Duke Ellington – The Complete Duke Ellington 1947 - 1952 Volume 3
Label: | CBS – CBS 462987 2 |
|---|---|
Series: | Jazzotheque |
Format: | CD, Compilation |
Country: | Netherlands |
Released: | |
Genre: | Jazz |
Style: |
Tracklist
| 1 | Let's Go Blues | 2:25 | |
| 2 | You Of All People | 2:56 | |
| 3 | Creole Love Call | 2:56 | |
| 4 | The Greatest There Is | 2:43 | |
| 5 | Snibor | 2:48 | |
| 6 | The World Is Waiting For The Sunrise | 3:00 | |
| 7 | Joog,Joog | 3:00 | |
| 8 | Good Woman Blues | 3:04 | |
| 9 | On The Sunny Side Of The Street | 2:44 | |
| 10 | B-Sharp Boston | 2:54 | |
| 11 | Built That Railroad | 2:42 | |
| 12 | Love You Madly | 2:58 | |
| 13 | Great Times | 3:11 | |
| 14 | Fancy Dan | 3:02 | |
| 15 | The Hawk Talks | 2:58 | |
| 16 | V.I.P's Boogie | 3:00 | |
| 17 | Jam With Sam | 3:13 | |
| 18 | Monologue (Pretty And The Wolf) | 2:14 | |
| 19 | Ting-A-Ling | 3:02 |
Companies, etc.
- Recorded At – Columbia Recording Studios
- Phonographic Copyright ℗ – CBS Inc.
- Phonographic Copyright ℗ – CBS Disques S.A.
- Copyright © – CBS Inc.
- Copyright © – CBS Disques S.A.
Credits
- Bass – Wendell Marshall
- Compiled By – Henri Renaud
- Composed By, Arranged By, Piano – Billy Strayhorn, Duke Ellington
- Drums – Sonny Greer
- Producer [Jazzotheque Series] – Henri Renaud
- Producer [Original] – Joe Higgins
- Producer [Reissue] – Stanley Dance, Teo Macero
- Reeds – Al Sears, Charlie Rouse, Harry Carney, Jimmy Forrest, Jimmy Hamilton, Jimmy Hamilton, Johnny Hodges, Russell Procope
- Trombone – Lawrence Brown, Quentin Jackson, Tyree Glenn
- Trumpet – Alex Kilian*, Dave Burns, Harold Baker, Nelson Williams
- Trumpet, Vocals, Violin – Ray Nance
- Vocals – Al Hibbler, Kay Davis, Lu Elliott
Notes
Recorded at Columbia Recording Studios in New York ,September 1,December,22,1949, November 20, 1950 and May 10, 1951.
Barcode and Other Identifiers
- Barcode: 5 099746 298722
Recommendations
1989 NetherlandsCD —Compilation, Mono
1999 USCD —Compilation, Remastered
1989 EuropeCD —Compilation, Remastered, Mono
Reviews
The Duke's post war adventures tend toward pursuing the limits of the pop song and the cringe inducing vocal... still amazing though.
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