Tracklist Hide Credits
A1 | –Unknown Artist | Untitled (Recitation Of Verses Of The Qu'ran) | |
A2 | –Unknown Artist |
Dhikr (Remembrance)Leader – Abdel Hamid Abdel Aziz, Ismail Ali Hasan |
|
A3 | –Habibola Halika | Houri | |
A4 | –Unknown Artist | Untitled (Bedouin Wedding Songs) | |
A5 | –Jabr Bin Husein* | Ghazal | |
A6 | –Amir Mohammed |
Gurdum GurdumTambura – Baba Hakim |
|
A7 | –Rasha'ida* | Untitled | |
A8 | –Unknown Artist |
HaddadiLeader – Salim Alan* |
|
B1 | –Wasimxzama Khan Naseri | Kavali | |
B2 | –Dunya Yunis | Abu Zeluf | |
B3 | –Gadabursi* | Untitled (Leader/Chorus Song) | |
B4 | –Mehein Fin Baqid & Dahai Fin Baqid / Hateim Atiya Khalil Sayed | Radha / Ga's | |
B5 | –Aqi Pishak | Untitled (Love Song) | |
B6 | –Unknown Artist | Tahlil |
Companies, etc.
- Phonographic Copyright (p) – Tangent Records Ltd.
Credits
- Recorded By – Jean Jenkins, Poul Rovsing Olsen
Notes
Track A1 sung by members of a religious brotherhood from Al-Ateuf, Saharan region near Ghardaia, Algeria. This track is used by Brian Eno and David Byrne for their track called "Qu'ran" from the album "My Life In The Bush Of Ghosts" (1981)
Track A2 is a Sufi ceremony performed by members of the Guneydiyah Sect from Fayoum Oasis, Egypt.
Track A3 is recorded in Sanandaj, Kurdistan, Iran.
Track A4 sung antiphonally by two groups of women in an encampment in the south of Wadi Musa, Jordan.
Track A5 is recorded in Tarif, Abu Dahbi, United Arab Emirates.
Track A6 is recorded in Daulatabad, north of Balkh, Afghanistan.
Track A7; Rasha'ida is a nomadic Arabic tribe near Nagfa, northern Red Sea area of Eritrea, Ethiopia.
Track A8 sung by a group of about 20 pearl divers from Muharraq, Bahrain.
Track B1 is recorded in Hyderabad, Deccan, India.
Track B2 is recorded in Beirut, Lebanon. This track is used by Brian Eno and David Byrne for their tracks called "Regiment" and "The Carrier" from the album "My Life In The Bush Of Ghosts" (1981) The artist name was misspelt, it should be written Dunya Yasin.
Track B3 sung by a group of Gadabursi Somali from Jijiga, Harar Province, Ethiopia.
Track B4 ; "Radha" is recorded in Sharjah, United Arab Emirates. "Ga's" is recorded in the Fayoum region, Egypt.
Track B5 is recorded in Aqcha, Afghanistan.
Track B6 sung by a Sufi group of about 25 men in the Khalif's mosque in Baghdad, Iraq.
Track A2 is a Sufi ceremony performed by members of the Guneydiyah Sect from Fayoum Oasis, Egypt.
Track A3 is recorded in Sanandaj, Kurdistan, Iran.
Track A4 sung antiphonally by two groups of women in an encampment in the south of Wadi Musa, Jordan.
Track A5 is recorded in Tarif, Abu Dahbi, United Arab Emirates.
Track A6 is recorded in Daulatabad, north of Balkh, Afghanistan.
Track A7; Rasha'ida is a nomadic Arabic tribe near Nagfa, northern Red Sea area of Eritrea, Ethiopia.
Track A8 sung by a group of about 20 pearl divers from Muharraq, Bahrain.
Track B1 is recorded in Hyderabad, Deccan, India.
Track B2 is recorded in Beirut, Lebanon. This track is used by Brian Eno and David Byrne for their tracks called "Regiment" and "The Carrier" from the album "My Life In The Bush Of Ghosts" (1981) The artist name was misspelt, it should be written Dunya Yasin.
Track B3 sung by a group of Gadabursi Somali from Jijiga, Harar Province, Ethiopia.
Track B4 ; "Radha" is recorded in Sharjah, United Arab Emirates. "Ga's" is recorded in the Fayoum region, Egypt.
Track B5 is recorded in Aqcha, Afghanistan.
Track B6 sung by a Sufi group of about 25 men in the Khalif's mosque in Baghdad, Iraq.
Other Versions (1 of 1) View All
Cat# | Artist | Title (Format) | Label | Cat# | Country | Year | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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TGS 131 | Various | Music In The World Of Islam, 1: The Human Voice (LP, Album) | Tangent Records (2) | TGS 131 | UK | 1976 | Sell This Version |
Recommendations
Reviews Show All 4 Reviews
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rat23
October 24, 2017
edited over 3 years ago
my life in the bush of ghosts - brian eno and david byrne, think they might of owned a copy ;-)
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fieldofsky
June 1, 2011
A record of great integrity from the great age of the hi-fi. “Ethnic” music in 1976 was not conscious of its self as it is now; this record therefore is a jewel from an age of innocence. The ambience is intimate and although the fidelity of sound is unremarkable the places and people in the recordings are tangible.
Erik-Satire
November 22, 2017Mine has some damages. Thanks !