Jeu was produced in 1988/89 at the studio of the Groupe de Musique Exprérimentale de Bourges (GMEB), France, and at the studio of the Université de Montréal. It uses excerpts of Karlheinz Stockhausen's Hymnen, music of guitarists, percussionists and accordionists of the Paris metro and viderunt omnes by Perotin.
Mémoires Vives was reworked for this release in 1989 at the studio of the Faculty of Music of the Université de Montréal.
Rumeurs was produced at the studio Métamorphoses d'Orphée in Ohain, Belgium in June, 1987.
Matrechka was realized between 1984 and 86 at the studio of the Université de Montréal and the composer's studio from sound material created for six holosculptures of Georges Dyens.
Le Cap De La Tourmente is part of the five soundtracks from "Musique Holographique". It was realized at the composer's studio in 1985.
© Robert Normandeau, 1985, 1986, 1987, 1989 (CAPAC/SOCAN)
℗ DIFFUSION i MéDIA, 1990
L'édition originale de cet enregistrement phonographique a été tirée sur disque compact à 20 exemplaires numérotés de 1 à 20 plus 7 exemplaires hors-commerce numérotés HC-1 à HC-7.
The original edition of this phonographic recording was pressed on compact disc and limited to 20 copies numbered 1 to 20, and to 7 private copies numbered HC-1 to HC-7.
Infographies/Computer Graphics: Patricia A Vrobel, Banff Centre for the Arts
Imprimerie/Printing: Lithographe Ross-Ellis, Montréal
Comes with 20-page booklet.