Teenage Fanclub – Here
Tracklist
| A1 | I'm In Love | |
| A2 | Thin Air | |
| A3 | Hold On | |
| A4 | The Darkest Part Of The Night | |
| A5 | I Have Nothing More To Say | |
| A6 | I Was Beautiful When I Was Alive | |
| B1 | The First Sight | |
| B2 | Live In The Moment | |
| B3 | Steady State | |
| B4 | It's A Sign | |
| B5 | With You | |
| B6 | Connected To Life |
Companies, etc.
- Phonographic Copyright ℗ – PeMa
- Copyright © – PeMa
- Recorded At – Vega Studio
- Recorded At – Raymond's House
- Mixed At – Clouds Hill Recordings
- Mastered At – Abbey Road Studios
- Manufactured By – MPO
- Published By – Nettwerk One Music Ltd.
Credits
- Cello – Elspeth Mackay (tracks: A4)
- Engineer – David Henderson (22), Raymond McGinley
- Engineer [Assistant At Clouds Hill] – Linda Gerdes, Sebastian Muxfeldt
- Engineer [Assistant At Vega] – Bertrand Montandon, Quentin Tillie
- Harp – Helen Thompson (tracks: B2)
- Mastered By – Sean Magee
- Performer – David McGowan*, Francis Macdonald, Gerard Love, Norman Blake, Raymond McGinley
- Producer – Teenage Fanclub
- Sleeve, Design – Krista Blake
- Trumpet – Nigel Baillie (tracks: B2), Robert Henderson (tracks: B1)
- Violin, Viola – John McCusker (tracks: A4)
Notes
Includes download code coupon and a printed inner sleeve.
℗ & © 2016 PeMa
Recorded at Vega Studio, nr Carpentras, Provence and at Raymond's place in Pollokshields, Glasgow. Mixed at Clouds Hill Recordings in Hamburg. Assistant engineers: Bertrand Montandon and Quentin Tillie at Vega, and Linda Gerdes and Sebastian Muxfeldt at Clouds Hill. Mastered by Sean Magee at Abbey Road.
℗ & © 2016 PeMa
Recorded at Vega Studio, nr Carpentras, Provence and at Raymond's place in Pollokshields, Glasgow. Mixed at Clouds Hill Recordings in Hamburg. Assistant engineers: Bertrand Montandon and Quentin Tillie at Vega, and Linda Gerdes and Sebastian Muxfeldt at Clouds Hill. Mastered by Sean Magee at Abbey Road.
Barcode and Other Identifiers
- Barcode: 5053760024071
- Matrix / Runout (Side A runout etched): PEMA009LP A MPO havd it
- Matrix / Runout (Side B runout etched): PEMA009LP B MPO i...i dod it
Other Versions (5 of 11)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | Here (LP, Album, Limited Edition, Clear) | Merge Records | MRG492 | US | 2016 | ||
Recently Edited | Here (LP, Album, Limited Edition, Clear) | PeMa, PeMa | PEMA009LPX, PEMA009LP | UK | 2016 | ||
New Submission | Here (CD, Album, Digipack) | Merge Records | MRG492 | US | 2016 | ||
New Submission | Here (CD, Album, Digipak) | Hostess Entertainment Unlimited | HSE-5132 | Japan | 2016 | ||
| Here (Cassette, Album, Limited Edition) | Pema | PEMA009MC | UK | 2016 |
Recommendations
Reviews
Edited 4 years agoAlthough it seems obvious, reading the reviews here, that the UK black vinyl version sounds better than the US one, I would not say that it is a perfect one : too much surface noise can be heard in between the tracks, particularly on the A -side. That's too bad because it is such a very good record ! Unless you're a pure genius, you have to be a solid and frank, inspired collective to realise such an achievement... These songs would as much be filed under "soft rock" as "indie pop", they could be considered as a true treasury by Crosby Stills Nash and Young's addicts as secretely adored by old Field Mice's fans. "Here", the shyness of jingle-jangled chords melts with a noisy wall of sound, an underground musical culture is served by a three-decades' expertise, and the fuzzy guitars compete with clear vocal harmonies...As euphoric as a Fleetwood Mac tune playing on the road and at the same time as "sensitive" as an old Sarah single, this a definitely an album to cherish !
Great album. UK version is nice and warm. Quality pressing, no warps and no skipping, unlike the US version. The sound is not very open, I'm not sure that it was mastered specifically to vinyl,so I'll give it 8/10.
Release
For sale on Discogs
Sell a copy43 copies from $9.46