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WeezerWeezer

Label:Geffen Records – B0025152-01, UMe – B0025152-01
Format:
Vinyl, LP, Album, Reissue, Remastered
Country:US
Released:
Genre:Rock
Style:Power Pop, Alternative Rock, Indie Rock

Tracklist

A1My Name Is Jonas3:24
A2No One Else3:04
A3The World Has Turned And Left Me Here4:19
A4Buddy Holly2:39
A5Undone - The Sweater Song5:05
A6Surf Wax America3:06
B1Say It Ain't So4:18
B2In The Garage3:55
B3Holiday3:24
B4Only In Dreams7:59
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Companies, etc.

  • Phonographic Copyright ℗Geffen Records
  • Copyright ©Geffen Records
  • Distributed ByUniversal Music Distribution
  • Recorded AtElectric Lady Studios
  • Mixed AtElectric Lady Studios
  • Remastered AtSterling Sound
  • Mastered AtAbbey Road Studios
  • Mastered AtRecord Technology Incorporated – 26286

Credits

  • A&RTodd Sullivan (2)
  • Art DirectionMichael Golob
  • Band [Weezer]Brian Bell, Matt Sharp, Patrick Wilson*, Rivers Cuomo
  • Bass, VocalsMatt Sharp
  • DesignKarl Koch (4)
  • DrumsPatrick Wilson*
  • EngineerChris Shaw
  • Engineer [Assistant Engineers]Daniel Smith (6), David Heglmeier, Hal Belknap
  • Guitar, VocalsBrian Bell
  • Photography By [Cover Photo]Peter Gowland
  • Photography By [Inside Photo]Peter Orth
  • ProducerRic Ocasek
  • Remastered ByGeorge Marino
  • SongwriterCropper* (tracks: A1), Wilson* (tracks: A1, A3, A6), Rivers Cuomo
  • Vocals, GuitarRivers Cuomo

Notes

Hype sticker reads:
"Direct Metal Mastering for Optimal Sound cut at Abbey Road Mastering Studios
B0025153-01"

Includes a 11" x 22" black and white foldout poster.

Recorded and Mixed at Electric Lady Studios, NYC, August - September 1993
Remastered [...] at Sterling Sound, NYC

℗ 2004 © 2016 Geffen Records

Barcode and Other Identifiers

  • Barcode (Scanned): 602547945396
  • Barcode (Printed): 6 02547 94539 6
  • Matrix / Runout (Side A - Variant 1): B0025152-01A 26286.1(1)
  • Matrix / Runout (Side B - Variant 1): B0025152-01B 26286.2(1)
  • Matrix / Runout (Side A - Variant 2): B0025152-01A #3 26286.1(1)-
  • Matrix / Runout (Side B - Variant 2): B0025152-01B 26286.2(1)-

Other Versions (5 of 128)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Weezer (Cassette, Album, Dolby HX Pro, B NR)DGC, DGCDGCC-24629, dgcc-24629US1994
Recently Edited
Weezer (LP, Album)Geffen RecordsGEF 24629UK1994
Recently Edited
Weezer (CD, Album)DGCDGCSD 24629Canada1994
New Submission
Weezer (CD, Advance, Album, Promo)DGCDGCD-A-24629US1994
Recently Edited
Weezer (LP, Album, Stereo, Full Body Artwork )Geffen RecordsGEF 24629UK1994

Recommendations

Reviews

  • marcelbr's avatar
    marcelbr
    Edited one month ago
    I don't know why there's some people complaining here. The sound is absolutely killer on this one. I had a hard time cleaning it, but once I did it, wow. Maybe those folks going on about surface noise are experiencing just that extra dust. You have to deep clean it - and no inner groove distortion here either. My system is a Rega Rp1, At440Mla, Onkyo receiver and Klipsch speakers. This sounds gorgeous on tonality and DR.
    • godjoeysatan's avatar
      godjoeysatan
      first time playing this it had three skips on the first side alone. unacceptable.
      • atrainradio's avatar
        atrainradio
        My copy has some unlistenable groove distortion towards the center of the disc, especially on Surf Wax and Only In Dreams. Honestly a shame as it starts off sounding pretty good.
        • grant_drzycimski's avatar
          Excellent sounding, but I have one complaint. I don't know why they decided to begin side 2 with Say It Ain't So instead of Surf Wax. Personally, I think Surf Wax would have been a way better opener for side 2, but ok. Bought my copy on SMLXL even though it was cheaper at Target,
          • emjayblaze's avatar
            emjayblaze
            Sounds fantastic to me. Super crisp, clear, with excellent separation.
            • josephsmith1964's avatar
              Bought used for $10 at my local brick n mortar shop. I’m impressed either way
              • DrMarvello82's avatar
                DrMarvello82
                Edited 10 months ago
                My copy had quite a bit of surface noise, even after cleaning it. Mostly noticeable and a bit distracting during the quiet sections, though it's not noticeable for a lot of the album because it was mastered way too loud. If you end up with a pressing free of surface noise, you'll unfortunately still have to deal with the distortion caused by that.
                • Bstooks's avatar
                  Bstooks
                  If you were in middle school when this came out, you probably wanted to start a band like I did because of the music. This was “THE” album. I can’t love it anymore. Good to start to finish.
                  • musicjunky1967's avatar
                    Edited one year ago
                    Not having a lot of issues with the sound of this one like a lot of people seem to be having. I'm just thankful that it's a 90's era record that doesn't have the entire album spread over two records! My copy sounds very crisp, full, and clear.
                    • Devolutionator's avatar
                      Believe it or not, Weezer had a hard time building an audience in LA in the time of grunge. Their Kitchen Tape demo made its way to Geffen, who signed the band and encouraged them to hire a producer. Enter Ric Ocasek of The Cars, who helped the band add polish and pop elements to their songs. The result is the brilliant "Blue" album, which has sold 15 million albums since it was released. The album is filled with certifiable hits, and the video for Buddy Holly, interspersing the band with Happy Days footage, was instantly memorable and remains one of the best videos ever. This release on vinyl has a mixed history. The coolest version, the blue marble Target version, sounds terrible. The regular releases of this record are not much better. This DMM version, cut at Abbey Road, is the best one to get. It is clean and clear, with decent dynamics, but sometimes, those dynamics overtake the vocals, especially on Side A. Still, this is a very good sounding record (despite the debate over whether Surf Wax or Say It Ain't So should start Side B), and presents an excellent representation of the band's sound for that era.

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