Weezer – Weezer
Label: | Geffen Records – B0025152-01, UMe – B0025152-01 |
---|---|
Format: | Vinyl, LP, Album, Reissue, Remastered |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Power Pop, Alternative Rock, Indie Rock |
Tracklist
A1 | My Name Is Jonas | 3:24 | |
A2 | No One Else | 3:04 | |
A3 | The World Has Turned And Left Me Here | 4:19 | |
A4 | Buddy Holly | 2:39 | |
A5 | Undone - The Sweater Song | 5:05 | |
A6 | Surf Wax America | 3:06 | |
B1 | Say It Ain't So | 4:18 | |
B2 | In The Garage | 3:55 | |
B3 | Holiday | 3:24 | |
B4 | Only In Dreams | 7:59 |
Companies, etc.
- Phonographic Copyright ℗ – Geffen Records
- Copyright © – Geffen Records
- Distributed By – Universal Music Distribution
- Recorded At – Electric Lady Studios
- Mixed At – Electric Lady Studios
- Remastered At – Sterling Sound
- Mastered At – Abbey Road Studios
- Mastered At – Record Technology Incorporated – 26286
Credits
- A&R – Todd Sullivan (2)
- Art Direction – Michael Golob
- Band [Weezer] – Brian Bell, Matt Sharp, Patrick Wilson*, Rivers Cuomo
- Bass, Vocals – Matt Sharp
- Design – Karl Koch (4)
- Drums – Patrick Wilson*
- Engineer – Chris Shaw
- Engineer [Assistant Engineers] – Daniel Smith (6), David Heglmeier, Hal Belknap
- Guitar, Vocals – Brian Bell
- Photography By [Cover Photo] – Peter Gowland
- Photography By [Inside Photo] – Peter Orth
- Producer – Ric Ocasek
- Remastered By – George Marino
- Songwriter – Cropper* (tracks: A1), Wilson* (tracks: A1, A3, A6), Rivers Cuomo
- Vocals, Guitar – Rivers Cuomo
Notes
Hype sticker reads:
"Direct Metal Mastering for Optimal Sound cut at Abbey Road Mastering Studios
B0025153-01"
Includes a 11" x 22" black and white foldout poster.
Recorded and Mixed at Electric Lady Studios, NYC, August - September 1993
Remastered [...] at Sterling Sound, NYC
℗ 2004 © 2016 Geffen Records
"Direct Metal Mastering for Optimal Sound cut at Abbey Road Mastering Studios
B0025153-01"
Includes a 11" x 22" black and white foldout poster.
Recorded and Mixed at Electric Lady Studios, NYC, August - September 1993
Remastered [...] at Sterling Sound, NYC
℗ 2004 © 2016 Geffen Records
Barcode and Other Identifiers
- Barcode (Scanned): 602547945396
- Barcode (Printed): 6 02547 94539 6
- Matrix / Runout (Side A - Variant 1): B0025152-01A 26286.1(1)
- Matrix / Runout (Side B - Variant 1): B0025152-01B 26286.2(1)
- Matrix / Runout (Side A - Variant 2): B0025152-01A #3 26286.1(1)-
- Matrix / Runout (Side B - Variant 2): B0025152-01B 26286.2(1)-
Other Versions (5 of 128)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Weezer (Cassette, Album, Dolby HX Pro, B NR) | DGC, DGC | DGCC-24629, dgcc-24629 | US | 1994 | ||
Recently Edited | Weezer (LP, Album) | Geffen Records | GEF 24629 | UK | 1994 | ||
Recently Edited | Weezer (CD, Album) | DGC | DGCSD 24629 | Canada | 1994 | ||
New Submission | Weezer (CD, Advance, Album, Promo) | DGC | DGCD-A-24629 | US | 1994 | ||
Recently Edited | Weezer (LP, Album, Stereo, Full Body Artwork ) | Geffen Records | GEF 24629 | UK | 1994 |
Recommendations
Reviews
- Edited one month agoI don't know why there's some people complaining here. The sound is absolutely killer on this one. I had a hard time cleaning it, but once I did it, wow. Maybe those folks going on about surface noise are experiencing just that extra dust. You have to deep clean it - and no inner groove distortion here either. My system is a Rega Rp1, At440Mla, Onkyo receiver and Klipsch speakers. This sounds gorgeous on tonality and DR.
- My copy has some unlistenable groove distortion towards the center of the disc, especially on Surf Wax and Only In Dreams. Honestly a shame as it starts off sounding pretty good.
- Excellent sounding, but I have one complaint. I don't know why they decided to begin side 2 with Say It Ain't So instead of Surf Wax. Personally, I think Surf Wax would have been a way better opener for side 2, but ok. Bought my copy on SMLXL even though it was cheaper at Target,
- Edited 10 months agoMy copy had quite a bit of surface noise, even after cleaning it. Mostly noticeable and a bit distracting during the quiet sections, though it's not noticeable for a lot of the album because it was mastered way too loud. If you end up with a pressing free of surface noise, you'll unfortunately still have to deal with the distortion caused by that.
- If you were in middle school when this came out, you probably wanted to start a band like I did because of the music. This was “THE” album. I can’t love it anymore. Good to start to finish.
- Edited one year agoNot having a lot of issues with the sound of this one like a lot of people seem to be having. I'm just thankful that it's a 90's era record that doesn't have the entire album spread over two records! My copy sounds very crisp, full, and clear.
- Believe it or not, Weezer had a hard time building an audience in LA in the time of grunge. Their Kitchen Tape demo made its way to Geffen, who signed the band and encouraged them to hire a producer. Enter Ric Ocasek of The Cars, who helped the band add polish and pop elements to their songs. The result is the brilliant "Blue" album, which has sold 15 million albums since it was released. The album is filled with certifiable hits, and the video for Buddy Holly, interspersing the band with Happy Days footage, was instantly memorable and remains one of the best videos ever. This release on vinyl has a mixed history. The coolest version, the blue marble Target version, sounds terrible. The regular releases of this record are not much better. This DMM version, cut at Abbey Road, is the best one to get. It is clean and clear, with decent dynamics, but sometimes, those dynamics overtake the vocals, especially on Side A. Still, this is a very good sounding record (despite the debate over whether Surf Wax or Say It Ain't So should start Side B), and presents an excellent representation of the band's sound for that era.
Release
For sale on Discogs
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