tom Cerasulo
- Design – Jeff Wong
- Edited By, Mastered By – Miguel Kertsman
- Engineer – David Merrill
- Engineer [Assistant] – Suzie Hollander*
- Engineer [Assistant], Management [Studio Manager] – Peter Cho
- Executive-Producer – Norman Chesky
- Guitar – George Naha
- Guitar, Backing Vocals – Anthony Coote
- Lacquer Cut By – RKS*
- Management [Project Director] – Roy Spangenthal
- Percussion – Gary Burke
- Photography By – Brigitte Lacombe
- Producer – David Chesky
- Producer [Assistant Producer] – Steve Guttenberg
- Production Manager – Brad Kimmelman
- Recorder – Bob Katz
- Synthesizer – Mitch Margold
- Technician [Piano Tuner And Intonationist] – David D'Arcy
- Viola, Contractor [String Contractor] – Juliet Haffner
- Violin – Robert Chausow
- Vocals, Arranged By – Rebecca Pidgeon
Notes
Special Edition Pressing
℗© 1994, 2016 Chesky Records, Inc.
℗© 1994, 2016 Chesky Records, Inc.
Barcode and Other Identifiers
- Barcode (Text): 0 90368 01151 0
- Barcode (Scanned): 0090368011510
- Rights Society: PRS / BMI / ASCAP
- Matrix / Runout (Side A runout): LP 115 SE-A RKS STERLING
- Matrix / Runout (Side B runout): LP 115 SE-B RKS STERLING
Other Versions (5 of 17)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | The Raven (CD, Album) | Chesky Records | JD115 | US | 1994 | ||
Recently Edited | The Raven (LP, Album, 180-gram pressing) | Chesky Records | JR115 | US | 1994 | ||
New Submission | The Raven (CD, Album, Repress) | Chesky Records, Chesky Records | JD115, JD 115 | Europe | 1994 | ||
New Submission | The Raven (CD, Album, Gold CD) | Chesky Records | JG90115 | US | 1994 | ||
Recently Edited | The Raven (CD, Album) | Chesky Records | JD115 | Europe | 1994 |
Recommendations
Reviews
- Edited 8 months agoPlays OK with Benz Micro Wood SL and Reed 5A tonearm. Some level of sibilance is present on Spanish Harlem, other tracks plays better. Not recommended on cartridges with tilted high frequency response.
- Very noisy pressing with lifeless flat sound. Was this just pressed from the CD with auto tune? This pressing simply has no musical presence at all. The CD is better.
- For a much lauded album… this pressing sounds mediocre at best, while Spanish Harlem is almost unlistenable due to the amount of distorsion. How can this be an audiophile release from Chesky?
- Edited 2 years agoIts true that the sibilance on Spanish Harlem is insane! The other songs also have it to an extent.
No cartridge can track that much HF energy without mistracking and distortion...
Keep finding more and more of these audiophile releases with excessive sibilance and then I play a normal LP and it has no issues with the vocals. Makes me wonder why I bother with vinyl for those releases and not just get a cheap CD, at least it won't sound nasty on the ssSSSsss vocals.
Maybe the 2xLP 45RPM version by AP is better but really there's no excuse. Side A is 25 mins long so I expect harder to track passages and its true some of the songs have audible sibilance, but nothing major. Don't get why Spanish Harlem sounds as bad as it does when side B is 20 mins running time in total. Either way this is something that could have been taken care of during the cutting process. I have 53 mins LPs that don't have an ounce of sibilance problems.
I'm using a perfectly aligned shibata stylus and no other record I've played has THAT much sibilance hissing. Shame as the music is pretty nice!