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Contributors
Weezer ā Weezer
Label: | Geffen Records ā B0025152-01, UMe ā B0025152-01 |
---|---|
Format: | Vinyl, LP, Album, Reissue, Remastered |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Power Pop, Alternative Rock, Indie Rock |
Tracklist
A1 | My Name Is Jonas | 3:24 | |
A2 | No One Else | 3:04 | |
A3 | The World Has Turned And Left Me Here | 4:19 | |
A4 | Buddy Holly | 2:39 | |
A5 | Undone - The Sweater Song | 5:05 | |
A6 | Surf Wax America | 3:06 | |
B1 | Say It Ain't So | 4:18 | |
B2 | In The Garage | 3:55 | |
B3 | Holiday | 3:24 | |
B4 | Only In Dreams | 7:59 |
Companies, etc.
- Phonographic Copyright ā ā Geffen Records
- Copyright Ā© ā Geffen Records
- Distributed By ā Universal Music Distribution
- Recorded At ā Electric Lady Studios
- Mixed At ā Electric Lady Studios
- Remastered At ā Sterling Sound
- Mastered At ā Abbey Road Studios
- Mastered At ā Record Technology Incorporated ā 26286
Credits
- A&R ā Todd Sullivan (2)
- Art Direction ā Michael Golob
- Band [Weezer] ā Brian Bell, Matt Sharp, Patrick Wilson*, Rivers Cuomo
- Bass, Vocals ā Matt Sharp
- Design ā Karl Koch (4)
- Drums ā Patrick Wilson*
- Engineer ā Chris Shaw
- Engineer [Assistant Engineers] ā Daniel Smith (6), David Heglmeier, Hal Belknap
- Guitar, Vocals ā Brian Bell
- Photography By [Cover Photo] ā Peter Gowland
- Photography By [Inside Photo] ā Peter Orth
- Producer ā Ric Ocasek
- Remastered By ā George Marino
- Songwriter ā Cropper* (tracks: A1), Wilson* (tracks: A1, A3, A6), Rivers Cuomo
- Vocals, Guitar ā Rivers Cuomo
Notes
Hype sticker reads:
"Direct Metal Mastering for Optimal Sound cut at Abbey Road Mastering Studios
B0025153-01"
Includes a 11" x 22" black and white foldout poster.
Recorded and Mixed at Electric Lady Studios, NYC, August - September 1993
Remastered [...] at Sterling Sound, NYC
ā 2004 Ā© 2016 Geffen Records
"Direct Metal Mastering for Optimal Sound cut at Abbey Road Mastering Studios
B0025153-01"
Includes a 11" x 22" black and white foldout poster.
Recorded and Mixed at Electric Lady Studios, NYC, August - September 1993
Remastered [...] at Sterling Sound, NYC
ā 2004 Ā© 2016 Geffen Records
Barcode and Other Identifiers
- Barcode (Scanned): 602547945396
- Barcode (Printed): 6 02547 94539 6
- Matrix / Runout (Side A - Variant 1): B0025152-01A 26286.1(1)
- Matrix / Runout (Side B - Variant 1): B0025152-01B 26286.2(1)
- Matrix / Runout (Side A - Variant 2): B0025152-01A #3 26286.1(1)-
- Matrix / Runout (Side B - Variant 2): B0025152-01B 26286.2(1)-
Other Versions (5 of 110)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Weezer (Cassette, Album, Dolby HX Pro, B NR) | DGC, DGC | DGCC-24629, dgcc-24629 | US | 1994 | ||
Recently Edited | Weezer (LP, Album) | Geffen Records | GEF 24629 | UK | 1994 | ||
Recently Edited | Weezer (CD, Album) | DGC | DGCSD 24629 | Canada | 1994 | ||
New Submission | Weezer (CD, Album, Club Edition) | DGC, DGC | *CDGCD 24629, CDGCD 24629 | Canada | 1994 | ||
New Submission | Weezer (CD, Advance, Album, Promo) | DGC | DGCD-A-24629 | US | 1994 |
Recommendations
Reviews
Show All 36 Reviews- Believe it or not, Weezer had a hard time building an audience in LA in the time of grunge. Their Kitchen Tape demo made its way to Geffen, who signed the band and encouraged them to hire a producer. Enter Ric Ocasek of The Cars, who helped the band add polish and pop elements to their songs. The result is the brilliant "Blue" album, which has sold 15 million albums since it was released. The album is filled with certifiable hits, and the video for Buddy Holly, interspersing the band with Happy Days footage, was instantly memorable and remains one of the best videos ever. This release on vinyl has a mixed history. The coolest version, the blue marble Target version, sounds terrible. The regular releases of this record are not much better. This DMM version, cut at Abbey Road, is the best one to get. It is clean and clear, with decent dynamics, but sometimes, those dynamics overtake the vocals, especially on Side A. Still, this is a very good sounding record (despite the debate over whether Surf Wax or Say It Ain't So should start Side B), and presents an excellent representation of the band's sound for that era.
- Side A, while having clear sound, is very lacking in dynamics, no doubt because of how many songs are stuffed onto that side. Side B, in comparison, sounds absolutely fantastic. I used to have the blue marbled Target pressing from 2020, and I'd suggest you pick that up instead, because it sounds miles better
- Got a near perfect pressing from Amazon. Minimal surface noise. I can hear lots of separation between each instrument and vocal tracks through both channels. I was able to notice something in almost each song that I did not notice in the digital versions.
- Copy of this pressing just bought new is pristine. Did clean it before playing first though. And using a micro line stylus. Both sides grade A+ with a Puffin phono DSP. Sounds great.
- For me, this is the pressing to get. Ignore the bad reviews - this sounds exactly the way the Blue album should sound
- I love this album but damn, please try to stay away fron this copy. I didn't have any surface noise but there is a LOT of distortion. Especially on Surf Wax America, it's a shame because it's my favorite track on the album. Rivers is extremely undermixed compared to the guitars and symbols.
- Edited one year agoDespite the bad critics on this record, I guess I was lucky enough to get a very decent copy. No surface noise, flat disc, very few clicks at the end of side B. I also agree with the other reviews on the quiet vocals specially on side A. Besides that it was a pleasant spin.