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Taylor SwiftRed

Label:Big Machine Records – 00843930007103, Big Machine Records – BMR310400D
Format:
2 x Vinyl, LP, Album, Reissue
Country:Europe
Released:
Genre:Pop, Folk, World, & Country
Style:Country

Tracklist

A1State Of Grace
Acoustic Guitar, Electric Guitar, BassNathan Chapman
Backing VocalsTaylor Swift
Coordinator [Production Coordinator]Jason Campbell (4), LeAnn "Goddess" Bennett*, Mike "Frog" Griffith
DrumsNick Buda
Engineer [Additional Engineering]Brian David Willis, Matt Rausch
Mastered ByHank Williams (2)
Mixed ByJustin Niebank
Mixed By [Assisted]Drew Bollman
PercussionEric Darken
Recorded ByChad Carlson
Recorded By [Assisted]Leland Elliot*
Written-ByTaylor Swift
4:56
A2Red
Acoustic Guitar, PercussionNathan Chapman
Banjo [Ganjo]Ilya Toshinskiy*, Nathan Chapman
BassJimmie Sloas*
BouzoukiDann Huff
Cello, FiddleJonathan Yudkin
Coordinator [Production Coordinator]Jason Campbell (4), Mike "Frog" Griffith
DrumsAaron Sterling
Edited By [Digital Editing]Dann Huff
Electric GuitarDann Huff, Tom Bukovac
Mastered ByHank Williams (2)
Mixed ByJustin Niebank
Mixed By [Assisted]Drew Bollman
Recorded BySteve Marcantonio
Recorded By [Assisted]Seth Morton
Steel GuitarPaul Franklin
Upright Piano, Synth, Organ [B-3]Charlie Judge*
Written-ByTaylor Swift
3:41
A3Treacherous
Acoustic GuitarTaylor Swift
Backing VocalsDan Wilson, Taylor Swift
DrumsAaron Sterling
Electric Guitar, Bass, PianoDan Wilson
Electric Piano, Synthesizer [Synth Strings], GuitarAndy Thompson (2)
Mastered ByHank Williams (2)
Mixed ByManny Marroquin
Mixed By [Assisted]Chris Galland, Delbert Bowers
ProducerDan Wilson
Written-ByDan Wilson, Taylor Swift
4:01
A4I Knew You Were Trouble
Acoustic Guitar, Electric Guitar, Bass, Keyboards, Programmed ByShellback (2)
Coordinator [Production Coordinator]JoAnn Tominaga
Engineer [Engineered For Mix Assisted]Tim Roberts
Engineer [Engineered For Mix]John Hanes
KeyboardsMax Martin
Mastered ByTom Coyne
Mixed BySerban Ghenea
Recorded ByMichael Ilbert, Sam Holland
Recorded By [Assisted]Eric Eylands
3:38
B1All Too Well
Acoustic Guitar, Electric Guitar, Bass, Backing Vocals, Keyboards, DrumsNathan Chapman
Coordinator [Production Coordinator]Jason Campbell (4), LeAnn "Goddess" Bennett*, Mike "Frog" Griffith
Engineer [Additional Engineering]Brian David Willis
Mastered ByHank Williams (2)
Mixed ByJustin Niebank
Mixed By [Assisted]Drew Bollman
Recorded ByNathan Chapman
Written-ByLiz Rose, Taylor Swift
5:28
B222
Acoustic GuitarShellback (2), Taylor Swift
Electric Guitar, Bass, Programmed ByShellback (2)
EngineerJohn Hanes
KeyboardsMax Martin, Shellback (2)
Mastered ByTom Coyne
Mixed BySerban Ghenea
Mixed By [Assisted]Tim Roberts
Recorded ByMichael Ilbert, Sam Holland
Recorded By [Assisted]Eric Eylands
3:51
B3I Almost Do
Acoustic Guitar, Bass, DrumsNathan Chapman
Backing VocalsTaylor Swift
Coordinator [Production Coordinator]Jason Campbell (4), LeAnn "Goddess" Bennett*, Mike "Frog" Griffith
Mastered ByHank Williams (2)
Mixed ByJustin Niebank
Mixed By [Assisted]Drew Bollman
Recorded ByNathan Chapman
Written-ByTaylor Swift
4:03
B4We Are Never Ever Getting Back Together
Coordinator [Production Coordinator]JoAnn Tominaga
Engineer [Engineered For Mix Assisted]Tim Roberts
Engineer [Engineered For Mix]John Hanes
Guitar, Bass, Keyboards, Programmed ByShellback (2)
KeyboardsMax Martin
Mastered ByTom Coyne
Mixed BySerban Ghenea
Recorded ByMichael Ilbert, Sam Holland
Recorded By [Assisted]Eric Eylands, Greg Fuess
3:11
C1Stay Stay Stay
Acoustic Guitar, Electric Guitar, Mandolin, Bass, KeyboardsNathan Chapman
Backing VocalsNathan Chapman, Taylor Swift
Coordinator [Production Coordinator]Jason Campbell (4), LeAnn "Goddess" Bennett*, Mike "Frog" Griffith
DrumsNick Buda
Engineer [Additional Engineering]Brian David Willis, Matt Rausch
Mastered ByHank Williams (2)
Mixed ByJustin Niebank
Mixed By [Assisted]Drew Bollman
PercussionEric Darken
Recorded ByChad Carlson
Recorded By [Assisted]Leland Elliott
Written-ByTaylor Swift
3:25
C2The Last Time
Contractor [Orchestra Fixer], ConcertmasterEric Gorfain
Coordinator [Production Coordinator]JoAnn Tominaga
DrumsBill Rieflin*
Edited ByMatt Bishop (3)
FeaturingGary Lightbody
Guitar, Bass, Keyboards, Programmed ByJacknife Lee
Mastered ByHank Williams (2)
Mixed ByMark "Spike" Stent*
Mixed By [Assisted]Matty Green (2)
Orchestrated By, ConductorOwen Pallett
PianoJamie Muhoberac
ProducerJacknife Lee
Recorded By [Assisted]Chris Owens (2)
4:58
C3Holy Ground
Backing VocalsJeff Bhasker, Tyler Johnson
Bass, Keyboards, Piano, Programmed ByJeff Bhasker
Coordinator [Production Coordinator]JoAnn Tominaga
Engineer [Engineered For Mix Assisted]Tim Roberts
Engineer [Engineered For Mix]John Hanes
GuitarAnders Mouridsen
Mastered ByTom Coyne
Mixed BySerban Ghenea
ProducerJeff Bhasker
Recorded ByPawel Sek
Recorded By [Guitars]Tyler Johnson
Written-ByTaylor Swift
3:22
C4Sad Beautiful Tragic
Acoustic Guitar, Electric Guitar, Ukulele, Bass, Keyboards, Percussion, DrumsNathan Chapman
Backing VocalsTaylor Swift
Coordinator [Production Coordinator]Jason Campbell (4), LeAnn "Goddess" Bennett*, Mike "Frog" Griffith
Mastered ByHank Williams (2)
Mixed ByJustin Niebank
Mixed By [Assisted]Drew Bollman
Recorded ByNathan Chapman
Written-ByTaylor Swift
4:44
D1The Lucky One
Backing VocalsJeff Bhasker
Bass, Keyboards, Piano, Programmed ByJeff Bhasker
Coordinator [Production Coordinator]JoAnn Tominaga
Engineer [Engineered For Mix Assisted]Tim Roberts
Engineer [Engineered For Mix]John Hanes
GuitarAnders Mouridsen
Mastered ByTom Coyne
Mixed BySerban Ghenea
ProducerJeff Bhasker
Recorded ByPawel Sek
Recorded By [Guitars]Tyler Johnson
Written-ByTaylor Swift
4:01
D2Everything Has Changed
Arranged By [Strings], Composed By [Strings]Patrick Warren
BassJake Sinclair
Coordinator [Production Coordinator]JoAnn Tominaga
FeaturingEd Sheeran
Guitar, Keyboards, Percussion, DrumsButch Walker
Mastered ByHank Williams (2)
Mixed ByJustin Niebank
Mixed By [Assisted]Drew Bollman
ProducerButch Walker
Recorded ByJake Sinclair
Written-ByEd Sheeran, Taylor Swift
4:04
D3Starlight
BassJimmie Sloas*
Coordinator [Production Coordinator]Jason Campbell (4), Mike "Frog" Griffith
Drums, Programmed By [Percussion]J Bonilla*
Electric GuitarDann Huff, Nathan Chapman
Electric Guitar [Solo, Conceived By]Nathan Chapman
Electric Guitar [Solo]Dann Huff
Engineer [Engineered For Mix Assisted]Tim Roberts
Engineer [Engineered For Mix]John Hanes
Mastered ByTom Coyne
Mixed BySerban Ghenea
Piano, SynthNathan Chapman
Recorded ByJoe Baldridge
Synth, StringsCharlie Judge*
Written-ByTaylor Swift
3:38
D4Begin Again
Acoustic GuitarDann Huff, Nathan Chapman
Acoustic Guitar [High String]Dann Huff
Backing VocalsCaitlin Evanson
BassJimmie Sloas*
Coordinator [Production Coordinator]Jason Campbell (4), Mike "Frog" Griffith
DrumsAaron Sterling
Edited By [Digital Editing]Dann Huff
Electric GuitarDann Huff, Tom Bukovac
MandolinIlya Toshinskiy*
Mastered ByHank Williams (2)
Mixed ByJustin Niebank
Mixed By [Assisted]Drew Bollman
Organ [B-3], Synth, Strings, Accordion, PianoCharlie Judge*
Recorded BySteve Marcantonio
Recorded By [Assisted]Seth Morton
Steel GuitarPaul Franklin
ViolinJonathan Yudkin
Written-ByTaylor Swift
3:58
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Companies, etc.

Credits

Notes

Issued in gatefold jacket.

1st catalog number on spine & rear cover
2nd catalog number on labels

Runouts are hand-etched.

Barcode and Other Identifiers

  • Barcode (Text): 8 43930 00710 3
  • Barcode (Scanned): 0843930007103
  • Label Code: LC 01846
  • Rights Society: BIEM/SDRM
  • Matrix / Runout (Side A & B label): 00 6025 375 863-3 2
  • Matrix / Runout (Side C & D label): 00 6025 375 863-6 3
  • Matrix / Runout (Side A runout): 16875 1A 00843930007103
  • Matrix / Runout (Side B runout): 16875 1B 00843930007103
  • Matrix / Runout (Side C runout): 16875 1C 00843930007103
  • Matrix / Runout (Side D runout): 16875 1D 00843930007103

Other Versions (5 of 96)

View All
Title (Format)LabelCat#CountryYear
New Submission
Red (22×File, AAC, Album, Deluxe Edition, 256 kbps)Big Machine RecordsnoneUS2012
Recently Edited
Red (2×CD, Album, Deluxe Edition)Big Machine RecordsBMR310450AUS2012
Recently Edited
Red (CD, Album)Big Machine Records, Mercury, Universal Music Group International3717453UK2012
Recently Edited
Red (2×CD, Album, Deluxe Edition)Big Machine Records, Universal Music Group International0602537173143Europe2012
New Submission
Red (CD, Album, Limited Edition, Signed Slipcase Edition)Big Machine Records, Mercury3717453UK2012

Recommendations

Reviews

  • rikardo42's avatar
    rikardo42
    Great pressing, sounds great, sounds clean.
    It's so good, it's only a little bit sad that the team decided to press the new re-record on 45 RPM and not 33 1/3 RPM like the old album.
    • badmanic
      I’ve received an okay copy… Side A/C and D sounds absolutely phenomenal with a great mastering and super quiet pressing (in terms of surface noise, the volume is great)… side B is horrible, the bass on 22 especially the chorus is super loud until it overpowered her voice , which makes the whole song unlistenable. but other than that, a phenomenal release!
      • thefirststarinthesky's avatar
        Great quality pressing! i'm not an audiophile or anything, but I didn't notice anything bad while playing this one, no skips, big pops or everything was nice and clear!
        • mdw19's avatar
          mdw19
          records themselves sound really really great! love the packaging too it all just looks brilliant. however the packaging feels kinda cheap and is pretty flimsy.. not too upset about that though, glad to own this album finally 😊
          • parsival's avatar
            parsival
            The pressing of this one is done by Record Industry in the Netherlands and is flawless.
            However production and recording of the album is just terrible. Very compressed sound with metallic mids/vocals as it is often the case with digital recordings in the last 25 years.

            If you own a great system for listening avoid this production!
            • julesolivier's avatar
              julesolivier
              Anyone can give a review on the sound quality ? Thanks
              • georgemusic02's avatar
                When did this become so rare? I bought this for normal retail price the other day from a local record store and now it seems as if Red has become rare?

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