Blonde Redhead – Masculin Féminin
| Label: | Numero Group – NUM205, Numero Group – 205, Numero Group – 205.1, Numero Group – 205.2 |
|---|---|
| Series: | 200 Line |
| Format: | Box Set, Compilation All Media, Limited Edition |
| Country: | US |
| Released: | |
| Genre: | Rock |
| Style: | Art Rock, Experimental |
Tracklist
| A1 | I Don't Want U | |
| A2 | Sciuri Sciura | |
| A3 | Astro Boy | |
| A4 | Without Feathers | |
| B1 | Snippet | |
| B2 | Mama Cita | |
| B3 | Swing Pool | |
| B4 | Girl Boy | |
| C1 | Amescream | |
| C2 | Big Song | |
| C3 | Inside You | |
| C4 | Vague | |
| C5 | Jet Star | |
| D1 | This Is The Number Of Times I Said I Will But I Didn't | |
| D2 | Instrumental | |
| D3 | Slogan Attempt | |
| D4 | Swing Pool (Instrumental) | |
| D5 | Woody | |
| E1 | (I Am Taking Out My Eurotrash) I Still Get Rocks Off | |
| E2 | Violent Life | |
| E3 | U.F.O. | |
| E4 | I Am There While You Choke On Me | |
| E5 | Harmony | |
| F1 | Down Under | |
| F2 | Bean | |
| F3 | Young Neil | |
| F4 | 10 Feet High | |
| F5 | Jewel | |
| G1 | Flying Douglas | |
| G2 | Harmony | |
| G3 | 10 Feet High | |
| G4 | Valentine | |
| H1 | Not Too Late | |
| H2 | (I Am Taking Out My Eurotrash) I Still Get Rocks Off | |
| H3 | Pier Paolo | |
| H4 | Country Song | |
| H5 | It Was All So Sudden |
Companies, etc.
- Copyright © – Numero Group
- Mastered At – Peerless Mastering
- Recorded At – Random Falls
- Recorded At – Snack Time
- Recorded At – The Magic Shop
- Recorded At – Water Music (2)
- Recorded At – Morning Becomes Eclectic
- Recorded At – Waterworks
- Mixed At – The Magic Shop
- Lacquer Cut At – Nashville Record Productions
Credits
- Bass – Maki Takahashi (tracks: A1 to B3, E1 to F5, G1 to G2), Skuli Sverrisson* (tracks: B4), Tadayuki Hirano (2) (tracks: C1 to C5, D2, D4), Toko Yasuda (tracks: H2 to H3)
- Cover – Ari Marcopoulos
- Design – Henry H. Owings
- Drums – Simone Pace (tracks: A1 to G4, H2 to H5)
- Guitar – Amedeo Pace (tracks: A1 to D2, D4 to H5), Kazu Makino (tracks: A1 to D2, D4 to G4, H2 to H5)
- Keyboards – Simone Pace (tracks: H1), Tadayuki Hirano (2) (tracks: E1, E4)
- Lacquer Cut By – Wes Garland
- Mastered By – Jeff Lipton, Maria Rice
- Mixed By – Edward Douglas (tracks: G1 to G2), John Siket (tracks: E1 to F5)
- Photography By – Ari Marcopoulos, Joshua Wildman, Masashi Ohtsu, Michael Ackerman, Stefano Giovannini
- Producer – Adam Luksetich, Steve Shelley
- Recorded By – Edward Douglas (tracks: E1 to G2), Fred Brockman (tracks: C4 to C5, D2, D4), Jim Waters (tracks: C1 to C3), Mark Venezia (tracks: A1 to B3, E1 to F5, G3 to G4, H4)
- Sitar – Tombi Thokchom (tracks: E5)
- Vocals – Amedeo Pace (tracks: A1 to C5, D1, D4, E1 to G4, H2 to H4), Kazu Makino (tracks: A1 to H5)
- Written-By – Amedeo Pace (tracks: A1 to H5), Arto Lindsay (tracks: C5), Kazu Makino (tracks: A1 to H5), Maki Takahashi (tracks: F4, G3 to G4), Simone Pace (tracks: A1 to H5)
Notes
Limited to 1000.
Includes booklet with previously unpublished photographs and two essays.
A1 to B3: Recorded at Random Falls by Mark Venezia, New York, NY, March 1994
B4: Recorded at home. Boerum Hill, Brooklyn, NY, Winter 1994, Issued 1995 on Smells Like Records (SLE-011)
C1 to C2: Recorded at Water Works by Jim Waters, New York, NY. April 4, 1993. Issued 1993 on OXO Records (OXO-009)
C3: Recorded at Water Works by Jim Waters, New York, NY. April 4, 1993, Issued Spring 1994, Nipple Hardness Factor fanzine. Issue #7. Misha Records (meesha-01)
C4 to C5: Recorded at Snack Time Studios By Fred Brockman. Hoboken, NJ. September 1995. Produced by Steve Shelley. Issued 1994 on Smells Like Records (SLR-007)
D1, D5, H5: 4-track rehersal demos, Rivington Street, New York, NY, 1994, Previously unissued
D2, D4: Recorded at Snacktime Studios by Fred Brockman, Hoboken, NJ, September 1993, Previously unissued
D3: Recorded in Brussels, Belgium, March 1996, Previously unissued
E1 to F5: Recorded at The Magic Shop and Water Music by Edward Douglas, New York, NY, May 1994, and at Random Falls by Mark Venezia, New York, NY, June 1995, Mixed at The Big House by John Siket in July 1995, Issued 1995 on Smells Like Records (SLR-018)
G1 to G2: Recorded and mixed at The Magic Shop by Ed Douglas, New York, NY, January 31, 1995, Issued on Rough Trade (45REV-36)
G3 to G4: Recorded at Random Falls by Mark Venezia, New York, NY, June 1995, Issued 1995 on Smells Like Records (SLR-014)
H1: Recorded at home, Canal Street, Manhattan, NY, Spring 1994, Issued 1995, Spunk Records (SP-01)
H2 to H3: Recorded live for KCRW's Morning Becomes Eclectic, November 7, 1995
H4: Recorded at Random Falls by Mark Venezia, New York, NY, June 1995, Previously unissued
© 2016 The Numero Group.
Includes booklet with previously unpublished photographs and two essays.
A1 to B3: Recorded at Random Falls by Mark Venezia, New York, NY, March 1994
B4: Recorded at home. Boerum Hill, Brooklyn, NY, Winter 1994, Issued 1995 on Smells Like Records (SLE-011)
C1 to C2: Recorded at Water Works by Jim Waters, New York, NY. April 4, 1993. Issued 1993 on OXO Records (OXO-009)
C3: Recorded at Water Works by Jim Waters, New York, NY. April 4, 1993, Issued Spring 1994, Nipple Hardness Factor fanzine. Issue #7. Misha Records (meesha-01)
C4 to C5: Recorded at Snack Time Studios By Fred Brockman. Hoboken, NJ. September 1995. Produced by Steve Shelley. Issued 1994 on Smells Like Records (SLR-007)
D1, D5, H5: 4-track rehersal demos, Rivington Street, New York, NY, 1994, Previously unissued
D2, D4: Recorded at Snacktime Studios by Fred Brockman, Hoboken, NJ, September 1993, Previously unissued
D3: Recorded in Brussels, Belgium, March 1996, Previously unissued
E1 to F5: Recorded at The Magic Shop and Water Music by Edward Douglas, New York, NY, May 1994, and at Random Falls by Mark Venezia, New York, NY, June 1995, Mixed at The Big House by John Siket in July 1995, Issued 1995 on Smells Like Records (SLR-018)
G1 to G2: Recorded and mixed at The Magic Shop by Ed Douglas, New York, NY, January 31, 1995, Issued on Rough Trade (45REV-36)
G3 to G4: Recorded at Random Falls by Mark Venezia, New York, NY, June 1995, Issued 1995 on Smells Like Records (SLR-014)
H1: Recorded at home, Canal Street, Manhattan, NY, Spring 1994, Issued 1995, Spunk Records (SP-01)
H2 to H3: Recorded live for KCRW's Morning Becomes Eclectic, November 7, 1995
H4: Recorded at Random Falls by Mark Venezia, New York, NY, June 1995, Previously unissued
© 2016 The Numero Group.
Barcode and Other Identifiers
- Barcode (Printed): 8 25764 12054 8
- Barcode (Scanned): 825764120548
- Matrix / Runout (Side A): NUM205.1-A WG/NRP
- Matrix / Runout (Side B): NUM205.1-B WG/NRP
- Matrix / Runout (Side C): NUM205.1-C WG/NRP
- Matrix / Runout (Side D): NUM205.1-D WG/NRP
- Matrix / Runout (Side E): NUM205.2-A WG/NRP
- Matrix / Runout (Side F): NUM205.2-B WG/NRP
- Matrix / Runout (Side G): NUM205.2-C WG/NRP
- Matrix / Runout (Side H): NUM205.2-D WG/NRP
Other Versions (5)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Masculin Féminin (37×File, MP3, Compilation, 320 Kbps ) | Numero Group | NUM205 | 2016 | |||
New Submission | Masculin Féminin (2×CD, Compilation) | Numero Group, Numero Group | NUM205, 205 | US | 2016 | ||
| Masculin Féminin (2×LP, Album, 2×LP, Album, Box Set, Compilation, Limited Edition, All Media, ) | Numero Group, Numero Group, Numero Group, Numero Group | NUM205, 205, 205.1, 205.2 | UK, Europe & US | 2016 | |||
New Submission | Masculin Féminin (CD, Compilation, Promo) | Numero Group | NUM 205 | US | 2016 | ||
New Submission | Masculin Féminin (2×LP, Album, Compilation, Yellow Marbled, Orange Marbled, 2×LP, Album, Compilation, Yellow Marbled, Orange Marbled, Box Set, Compilation, All Media, Limited Edition) | Numero Group, Numero Group, Numero Group, Numero Group | NUM205, 205, 205.1, 205.2 | US | 2016 |
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Reviews
Great collection still in stock on the numero group website I paid $54 total with shipping. These 2 first albums are BR at their nosiest and rockiest and the 2 extra discs are worth the price of admission alone. The booklet and packaging is always top notch with Numero Group and the vinyl variant looks great and matches the self titled album art perfectly.
Beautiful better than the Smells like Records Versions by far.
Great pressing. Really cool and informative booklet. Colored variant sounds clear and crisp - looks good!
Release
For sale on Discogs
Sell a copy6 copies from $60.00