Various – Eye For Detail
Label: | Not On Label – none |
---|---|
Format: | |
Country: | UK |
Released: | |
Genre: | Electronic, Rock |
Style: | Abstract, Drone, Experimental |
Tracklist
1 | Dale Cornish– | Management (Dale Cornish Remix) | 1:57 |
2 | Aqua Dentata– | Natural Wastage (Aqua Dentata Mycelium Shroud Mix) | 17:04 |
3 | In Fog– | Verdigris (In Fog Remix) | 4:54 |
4 | dsic– | Dsic - Procedures (Procedural Generation Mix) | 4:54 |
5 | Clive Henry (2)– | Witch Mania, Mend Gem | 9:14 |
6 | Brian Lavelle– | Slowly, We Illuminate Future Truths | 7:27 |
7 | Van Appears– | Molluscs | 2:17 |
8 | Ap Martlet– | New Plateaus | 16:24 |
9 | Foldhead– | Glacier | 14:57 |
10 | Chrissie Caulfield– | Oto T50 - CC Remix | 9:25 |
11 | DR:WR– | Left Unresolved (Short) (Dr:Wr Remix) | 5:53 |
12 | Hardworking Families– | Be To Under Weather To Be | 6:36 |
13 | John Tuffen From Orlando Ferguson– | Weather To Be Under (Five! Is The Number! He Is Bounteous!) | 11:07 |
14 | Panelak– | Irnwks | 5:24 |
15 | Simon Aulman– | Remix Of Midwich's Too Early From Every Day Is The Same | 3:16 |
16 | Paul Watson (9)– | Midwich (Hangover Mix) | 9:37 |
17 | Posset– | A Moment Of Stillness | 4:37 |
18 | The Piss Superstition– | Tinymuscle | 5:22 |
19 | Michael Clough (2)– | Left Unresolved Cakemix Edit | 9:59 |
20 | Neil Campbell– | MidwichMIX | 5:48 |
21 | Devotionalhallucinatic– | August In Ribblehead (Midwichskullmask Soundclash) | 4:42 |
22 | Michael Gillham– | OTo T22 - Part II | 9:50 |
23 | Daniel Thomas (8)– | Striking Flint | 18:03 |
24 | Breather (9)– | Throating (Stomaching Cover) | 5:02 |
25 | Yol– | Stoma 2 | 3:18 |
26 | ZN– | La Industria De La Luz (a Midwich Re-interpretation) | 17:39 |
27 | Andrew Jarvis*– | Bosky (AJ Vocal Remix) | 4:57 |
Credits
- Artwork – Michael Clough (2)
Notes
Radio Free Midwich is delighted to announce the release of eye for detail – the Midwich remixes album.
About six weeks ago a passing comment on Twitter was tossed over the chalet balcony and started to roll down the mountainside. The resulting giant snowball crashed through the doors of my back catalogue and, within hours, a happy band of looters was ransacking the vault. An album was retroactively called into existence with a deadline and a charity cause adding some ‘oomph’ to proceedings. The cut off was the 30th September, the release date today. Such is the unfettered power of the no-audience underground.
I have been delighted with the number of responses, the enthusiasm with which contributors embraced the task and the breadth, quality and imagination shown in the submitted tracks. The artists featured represent a (partial at least) cross section of the ‘scene’ RFM reports on and the gathering of the clan has reminded me, more than once, of the ridiculous oTo tapes project I oversaw a decade ago (indeed, check out the title of Michael Gillham’s track – dude also has a long memory). It has been extremely flattering and morale boosting to see such art inspired by my own meagre output. I am humbled but beaming.
A few words about the album itself. I have made a stab at organising a coherent running order but please feel free to chop and change according to your own mood. Over such a long time, and with so many different styles in play, some juxtapositions are going to grate for some listeners. I have done a little light-touch mastering – mainly just amping up a couple of tracks – but not much, most tracks are presented as they arrived. There are some variations in volume but SO BE IT – no unnecessary compression/loudness war crap here.
The cover photograph was donated by Michael Clough and I encourage all readers to regularly check his tumblr site for a stream of similar observational genius. The download includes a portfolio of a further seven photographs from Clough to accompany the release. Also in the bonus items is a document listing links to further information about the featured artists and, where possible, links to the Midwich material that was the source for their track.
Finally then: the cause. It seemed appropriate to me to make this a charity release and chose the Red Cross as the beneficiary. You may be aware of the front line medical help they supply in disaster situations but may not be familiar with the global network they have for tracing missing family members, or the support they provide to refugees in accessing services and adapting to life in a new country.
About six weeks ago a passing comment on Twitter was tossed over the chalet balcony and started to roll down the mountainside. The resulting giant snowball crashed through the doors of my back catalogue and, within hours, a happy band of looters was ransacking the vault. An album was retroactively called into existence with a deadline and a charity cause adding some ‘oomph’ to proceedings. The cut off was the 30th September, the release date today. Such is the unfettered power of the no-audience underground.
I have been delighted with the number of responses, the enthusiasm with which contributors embraced the task and the breadth, quality and imagination shown in the submitted tracks. The artists featured represent a (partial at least) cross section of the ‘scene’ RFM reports on and the gathering of the clan has reminded me, more than once, of the ridiculous oTo tapes project I oversaw a decade ago (indeed, check out the title of Michael Gillham’s track – dude also has a long memory). It has been extremely flattering and morale boosting to see such art inspired by my own meagre output. I am humbled but beaming.
A few words about the album itself. I have made a stab at organising a coherent running order but please feel free to chop and change according to your own mood. Over such a long time, and with so many different styles in play, some juxtapositions are going to grate for some listeners. I have done a little light-touch mastering – mainly just amping up a couple of tracks – but not much, most tracks are presented as they arrived. There are some variations in volume but SO BE IT – no unnecessary compression/loudness war crap here.
The cover photograph was donated by Michael Clough and I encourage all readers to regularly check his tumblr site for a stream of similar observational genius. The download includes a portfolio of a further seven photographs from Clough to accompany the release. Also in the bonus items is a document listing links to further information about the featured artists and, where possible, links to the Midwich material that was the source for their track.
Finally then: the cause. It seemed appropriate to me to make this a charity release and chose the Red Cross as the beneficiary. You may be aware of the front line medical help they supply in disaster situations but may not be familiar with the global network they have for tracing missing family members, or the support they provide to refugees in accessing services and adapting to life in a new country.
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