Bangalore Choir = バンガロー・クワイア* – On Target = オン・ターゲット
| Label: | Giant Records – WPCP-4786 |
|---|---|
| Format: | CD, Album |
| Country: | Japan |
| Released: | |
| Genre: | Rock |
| Style: | Hard Rock |
Tracklist
| 1 | Angel In Black = エンジェル・イン・ブラック | 3:28 | |
| 2 | Loaded Gun = ローディッド・ガン | 3:47 | |
| 3 | If The Good Die Young (We'll Live Forever) = イフ・ザ・グッド・ダイ・ヤング | 4:26 | |
| 4 | Doin' The Dance = ドゥーイン・ザ・ダンス | 4:09 | |
| 5 | Hold On To You = ホールド・オン・トゥ・ユー | 4:09 | |
| 6 | All Or Nothin' = オール・オア・ナッシン | 3:11 | |
| 7 | Slippin' Away = スリッピン・アウェイ | 4:08 | |
| 8 | She Can't Stop = シー・キャント・ストップ | 3:40 | |
| 9 | Freight Train Rollin' = フレイト・トレイン・ローリン | 3:34 | |
| 10 | Just One Night = ジャスト・ワン・ナイト | 3:47 |
Companies, etc.
- Made By – Warner Music Japan Inc.
- Published By – Wild West (4)
- Recorded At – Rumbo Recorders
- Mastered At – Precision Mastering
Credits
- Art Direction, Design – Dawn Patrol (8)
- Bass Guitar, Backing Vocals – Ian Mayo
- Bass [All Bass Tracks] – Dan Greenberg (2)
- Co-producer, Engineer – James (Jimbo) Barton*
- Cover [Cover Concept] – Kenny Ostin
- Drums [All Drums] – Derek Thomas (4)
- Drums, Backing Vocals – Jackie Ramos
- Electric Guitar, Acoustic Guitar, Backing Vocals – Curt Mitchell (2), John Kirk (5)
- Lead Vocals – David Reece (2)
- Legal [Representation] – Allen Mintz, Gerri Leonard
- Liner Notes – 有島博志*
- Liner Notes [対訳] – 国田ジンジャー*
- Management – Brett Kaufman, HK Management
- Management, Cover [Cover Concept] – Glen Parrish (2)
- Mastered By – Stephen Marcussen
- Photography By [Band Photography] – Neil Zlozower
- Photography By [Cover Photo & Retouching] – Daniel Morduchowicz
- Producer, Engineer, Recorder, Mixed By – Max Norman
- Written-By – Bangalore Choir
Notes
Endorsements: John and Curt play whatever they get they hands on. Ian Mayo plays Jackson Bass guitar exclusively and uses D’Addario strings. Jackie Ramos plays D.W. Drums, Zildijan cymbals and Zidijian sticks.
Songright credits:
Angel In Black: PlunkRock Music/ Music of the World BMI adm. By All Nations Music Publishing
Loaded Gun: Warner-Tamerlane Pub. Corp./ Play Full Music/ Fat Tunes/ T.I.O. Music BMI
Doin’ The Dance: New Jersey Underground Music, Inc./ PRI Music, Inc. ASCAP/ Burning Sun, Inc./ ATV Music BMI
Comes in a standard jewel case with obi and includes fold-out insert with liner notes Japanese/English track list, Japanese commentary, and lyrics translated into Japanese.
The commentary is credited as: Jan. 31st, 1992
Hiro Arishima/有島博志
Songright credits:
Angel In Black: PlunkRock Music/ Music of the World BMI adm. By All Nations Music Publishing
Loaded Gun: Warner-Tamerlane Pub. Corp./ Play Full Music/ Fat Tunes/ T.I.O. Music BMI
Doin’ The Dance: New Jersey Underground Music, Inc./ PRI Music, Inc. ASCAP/ Burning Sun, Inc./ ATV Music BMI
Comes in a standard jewel case with obi and includes fold-out insert with liner notes Japanese/English track list, Japanese commentary, and lyrics translated into Japanese.
The commentary is credited as: Jan. 31st, 1992
Hiro Arishima/有島博志
Barcode and Other Identifiers
- Barcode: 4988014747868
- Matrix / Runout: WPCP-4786 1A1 TO
- Rights Society: JASRAC
- Other (List price including tax): 税込定価 ¥2,400
- Other (Price excluding tax): 税抜価格 ¥2,330
- Other (Release date information): (92•3•25) Ⓨ
Other Versions (5 of 14)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | On Target (CD, Album) | Giant Records | 9 24433-2 | US | 1992 | ||
New Submission | On Target (CD, Album) | Giant Records | 7599-24433-2 | Germany | 1992 | ||
New Submission | On Target (LP, Album) | Giant Records | 7599-24433-1 | Germany | 1992 | ||
New Submission | On Target (Cassette, Album) | Giant Records | 9 24433-4 | US | 1992 | ||
New Submission | On Target (CD, Album) | Giant Records | W2 24433 | US | 1992 |
Recommendations
Reviews
マックス・ノーマンがプロデュースした1992年のアルバム「オン・ターゲット」は、オートグラフのスティーブ・プランケット（「エンジェル・イン・ブラック」）からジョン・ボン・ジョヴィやアルド・ノヴァ（「ド・ザ・ダンス」）まで、外部のライターからドラフトされた曲のミックスを提供しました。 。レコーディングのラインナップは、リース、ギタリストのカート・ミッチェルとジョン・カーク、ベーシストのダン・グリーンバーグ、元キル・ドコールとブルネットのドラマー、ダレク・トーマス・カヴァで構成されていました。後者はPAINSOCIETYに進みました。
Makkusu nōman ga purode~yūsu shita 1992-nen no arubamu `on tāgetto' wa, ōtogurafu no sutību puran ketto (`Enjeru in burakku') kara Jon Bon jovu~i ya arudo Novu~A (`do za dansu') made, gaibu no raitā kara dorafuto sa reta kyoku no mikkusu o teikyō shimashita.. Rekōdingu no rain'nappu wa, rīsu, gitarisuto no kāto Mitcheru to Jon kāku, bēshisuto no dan gurīnbāgu, moto kiru dokōru to burunetto no doramā, dareku tōmasu kavu~a de kōsei sa rete imashita. Kōsha wa PAINSOCIETY ni susumimashita.
David Reece is a killer vocalist, taking the hair metal noise to the choir, big voice, big sound, out of time, and yet perfect company for the recent Murder Bay because despite being two decades apart, this is very much hair metal that walks in hand. There's something so lush and full about this record, 'On target' being one of the last album's to stand and fight against the grunge invasion, no doubt most kids preferring the dire strains of Nirvana to BC's hearty 'Angel In Black' with its pompous strut or the soaring ballad 'If The Good Die Young (We'll Live Forever') with its Whitesnake meets Kiss groove and massive chorus. Holy shit, it's so cliched at times but boy does it rock, struttin' in competition with Crue circa 'Dr Feelgood' and Aerosmith circa 'Pump' on the serpentine slither of 'Doin The Dance' and the heavier thump of 'Freight Train Rollin' which features a dirty riff and Reece's lion-like roar. 'She can't Stop' returns us to the late night lust, and y'know what, this record is two big fingers up to Pearl Jam and the rest of the dreary flannel heads, because yep, we know this sorta stuff is limited.