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Amy Winehouse – Back To Black

Amy Winehouse - Back To Black album cover

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Label:

Universal Records – 173 412 8, Island Records Group – 173 412 8

Format:

Vinyl, LP, Album, Repress, 180g

Country:

Europe

Released:

Genre:

Funk / Soul

Style:

Contemporary R&B, Soul

Tracklist

A1Rehab
A2You Know I'm No Good
A3Me & Mr Jones
A4Just Friends
A5Back To Black
A6Love Is A Losing Game
B1Tears Dry On Their Own
B2Wake Up Alone
B3Some Unholy War
B4He Can Only Hold Her
B5Addicted
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Companies, etc.

  • Manufactured By – www.gzvinyl.com
  • Phonographic Copyright ℗ – Universal Island Records Ltd.
  • Copyright © – Universal Island Records Ltd.
  • Pressed By – GZ Digital Media – 75874E
  • Published By – EMI Music Publishing Ltd.
  • Published By – Jobete Music
  • Published By – EMI Music Ltd.
  • Published By – IQ Music Ltd.
  • Published By – Jobete Music Co., Inc.
  • Published By – Jobete Music (UK) Ltd.
  • Recorded At – Instrument Zoo
  • Recorded At – Dapking Studios
  • Recorded At – Chung King Studios
  • Recorded At – Metropolis Studios
  • Recorded At – Daptone Studios
  • Recorded At – Allido Sound
  • Mixed At – Circle House Studios
  • Mastered At – Metropolis Mastering
  • Designed At – Free Barrabas!
  • Lacquer Cut At – Optimal Media Production – B788458

Credits

  • Alto Saxophone – Andy Mackintosh (tracks: A1, A5, A6), Chris Davies* (tracks: A1, A5, A6)
  • Alto Saxophone, Flute, Clarinet, Piano, Celesta [Celeste] – Vincent Henry (tracks: B1)
  • Arranged By [All Band Arrangements] – Gabriel Roth (tracks: A1, A2, A5, A6, B2), Mark Ronson (tracks: A1, A2, A5, A6, B2)
  • Arranged By [Orchestra], Conductor [Orchestra] – Chris Elliott (tracks: A1, A5, A6)
  • Backing Vocals – Amy Winehouse (tracks: A3, B1, B3, B5)
  • Baritone Saxophone – Cochemea Gastelum (tracks: B4), Dave Bishop (tracks: A1, A5, A6), Ian Hendrickson-Smith (tracks: A1, A2)
  • Baritone Saxophone, Tenor Saxophone, Guitar – Vincent Henry (tracks: A3, B1)
  • Bass – Salaam Remi (tracks: A4, B1, B3, B5)
  • Bass Guitar – Nick Movshon (tracks: A1, A2, A5, A6, B2, B4)
  • Cello – Anthony Pleeth (tracks: A1, A5, A6), Joely Koos (tracks: A1, A5, A6), John Heley (tracks: A1, A5, A6)
  • Clarinet, Bass Clarinet, Guitar – Vincent Henry (tracks: A4)
  • Contractor [Orchestra] – Isobel Griffiths (tracks: A1, A5, A6)
  • Design – Alex Hutchinson
  • Double Bass [Upright Bass], Drums, Piano – Salaam Remi (tracks: A3)
  • Drums – Homer Steinweiss (tracks: A1, A2, A5, A6, B2, B4), Salaam Remi (tracks: B5), Troy Auxilly-Wilson (tracks: A4, B1, B5)
  • Drums, Guitar – Salaam Remi (tracks: B3)
  • Electric Piano [Rhodes], Organ – John Adams* (tracks: A4, B5)
  • Engineer [Assistant Recording] – Dom Morley (tracks: A1, A5, A6, B4)
  • Engineer [Assistant] – Jesse Gladstone (tracks: A1, A2, A5, A6, B2), Mike Makowski (tracks: A1, A2, A5, A6, B2)
  • Finger Snaps [Snaps] – Mark Ronson (tracks: B4)
  • Guitar – Amy Winehouse (tracks: A3, A4, B3, B5), Binky Griptite (tracks: A1, A2, A5, A6, B2, B4), Thomas Brenneck (tracks: A1, A2, A5, A6, B2, B4), Vincent Henry (tracks: B3)
  • Handclaps [Claps] – Mark Ronson (tracks: A1), Vaughan Merrick (tracks: A1)
  • Harp – Helen Tunstall (tracks: A1, A6)
  • Lacquer Cut By – Stu*
  • Leader [Orchestra] – Perry Montague-Mason (tracks: A1, A5, A6)
  • Management – Raye Cosbert
  • Management [Tour Booking] – Paul Franklin (3)
  • Mixed By – Gary "G Major" Noble* (tracks: A3, A4, B3, B5), Tom Elmhirst (tracks: A1, A2, A5, A6, B1, B2, B4)
  • Mixed By [Assisted By] – James Wisner (tracks: A3, A4, B3, B5), Matt Paul (tracks: A1, A2, A5, A6, B1, B2, B4)
  • Organ – John Adams* (tracks: B3)
  • Organ [Wurlitzer], Handclaps [Claps] – Victor Axelrod (tracks: A1, A2)
  • Percussion – Frank Ricotti (tracks: A1, A5, A6), Sam Koppelman (tracks: B4)
  • Photography By [Cover, Inner Sleeve] – Mishca Richter*
  • Photography By [Inner Sleeve] – Alex Lake, Harry Benson (2)
  • Piano – Victor Axelrod (tracks: A1, A2, A5, A6, B2, B4)
  • Piano, Guitar – Salaam Remi (tracks: B1)
  • Producer – Mark Ronson (tracks: A1, A2, A5, A6, B2, B4), Salaam Remi (tracks: A3, A4, B1, B3, B5)
  • Producer [Original Demo] – P*Nut (tracks: B4)
  • Recorded By – Derek Pacuk (tracks: B4), Dom Morley (tracks: B4), Franklin Socorro (tracks: A3, A4, B3, B5), Gabriel Roth (tracks: B4), Mark Ronson (tracks: A1, A5, A6, B2), Matt Paul (tracks: B4), Vaughan Merrick (tracks: A1, A5, A6, B2, B4)
  • Recorded By [Assisted By] – Gleyder "Gee" Disla (tracks: A3, A4, B1, B3, B5), Shomari "Sho" Dillon (tracks: A3, A4, B1, B3, B5)
  • Saxophone [Saxophones], Guitar [Guitars] – Vincent Henry (tracks: B5)
  • Tambourine – Mark Ronson (tracks: A5), Troy Auxilly-Wilson (tracks: B1)
  • Tenor Saxophone – Jamie Talbot (tracks: A1, A5, A6), Mike Smith (3) (tracks: A1, A6), Neal Sugarman (tracks: A1, A2, B4)
  • Trombone [Tenor] – Richard Edwards (2) (tracks: A1, A6)
  • Trumpet – Bruce Purse (tracks: A4, B1, B5), Dave Guy (tracks: A1, A2, B4), Steve Sidwell (tracks: A1, A6)
  • Trumpet [Bass], Flugelhorn – Bruce Purse (tracks: A3, A4, B1, B5)
  • Viola – Bruce White (tracks: A1, A5, A6), Jon Thorne (3) (tracks: A1, A5, A6), Katie Wilkinson (tracks: A1, A5, A6), Rachel Bolt (tracks: A1, A5, A6)
  • Violin – Boguslaw Kostecki (tracks: A1, A5, A6), Chris Tombling (tracks: A1, A5, A6), Liz Edwards* (tracks: A1, A5, A6), Everton Nelson (tracks: A1, A5, A6), Jonathan Rees (tracks: A1, A5, A6), Mark Berrow (tracks: A1, A5, A6), Perry Montague-Mason (tracks: A1, A5, A6), Peter Hanson (tracks: A1, A5, A6), Tom Pigott-Smith (tracks: A1, A5, A6), Warren Zielinski (tracks: A1, A5, A6)
  • Written-By – Amy Winehouse, Nickolas Ashford & Valerie Simpson* (tracks: B1), Mark Ronson (tracks: A5), Paul O'Duffy* (tracks: B2), Richard Poindexter (tracks: B4), Robert Poindexter (tracks: B4)

Notes

All tracks published by EMI Music Publishing Ltd., except Side Two track 1 published by EMI Music Publishing Ltd., Jobete Music/EMI Music Ltd., Side Two track 4 published by EMI Music Publishing Ltd., IQ Music Ltd.

Side One tracks, 1, 2, 5 & 6 and Side Two tracks 1, 2 & 4: Mixed by Tom Elmhirst for osOHso.
Side One tracks 3 & 4 and Side Two tracks 1, 3 & 5:Produced by SALAAMREMI.COM. Recorded at Instrument Zoo, Miami, FL. Mixed at Circle House Studios, Miami, FL.
Side One tracks 1, 2, 5 & 6 and Side Two track 2: Recorded at Dapking Studios, Chung King Studios and Metropolis Studios, London.
Side Two track 1: Contains a sample interpolation of "Ain't No Mountain High Enough", published by Jobete Music Inc. and Jobete Music (UK) Ltd.
Side Two track 4: Recorded at Daptone Studios by Gabriel Roth, Allido Studios by Vaughan Merrick and Derek Pacuk, and Metropolis Studios by Dom Morley and Matt Paul. Contains a sample interpolation of "She's A Fox Now", published by IQ Music Ltd.

Management: Raye Cosbert for Metropolis Music.
Tour Booking at Helter Skelter.

℗ 2007 Universal Island Records Ltd. A Universal Music Company. © 2007 Universal Island Records Ltd. A Universal Music Company. The copyright in this sound recording and artwork is owned by Universal Records Ltd. Made in the EU.

The cardboard thickness of the inner is thicker (heavier) than the one of the original 2007 press Amy Winehouse - Back To Black.

Runout parts "1734128", "Stu." and those starting with "B788458" are etched; the rest is stamped.

Barcode and Other Identifiers

  • Barcode: 6 02517 34128 9
  • Label Code: LC00407
  • Rights Society: BIEM/SABAM
  • Matrix / Runout (Runout Side A): www.gzvinyl.com -1734128-A 75874E1/A B788458-01A1 1734128 Stu.
  • Matrix / Runout (Runout Side B): 1734128-B 75874E2/A B788458-01B1 1734128

Other Versions (5 of 188)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Back To Black (CD, Album, Enhanced)Island Records Group, Universal Records171 304-1UK2006
Back To Black (CD, Album, Stereo, Super Jewel Box)Universal Records, Island Records Group, Universal Records, Island Records Group171 421 1, 171 421-1Europe2006
Recently Edited
Back To Black (CD, Album)Island Records Group, Universal Records460502601168Russia2006
Recently Edited
Back To Black (CD, Album)Island Records Group172 613 3Poland2006
New Submission
Back To Black (CD, Album, Special Edition)Universal Records, Island Records Group174 130-3France2006

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Reviews

  • Pablonen's avatar
    Pablonen
    yo tengo 2 copias una comprada nueva en españa y suena mal en sus tres canciones mas populares y he comprado otra copia en londres que es la misma mismisima ediccion y esta suena perfecta.
    conclusion creo que estiraron demasiado la vida util de las prensas.saludos a todos los fans
    • FelipeChapulaS's avatar
      FelipeChapulaS
      Such a tragedy. Great album, but not a fan of the jukebox sound to the record. I was expecting to catch nuances that usually don’t appear in digital versions and unfortunately I thought the quality was a little bit… cheap? Still a great record from an incredibly talented and unique singer. RIP
      • Vivalafica's avatar
        Vivalafica
        I just uploaded images of matrix/runout to help buyers identifying this first pressing from later reissues.
        • espinosapineda's avatar
          espinosapineda
          I don't have a first pressing myself, and I've alredy been "burned" with two different sellers on this issue. The information you want is already on Discogs, one of the original pressings came apparently with a hype sticker. The problem is that only the runout numbers will tell you, al represses look exactly the same, barcode and everything. If it's sealed, it's very probably a repress.
          • espinosapineda's avatar
            espinosapineda
            BEWARE of sellers that sell reissues as original pressings. If it’s sealed it’s 99% a reissue. They all look exactly the same but for the runout info, ask for it before buying.
            • jonathanbennett's avatar
              jonathanbennett
              I think this pressing sounds fine. Really nice. The last track sounds different, but I think it's from a different session/production/source, but it's not bad or anything. Great album.
              • kdoctober's avatar
                kdoctober
                My sealed copy was filthy, but plays fine after a thorough wet cleaning. I’m quite sure I’ve read that the producer Mark Robson did some sort of tweaking to the sound to make it sound like a “vintage” recording. I think that may be what is giving it that compressed, congested, shrill sound. The half speed mastered deluxe 2 LP version may sound different, I have not compared the two.
                • lisandro_g's avatar
                  lisandro_g
                  Not sure about the pressing. But definitely sounds like it was not mastered for vinyl. Sounds compressed. There is not depth. Kind of it was a mp3 version of the master transferred to the vinyl. Not enjoyable IMO.
                  • jcnavarromontoya's avatar
                    jcnavarromontoya
                    Sonido pésimo, el streaming se oye mejor, no sé como han masterizado esto pero han vuelto a matar a Amy
                    • adambb's avatar
                      adambb
                      Dead silent after my usual clean of a new record. A bit compressed but enjoyable.

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