Einstuerzende Neubauten* – Weingeister
| Label: | Potomak – MUSTERHAUS 8 |
|---|---|
| Series: | Musterhaus – MUSTERHAUS 8 |
| Format: | CD, Enhanced |
| Country: | Germany |
| Released: | |
| Genre: | Electronic, Stage & Screen |
| Style: | Musique Concrète, Soundtrack, Experimental |
Tracklist
| 1 | 2004 Carridi Bianco / Colosi, Sicilia | 5:00 | |
| 2 | 2004 Moscato Giallo / Manincor, Alto Adige | 7:02 | |
| 3 | 1997 Cuvée Annamaria Clementi / Ca' Del Bosco, Lombardia | 4:28 | |
| 4 | 2003 Rosso Di Bisaccia / Cossentino, Sicilia | 6:49 | |
| 5 | 1995 Brunello Riserva / Col D'Orcia, Toscana | 5:27 | |
| 6 | 1997 Condrieu Les Chaillets / Cuilleron, Rhone | 3:46 | |
| Video | Weingeister | 40:20 |
Companies, etc.
- Recorded At – The Bunker, Berlin
- Filmed At – The Bunker, Berlin
- Designed At – Minus Design
- Manufactured By – DOCdata Germany
Credits
- Artwork [Assistance] – Patrick Klose
- Composed By, Performer – Einstürzende Neubauten
- Concept By [Conceived By] – Blixa Bargeld
- Design [Sleeve], Cover – Johannes Beck
- Photography By – Markus Johannes Reinhardt*
- Recorded By [Additional], Mixed By, Edited By – Marco Paschke
- Recorded By [Live] – Boris Wilsdorf
- Video Editor – Ian Williamson (3)
Notes
Recording of the performers drinking wine together, as captured via contact microphones on their throats, their glasses, the table they were sitting at, and various other things.
'The sommelier was played by Peer Martiny. Wines and glasses were provided by Jan Kiegeland (dividum.de).'
Comes in digipak.
'The sommelier was played by Peer Martiny. Wines and glasses were provided by Jan Kiegeland (dividum.de).'
Comes in digipak.
Barcode and Other Identifiers
- Matrix / Runout: [DOCdata Germany logo] YA 1521-2
- Mastering SID Code: IFPI LL88
- Mould SID Code: IFPI 5222
- Label Code: LC 07149
Recommendations
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Reviews
- This is my favorite of the Musterhaus releases. It's such an absurd idea but so very, very EN at the same time. The tracks shift between sounds of quiet slurping and swallowing and playing the glasses like a glass harmonica. That's the best description I can give it, but if I were to compare it to anything else, I'd say it's sort of like easy listening EN.
I suspect many fans don't really appreciate this release as illustrated by its lower score, but I really appreciate it for what it has to offer. Of all the Musterhaus albums, aside from Anarchitektur, I believe this is the most cohesive in theme. I needed to give it a few listens, but soon after found that it has a great deal to offer.
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