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TimbalandTimbaland Presents Shock Value

Label:Blackground Records – 0602517266056, Interscope Records – 0602517266056, Mosley Music Group – 0602517266056
Format:
CD, Album, Super Jewel Case
Country:Europe
Released:
Genre:Hip Hop
Style:Pop Rap

Tracklist

1Oh Timbaland
Drums, SynthTimbaland
Edited By [Protools Editing]Ron Taylor (4)
Engineer [Assistant]Doug Sadler, James Roach, Mark Gray (5)
GuitarDan Warner
OrganJohn Spivery
Performer [Sinnerman]Nina Simone
ProducerTimbaland
Recorded By, Mixed By, Programmed ByDemacio "Demo" Castellon
Steel GuitarJermaine "Tank" Jennings
Written-ByN. Simone*, T. Clayton*, T. Mosley*
Written-By [Sinnerman]N. Simone*
3:30
2Give It To Me
Co-producerDanja
DrumsTimbaland
Engineer [Assistant]Matty Green (2)
Keyboards, BassDanja
ProducerTimbaland
Recorded By, Mixed By, Programmed ByDemacio "Demo" Castellon
3:54
3Release
Backing VocalsJim Beanz, Keri Hilson
BassDan Warner
Drums, KeyboardsTimbaland
Edited By [Protools Editing]Ron Taylor (4)
Engineer [Assistant]Matty Green (2)
FeaturingJustin Timberlake
ProducerTimbaland
Producer [Vocal Production]Jim Beanz
Recorded By [Additional Recording]Marcella "Ms. Lago" Araica*
Recorded By, Mixed By, Programmed ByDemacio "Demo" Castellon
Written-ByC. Longmile*, J. Timberlake*, T. Mosley*
3:25
4The Way I Are
Co-producerDanja
DrumsDanja, Timbaland
Edited By [Protools Editing]Ron Taylor (4)
FeaturingD.O.E., Keri Hilson
KeyboardsDanja
ProducerTimbaland
Recorded ByDemacio "Demo" Castellon
2:59
5Bounce
Instruments [All Except For Keyboards]Timbaland
KeyboardsJerome Harmon
Mixed By [Assistant]Robert "Roomio" Reyes*
ProducerTimbaland
Recorded By [Additional Recording]Mauricio "Veto" Iragorri
4:04
6Come And Get Me
Backing VocalsJim Beanz, Mira (7)
Co-producerDanja
Drums, Piano, BassDanja
Engineer [Assistant]Mark Gray (5), Miguel Bustamante
Featuring50 Cent, Tony Yayo
Instruments [All]Timbaland
ProducerTimbaland
3:30
7Kill Yourself
Edited By [Protools Editing]Ron Taylor (4)
Engineer [Assistant]Mark Gray (5)
PianoDanja
ProducerTimbaland
Recorded By, Mixed By, Programmed ByDemacio "Demo" Castellon
Written-ByG. Mosley*, T. Clayton*, T. Mosley*
4:06
8Boardmeeting
Backing VocalsMarcella "Ms. Lago" Araica*
Co-producerDanja
DrumsTimbaland
Edited By [Protools Editing]Ron Taylor (4)
FeaturingMagoo (3)
ProducerTimbaland
Recorded By [Additional Recording]Marcella "Ms. Lago" Araica*, Mark Gray (5)
Recorded By, Mixed By, Programmed ByDemacio "Demo" Castellon
StringsJerome Harmon
SynthDanja, Timbaland
2:29
9Fantasy
Arranged By [Vocal Arrangement], Producer [Vocal Production]Walter (Lil Walt) Millsap III*
Co-producerBoss Beats
Coordinator [Project Coordinator]Brian Peters (4), Dave Scott (20), Gary Jordan, Keisha Gamble
FeaturingMoney (2)
Lead Vocals [All], Backing Vocals [All]Money (2)
Mixed ByBob Horn
4:10
10Scream
Co-producerDanja
DrumsTimbaland
Edited By [Protools Editing]Ron Taylor (4)
Keyboards, BassDanja
Mixed By [Mix Asst.]James Barton*
ProducerTimbaland
Recorded By, Mixed By, Programmed ByDemacio "Demo" Castellon, Marcella "Ms. Lago" Araica*
Written-ByK. Hilson*, N. Hills*, T. Mosley*
5:41
11Miscommunication
Engineer [Asst.]Miguel Bustamante
FeaturingKeri Hilson, Sebastian (3)
ProducerDanja
Recorded ByDemacio "Demo" Castellon
Written-ByG. Mosley*, K. Hilson*, N. Hills*
3:19
12Bombay
Engineer [Asst.]Miguel Bustamante
FeaturingAmar, Jim Beanz
Instruments [All]Timbaland
ProducerTimbaland
Producer [Vocal Production]Jim Beanz
Recorded By, Programmed ByDemacio "Demo" Castellon
Vocals [Additional]Jim Beanz
Written-ByA. Dhanjan*, J. Washington*, T. Mosley*
3:00
13Throw It On Me
Engineer [Asst.]Doug Sadler, James Roach, Mark Gray (5)
FeaturingThe Hives
Instruments [All]Timbaland
ProducerTimbaland
Recorded By [The Hives]Johan Gustafsson
Recorded By, Mixed By, Programmed ByDemacio "Demo" Castellon
VocalsH.P. Almqvist*
Written-ByR. Fitzsimmons*, T. Clayton*, T. Mosley*
2:10
14Time
Edited By [Protools Editing]Ron Taylor (4)
FeaturingShe Wants Revenge
Keyboards, DrumsTimbaland
ProducerTimbaland
Recorded By, Mixed By, Programmed ByDemacio "Demo" Castellon
3:58
15One And Only
Co-producerHannon Lane
Engineer [Asst.]Fareed Salamah
FeaturingFall Out Boy
GuitarPatrick Stump
KeyboardsHannon Lane
ProducerTimbaland
Recorded ByDemacio "Demo" Castellon
Written-ByH. Lane*, P. Stump*, P. Wentz*, T. Mosley*
4:16
16Apologize
Co-producerTimbaland
Engineer [Asst.]Fareed Salamah
FeaturingOne Republic*
Keyboards [Additional], Strings [Additional]Jerome Harmon
ProducerGreg Wells, Ryan Tedder
Written-ByR. Tedder*, T. Mosley*
3:04
172 Man Show
BassDanja
Conductor [Choir]Walter Millsap*
DrumsTimbaland
Engineer [Asst.]Matty Green (2)
FeaturingElton John
PianoElton John
ProducerElton John, Timbaland
Recorded By, Mixed By, Programmed ByDemacio "Demo" Castellon
StringsStevie Blacke
Written-ByE. John*, N. Hills*, T. Mosley*, W. Millsap*
4:40
18Hello
Edited By [Protools Editing]Ron Taylor (4)
Engineer [Asst.]Luis Tovar
FeaturingAttitude (2), Keri Hilson
Instruments [All Except For Some Keyboards And Organ]Timbaland
Keyboards [Some], OrganJerome Harmon
ProducerTimbaland
Recorded By, Mixed ByDemacio "Demo" Castellon
Written-ByK. Hilson*, T. Clayton*, T. Mosley*
4:35
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Companies, etc.

Credits

Notes

Track 18 is a bonus track.

℗ © 2007 Blackground Records/Interscope Records, a division of UMG Recordings, Inc.

Made in the EU.

Released in a Super Jewel® Box with 12-page booklet.
Some copies with yellow sticker on front:
"Including the single "Give It to Me" & featuring guest appearances from Nelly Furtado, Justin Timberlake, 50 Cent, Nicole Scherzinger & The Hives 0602517266056"

Barcode and Other Identifiers

  • Barcode (Text): 6 02517 26605 6
  • Barcode (Scanned): 602517266056
  • Label Code: LC06406
  • Rights Society: SABAM / BIEM
  • Rights Society: BMI
  • Matrix / Runout (Variant 1): 06025 172 660-5 01 ✳ 51866137 Made in Germany by EDC C
  • Mastering SID Code (Variant 1): IFPI LV26
  • Mould SID Code (Variant 1): IFPI 0145
  • Matrix / Runout (Variant 2): 06025 172 660-5 01 ✳ 51866137 Made in Germany by EDC C
  • Mastering SID Code (Variant 2): IFPI LV26
  • Mould SID Code (Variant 2): IFPI 0126
  • Matrix / Runout (variant 3): [Universal logo 4x] 06025 172 660-5 01 ✳ 51866137 Made in Germany by EDC O
  • Mastering SID Code (variant 3): IFPI LV26
  • Mould SID Code (Variant 3): IFPI 0132
  • Matrix / Runout (Variant 4): [Universal logo 4x] 06025 172 660-5 01 ✳ 51866137 Made in Germany by EDC AE
  • Mastering SID Code (Variant 4): IFPI LV26
  • Mould SID Code (Variant 4): IFPI 0116
  • Matrix / Runout (Variant 5): [Universal logo 4x] 06025 172 660-5 01 ✳ 51866137 Made in Germany by EDC N
  • Mastering SID Code (Variant 5): IFPI LV26
  • Mould SID Code (Variant 5): IFPI 0137
  • Matrix / Runout (Variant 6): [Universal logo 4x] 06025 172 660-5 01 ✳ 51866137 Made in Germany by EDC H
  • Mastering SID Code (Variant 6): IFPI LV26
  • Mould SID Code (Variant 6): IFPI 0142
  • Matrix / Runout (Variant 7): [Universal logo 4x] 06025 172 660-5 01 ✳ 51866137 Made in Germany by EDC O
  • Mastering SID Code (Variant 7): IFPI LV26
  • Mould SID Code (Variant 7): IFPI 0115

Other Versions (5 of 52)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Shock Value (CD, Album)Mosley Music Group, Blackground Records, Interscope RecordsB0008594-02US2007
Recently Edited
Shock Value (CD, Album)Blackground Records, Mosley Music Group, Interscope Records1726605Australasia2007
Recently Edited
Shock Value (2×LP, Album, Gatefold)Mosley Music Group, Blackground Records, Interscope RecordsB0008594-01US2007
Recently Edited
Shock Value (CD, Album, Special Edition)Interscope Records, Mosley Music Group, Blackground Records1726606Europe2007
Recently Edited
Shock Value (CD, Album)Interscope Records174 920-3Europe2007

Reviews

  • borge_jensen's avatar
    borge_jensen
    In the late 1990s and early 2000s, Timbaland (alongside the Neptunes) was THE producer to go to for mindblowing, genre-redefining beats in the R&B and Hip Hop area. Aaliyah, Missy Elliott, Ginuwine - these were all great artists, but I doubt that they would have had the same success if it weren't for Timbaland's beats.

    Then, some time around 2006, he started losing it. His productions were still strong from time to time, but there wasn't anything futuristic about them anymore - it was just OK pop music. There must have been some profound change in his life which made him turn into a different musical path. I remember reading an interview with him around that time in German "Juice" magazine, where he talked about how he had started pumping iron and how he wanted to create a new form of music, called "Mosley Music".

    Well, according to the "Shock Value" album, this is what Mosley Music consists of: mostly bland, unfunky beats, guest vocalists who apparently have only been selected because of how many records they sell, and some of the lamest lyrics and song ideas I have ever heard on an R&B or pop record.

    You have to hear the trainwreck that is "Bounce" to believe it: A supposedly sexy song with some of the most unsexy vocal performances ever. Justin Timberlake tells you how he would like to see "me on you, and you on her" and can't even pronounce "ménage à trois" right, Missy tells you about her "big ole butt", Tim talks about "big titties" - I can hardly think of any song intended to be sexy that is more off-turning, except maybe QB Finest's "Oochie Wally".

    Furthermore, we get a handful of songs that are boring and unoriginal but at least can work on some dancefloors if you don't pay attention to the lyrics. These were all released as singles: The Way I Are, Sream amd Give It To Me. The latter has some of the most ridiculous diss lyrics: Who cares about a rivalry between two vanilla producers - a guy who works with the Pussycat Dolls and the producer of Ricky Martin songs? Who gives a damn about what Nelly Furtado, or anyone at all, thinks about the Black Eyed Peas' Fergie? And who seriously thinks that Justin Timberlake, whose fate depends on a handful of high-profile producers, could be a threat to Prince, one of the most creative musicians in pop music? I have to give Timbaland some credit for "Scream" though, which is a nice pop song that somehow reminds me of Shakespear's Sister's music.

    This is how the album goes on and on and for the most part it made me think: Well, this is all pretty bad. But at least a little spark of Timbaland's old talent can still be recognised in the songs, since they reference sounds of his old, career-defining records from time to time. Then I listened to the end section of the album and couldn't bear it anymore. The most obvious mainstream rock songs with cheap electronic beats underneath - how could anyone consider this a good idea? This is also the part of the album on which Timbaland has the most problems with making the songs his own. While up until then, the record could be considered a Timbaland album packed to the maximum with guest musicians, here it turns into a compilation of other people's songs that just happen to have a little contribution by Timbaland in them. This is most apparent in One Republic's "Apologize", where Timbaland wails like a baby seal, just so he could say that he was featured as a vocalist on the song. Not even Elton John can save this record, and by the time the bonus track starts, most people who liked Timbaland's earlier work will long have turned off the stereo.

    It is not often that I give a record a one point rating, but this is one of those rare occurences where negative points would be fitting. Sadly, in the five years since "Shock Value" was released, Timbaland's productions have only gotten worse, and it does not look like he will be returning to form anytime soon.

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    • Avg Rating:3.68 / 5
    • Ratings:74
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