Bryson Tiller – Trapsoul
Label:
Trapsoul – 88875-15119-2
Format:
CD, Album
Country:
US
Released:
02 Oct 2015
Genre:
Hip Hop, Funk / Soul
Style:
Trap, Contemporary R&B
Tracklist
| Position | Title/Credits | Duration |
|---|---|---|
| 1 |
Intro (Difference)Mixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Producer – Neil Dominique, Rob HolladayRecorded By – Bryson Tiller |
1:32 |
| 2 |
Let Em' KnowMixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Performer [Sample] – AaliyahProducer – SyksenseRecorded By – Bryson TillerWritten-By – Bryson Tiller, Joshua Scruggs, R. Kelly |
4:22 |
| 3 |
ExchangeMixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Performer [Sample] – KP & Envyi*Producer – The MekanicsRecorded By – Bryson TillerWritten-By – Bryson Tiller, Javelyn Hall, Michael Hernandez (2), Michael Johnson* |
3:15 |
| 4 |
For However LongMixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Performer [Sample] – JodeciProducer – Fayo & ChillRecorded By – Bryson TillerWritten-By – Brian DeFeo, Bryson Tiller, Donald DeGrate, Larry Troutman, Reginald Moore*, Robert Henley (2), Roger Troutman, Shirley Murdock |
2:05 |
| 5 |
Don'tProducer – Dope Boi*Recorded By, Mixed By – Bryson TillerWritten-By – Bryan-Michael Cox, Bryson Tiller, Isom Brandon Stewart, Jermaine Dupri, Johntá Austin*, Mariah Carey, Tavoris Hollins, Jr. |
3:18 |
| 6 |
Open InterludeMixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Performer [Sample] – Alex IsleyProducer [Additional Production] – Just HustleProducer [Part 1] – Bagheera SmoovProducer [Part 2] – Ayo!*Recorded By – Bryson TillerWritten-By – Alex Isley, Austin Owens, Bryson Tiller, Eric Weston Dunn, Ian Thomas (15) |
2:42 |
| 7 |
Ten Nine FourteenMixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Performer [Sample] – Keith SweatProducer – SyksenseRecorded By – Bryson TillerWritten-By – Bryson Tiller, Fitzgerald Scott, Joshua Scruggs, Keith Sweat |
3:10 |
| 8 |
The SequenceMixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Performer [Sample] – Shai (3)Producer – Sango (4)Recorded By – Bryson TillerWritten-By – Bryson Tiller, Carl Martin*, Kai Wright, Marc Gay |
3:14 |
| 9 |
RamboMixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Performer [Sample] – Eduardo Khil*Producer – SyksenseRecorded By – Bryson TillerWritten-By – Bryson Tiller, Joshua Scruggs, Venjamin Basner* |
3:43 |
| 10 |
502 Come UpMixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Producer – Gravez (4), J LouisRecorded By – Bryson TillerWritten-By – Bryson Tiller, Christopher T. Justice, Joshua Huizar |
3:16 |
| 11 |
Sorry Not SorryProducer – Milli Beatz, TimbalandRecorded By, Mixed By – Bryson TillerWritten-By – Bryson Tiller, Jetmir Salii, Timothy Mosley |
3:21 |
| 12 |
Been That WayMixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Producer – Fade Majah, TimbalandRecorded By – Bryson TillerWritten-By – Bryson Tiller, Evon O. Barnes Jr.*, Timothy Mosley |
3:19 |
| 13 |
OvertimeMixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Producer – J LouisRecorded By – Bryson TillerWritten-By – Bryson Tiller, Joshua Huizar |
3:38 |
| 14 |
Right My WrongsMixed By – Fabian Marasciullo, Black Mic*Mixed By [Mix Assisted By] – McCoy (6)Performer [Sample] – Submotion OrchestraProducer – The MekanicsProducer [Additional Production] – Neil Dominique, Rob Holladay, The KlasixRecorded By – Bryson TillerWritten-By – Bryson Tiller, De'jon Howerton, Dominic Howard*, Michael Hernandez (2), Michael Williams (28), Neil Dominique, Robert Watson (9), Ruby Wood, Tommy Evans (6) |
4:09 |
Companies, etc.
- Recorded At – Perfect Sound Studios
- Mixed At – Perfect Sound Studios
- Mixed At – Just Us Studios
- Published By – Sony/ATV Songs LLC
- Published By – Universal Music-Z Songs
- Produced For – Boi-1DA Productions
- Recorded At – Kame House, Louisville, KY
- Published By – The Mekanics Music
- Published By – EMI April Music Inc.
- Licensed From – Elektra Entertainment Group Inc.
- Published By – Fayo And Chill LLC
- Published By – BMG Rights Management (US) LLC
- Published By – Songs Of Lastrada
- Licensed From – Universal Music Enterprises
- Published By – Beyondidolization
- Published By – Universal Tunes
- Published By – Shaniah Cymone
- Published By – W.B.M. Music Corp.
- Published By – Naked Under My Clothes
- Published By – BMG Chrysalis Music
- Published By – The Upperclassmen Publishing
- Published By – Ent Music
- Published By – Sista Isley Music
- Recorded At – Kame Hills
- Published By – Warner/Chappell Music, Inc.
- Published By – Universal Music Corp.
- Licensed From – Rhino Entertainment Company
- Published By – Wright Music Group
- Published By – Sound Of Tomorrow Publishing
- Published By – Sony / ATV Music Publishing
- Recorded At – Kame Hills West
- Published By – Bomba Music (3)
- Recorded At – Kame House South
- Mixed At – Kame Hills
- Published By – Gravez Music
- Published By – Ole
- Published By – Red Cape Songs
- Published By – Salii Publishing
- Published By – VB Rising Publishing
- Produced For – Timbaland Productions
- Mixed At – Kame House South
- Published By – Just Isn't Music
- Licensed From – Exceptional Records (2)
- Mastered At – SING Mastering, Atlanta
- Pressed By – Sony DADC – DIDX-1076555
Credits
- A&R – Tunji Balogun
- Creative Director [Creative Coordination] – Chase Ichiki
- Design [Graphic Design & Packaging] – Vlad Sepetov
- Management – Neil Dominique
- Mastered By [Mastering] – Colin Leonard
- Photography By – Rolexx
Notes
First US edition issued in a standard jewel case with a 12-page booklet and a sticker that reads:
'Bryson Tiller T R A P S O U L
The debut album includes the hit single
Don't
Plus Sorry Not Sorry
& Been That Way
88875-15119-2'
The album was repressed with an RCA logo on the spine after it became popular.
Track 1: recorded at Perfect Sound Studios, Los Angeles, CA. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA.
Track 2: published by Bryson Tiller Publishing Designee, Sony/ATV Songs LLC/Joshua Scruggs Publishing Designee/Sam Fam Publishing Designee (BMI), Universal Music Z-Songs (BMI). Produced for Boi-1DA Productions. Recorded at Kame House, Louisville, KY. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "Age Ain't Nothing But A Number", written by Robert Kelly, as performed by Aaliyah, published by Universal Music Z-Songs (BMI) used courtesy of RCA Records.
Track 3: published by Bryson Tiller Publishing Designee, The Mekanics Music (BMI), EMI April Music, Inc. (ASCAP). Recorded at Perfect Sound Studios, Los Angeles, CA. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "Shorty Swing My Way", written by Javalyn Hall and Michael Johnson, as performed by KP & Envyi, published by EMI April Music, Inc. (ASCAP) used license from Elektra Entertainment Group Inc. by arrangement with Rhino Entertainment Company, a Warner Music Group company.
Track 4: published by Bryson Tiller Publishing Designee, Fayo And Chill LLC (BMI), EMI April Music, Inc. (ASCAP), BMG Rights Management LLC (BMI), Songs Of Lastrada (BMI). Recorded at Kame House, Louisville, KY. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "What About Us" written by Donald DeGrate, Reginald Moore, Shirley Murdock, Larry Troutman and Roger Troutman, as performed by Jodeci, published by EMI April Music, Inc. (ASCAP), BMG Rights Management LLC (BMI), Songs Of Lastrada (BMI) under license from Universal Music Enterprises.
Track 5: published by Bryson Tiller Publishing Designee, Isom Stewart Publishing Designee, Tavoris Hollins Publishing Designee, Beyonidolization/Universal Tunes (SESAC), Shaniah Cymone/EMI April Music, Inc. (ASCAP), W.B.M. Music Corp. (SESAC), Naked Under My Clothes/BMG Chrysalis Music (ASCAP). Recorded & mixed at Kame House, Louisville, KY. Contains a portion of the composition "Shake It Off", written by Mariah Carey, Jermaine Dupri, Bryan-Michael Cox and Johntá Austin, published by Beyonidolization/Universal Tunes (SESAC), Shaniah Cymone/EMI April Music, Inc. (ASCAP), W.B.M. Music Corp. (SESAC), Naked Under My Clothes/BMG Chrysalis Music (ASCAP).
Track 6: published by Bryson Tiller Publishing Designee, Bagheera Smoov Publishing Designee, The Upperclassmen Publishing (BMI), Ent Music (BMI), Sista Isley Music (BMI). Recorded at Kame Hills, Beverly Hills, CA. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "My Theme" written and performed by Alex Isley, published by Sista Isley Music (BMI), used courtesy of Alex Isley.
Track 7: published by Bryson Tiller Publishing Designee, Sony/ATV Songs LLC/Joshua Scruggs Publishing Designee/Sam Fam Publishing Designee (BMI)/Warner-Chappell Music, Inc. (ASCAP), Universal Music Corporation (ASCAP). Produced for Boi-1DA Productions. Recorded at Kame House, Louisville, KY. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "Nobody" written by Keith Sweat and F. Scott, as performed by Keith Sweat, published by Warner-Chappell Music, Inc. (ASCAP) and Universal Music Corporation (ASCAP) under license from Rhino Entertainment Company, a Warner Music Group company.
Track 8: published by Bryson Tiller Publishing Designee, Wright Music Group/Sound Of Tomorrow Publishing/ Sony/ATV Music Publishing (BMI), Songs Of Universal (BMI), Universal Music Corporation (ASCAP). Recorded at Kame Hills West, Los Angeles, CA. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "Sexual" written by Carl Martin and Marc Gay, as performed by Shai, published by Songs Of Universal (BMI) and Universal Music Corporation (ASCAP), under license from Universal Music Enterprises.
Track 9: published by Bryson Tiller Publishing Designee, Sony/ATV Songs LLC/Joshua Scruggs Publishing Designee/Sam Fam Publishing Designee (BMI)/Bomba Music. Produced for Boi-1DA Productions. Recorded at Kame House South, Miami, FL. Mixed by Black Mic at Kame Hills, Beverly Hills, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "Beryozovy Sok" written by Venjamin Basner, as performed by Eduardo Khil, published by Bomba Music in 2008, used courtesy of Aislu Basner.
Track 10: published by Bryson Tiller Publishing Designee, J Louis Publishing Designee, Gravez Music (ASCAP). Recorded at Kame Hills, Beverly Hills, CA. Mixed by Black Mic at Kame Hills, Beverly Hills, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA.
Track 11: published by Bryson Tiller Publishing Designee, Ole Red Cape Songs (ASCAP/GEMA)/Salii Publishing (ASCAP/GEMA) administered by Ole, VB Rising Publishing/Ole (ASCAP). Produced for Timbaland Productions. Recorded and mixed at Kame House South, Miami, FL.
Track 12: published by Bryson Tiller Publishing Designee, Fade Majah Publishing Designee (ASCAP), VB Rising Publishing/Ole (ASCAP). Produced for Timbaland Productions. Recorded at Kame Hills South, Miami, FL. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA.
Track 13: published by Bryson Tiller Publishing Designee, J Louis Publishing Designee. Recorded at Perfect Sound Studios, Los Angeles, CA. Mixed by Black Mic at Kame Hills, Beverly Hills, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA.
Track 14: published by Bryson Tiller Publishing Designee, The Mekanics Music (BMI), Just Isn't Music (PRS), Sony/ATV Music Publishing (ASCAP). Recorded at Kame Hills South, Miami, FL. Mixed by Black Mic at Kame Hills, Beverly Hills, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "All Yours" written by Tommy Evans, Dominic Howard and Ruby Wood, as performed by Submotion Orchestra, published by Just Isn't Music (PRS), Sony/ATV Music Publishing (ASCAP), under license from Exceptional Records.
Mastering at Sing Mastering, Atlanta, GA using Sing technology.
Management for #JustARegularDay
Creative coordination for #JustARegularDay
℗&© 2015.
'Bryson Tiller T R A P S O U L
The debut album includes the hit single
Don't
Plus Sorry Not Sorry
& Been That Way
88875-15119-2'
The album was repressed with an RCA logo on the spine after it became popular.
Track 1: recorded at Perfect Sound Studios, Los Angeles, CA. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA.
Track 2: published by Bryson Tiller Publishing Designee, Sony/ATV Songs LLC/Joshua Scruggs Publishing Designee/Sam Fam Publishing Designee (BMI), Universal Music Z-Songs (BMI). Produced for Boi-1DA Productions. Recorded at Kame House, Louisville, KY. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "Age Ain't Nothing But A Number", written by Robert Kelly, as performed by Aaliyah, published by Universal Music Z-Songs (BMI) used courtesy of RCA Records.
Track 3: published by Bryson Tiller Publishing Designee, The Mekanics Music (BMI), EMI April Music, Inc. (ASCAP). Recorded at Perfect Sound Studios, Los Angeles, CA. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "Shorty Swing My Way", written by Javalyn Hall and Michael Johnson, as performed by KP & Envyi, published by EMI April Music, Inc. (ASCAP) used license from Elektra Entertainment Group Inc. by arrangement with Rhino Entertainment Company, a Warner Music Group company.
Track 4: published by Bryson Tiller Publishing Designee, Fayo And Chill LLC (BMI), EMI April Music, Inc. (ASCAP), BMG Rights Management LLC (BMI), Songs Of Lastrada (BMI). Recorded at Kame House, Louisville, KY. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "What About Us" written by Donald DeGrate, Reginald Moore, Shirley Murdock, Larry Troutman and Roger Troutman, as performed by Jodeci, published by EMI April Music, Inc. (ASCAP), BMG Rights Management LLC (BMI), Songs Of Lastrada (BMI) under license from Universal Music Enterprises.
Track 5: published by Bryson Tiller Publishing Designee, Isom Stewart Publishing Designee, Tavoris Hollins Publishing Designee, Beyonidolization/Universal Tunes (SESAC), Shaniah Cymone/EMI April Music, Inc. (ASCAP), W.B.M. Music Corp. (SESAC), Naked Under My Clothes/BMG Chrysalis Music (ASCAP). Recorded & mixed at Kame House, Louisville, KY. Contains a portion of the composition "Shake It Off", written by Mariah Carey, Jermaine Dupri, Bryan-Michael Cox and Johntá Austin, published by Beyonidolization/Universal Tunes (SESAC), Shaniah Cymone/EMI April Music, Inc. (ASCAP), W.B.M. Music Corp. (SESAC), Naked Under My Clothes/BMG Chrysalis Music (ASCAP).
Track 6: published by Bryson Tiller Publishing Designee, Bagheera Smoov Publishing Designee, The Upperclassmen Publishing (BMI), Ent Music (BMI), Sista Isley Music (BMI). Recorded at Kame Hills, Beverly Hills, CA. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "My Theme" written and performed by Alex Isley, published by Sista Isley Music (BMI), used courtesy of Alex Isley.
Track 7: published by Bryson Tiller Publishing Designee, Sony/ATV Songs LLC/Joshua Scruggs Publishing Designee/Sam Fam Publishing Designee (BMI)/Warner-Chappell Music, Inc. (ASCAP), Universal Music Corporation (ASCAP). Produced for Boi-1DA Productions. Recorded at Kame House, Louisville, KY. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "Nobody" written by Keith Sweat and F. Scott, as performed by Keith Sweat, published by Warner-Chappell Music, Inc. (ASCAP) and Universal Music Corporation (ASCAP) under license from Rhino Entertainment Company, a Warner Music Group company.
Track 8: published by Bryson Tiller Publishing Designee, Wright Music Group/Sound Of Tomorrow Publishing/ Sony/ATV Music Publishing (BMI), Songs Of Universal (BMI), Universal Music Corporation (ASCAP). Recorded at Kame Hills West, Los Angeles, CA. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "Sexual" written by Carl Martin and Marc Gay, as performed by Shai, published by Songs Of Universal (BMI) and Universal Music Corporation (ASCAP), under license from Universal Music Enterprises.
Track 9: published by Bryson Tiller Publishing Designee, Sony/ATV Songs LLC/Joshua Scruggs Publishing Designee/Sam Fam Publishing Designee (BMI)/Bomba Music. Produced for Boi-1DA Productions. Recorded at Kame House South, Miami, FL. Mixed by Black Mic at Kame Hills, Beverly Hills, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "Beryozovy Sok" written by Venjamin Basner, as performed by Eduardo Khil, published by Bomba Music in 2008, used courtesy of Aislu Basner.
Track 10: published by Bryson Tiller Publishing Designee, J Louis Publishing Designee, Gravez Music (ASCAP). Recorded at Kame Hills, Beverly Hills, CA. Mixed by Black Mic at Kame Hills, Beverly Hills, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA.
Track 11: published by Bryson Tiller Publishing Designee, Ole Red Cape Songs (ASCAP/GEMA)/Salii Publishing (ASCAP/GEMA) administered by Ole, VB Rising Publishing/Ole (ASCAP). Produced for Timbaland Productions. Recorded and mixed at Kame House South, Miami, FL.
Track 12: published by Bryson Tiller Publishing Designee, Fade Majah Publishing Designee (ASCAP), VB Rising Publishing/Ole (ASCAP). Produced for Timbaland Productions. Recorded at Kame Hills South, Miami, FL. Mixed by Black Mic at Perfect Sound Studios, Los Angeles, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA.
Track 13: published by Bryson Tiller Publishing Designee, J Louis Publishing Designee. Recorded at Perfect Sound Studios, Los Angeles, CA. Mixed by Black Mic at Kame Hills, Beverly Hills, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA.
Track 14: published by Bryson Tiller Publishing Designee, The Mekanics Music (BMI), Just Isn't Music (PRS), Sony/ATV Music Publishing (ASCAP). Recorded at Kame Hills South, Miami, FL. Mixed by Black Mic at Kame Hills, Beverly Hills, CA and Fabian Marasciullo for That's A Dope Mix at Just Us Studios, Los Angeles, CA. Contains a sample from "All Yours" written by Tommy Evans, Dominic Howard and Ruby Wood, as performed by Submotion Orchestra, published by Just Isn't Music (PRS), Sony/ATV Music Publishing (ASCAP), under license from Exceptional Records.
Mastering at Sing Mastering, Atlanta, GA using Sing technology.
Management for #JustARegularDay
Creative coordination for #JustARegularDay
℗&© 2015.
Seller Terms
WELCOME! To Zion's Gate Records!
We specialize in good music from every genre.
Check us out on instagram: zionsgaterecords
A quick note about sleeve grading: We sometimes grade a Mint Sleeve as Near Mint . A true mint grade is basically impossible in my opinion...especially once something is shipped. So our near mint is the grade for most new copies of LP's, etc.
Regarding seam splits: We advice that you always request that your sealed record be opened, and shipped with the disc outside the sleeve. We do not take responsibility for seam splits.
A quick note regarding jewel cases for CDs and cassettes, as quoted directly from Discogs:
"Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable."
This means that in the case that you receive an item with a cracked case, it is not seen as reflective of the actual sleeve grading for the item. Sleeve grading refers strictly to the art sleeve for the CD, and j-card for the cassette.
How to use discogs:
Browse our selection and purchase the items you would like. We then email you a paypal invoice. Easy, fast and safe. You can use your credit card via paypal even if you do not have an account. Money orders and cash in US dollars are accepted as well. On larger orders I will also take Western Union payments. This is the website for our record store with thousands of records. It is much easier to input items and much funner to browse around and learn about music on Discogs so we choose to use this interface. We proudly offer one of the largest and best selections IN THE WORLD on discogs. Adding new items daily. We ship multiple days a week in strong, sturdy boxes. Open 7 days a week, easy to call and pro customer service. I check Discogs often and will attempt to get back to you quickly. Feel free to call the shop if needed 206-568-5446.
We also sell items on eBay, thought discogs has the larger stock.
Please visit our record store when in the Seattle area.
All shipments come with TRACKING which is emailed to your account connected to paypal.
SHIPPING RATES:
International shipping is determined by weight. Discogs will automatically send a shipping invoice when you checkout. If there is any issues with the rate, we will contact you.
Thanks for your support!
We specialize in good music from every genre.
Check us out on instagram: zionsgaterecords
A quick note about sleeve grading: We sometimes grade a Mint Sleeve as Near Mint . A true mint grade is basically impossible in my opinion...especially once something is shipped. So our near mint is the grade for most new copies of LP's, etc.
Regarding seam splits: We advice that you always request that your sealed record be opened, and shipped with the disc outside the sleeve. We do not take responsibility for seam splits.
A quick note regarding jewel cases for CDs and cassettes, as quoted directly from Discogs:
"Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable."
This means that in the case that you receive an item with a cracked case, it is not seen as reflective of the actual sleeve grading for the item. Sleeve grading refers strictly to the art sleeve for the CD, and j-card for the cassette.
How to use discogs:
Browse our selection and purchase the items you would like. We then email you a paypal invoice. Easy, fast and safe. You can use your credit card via paypal even if you do not have an account. Money orders and cash in US dollars are accepted as well. On larger orders I will also take Western Union payments. This is the website for our record store with thousands of records. It is much easier to input items and much funner to browse around and learn about music on Discogs so we choose to use this interface. We proudly offer one of the largest and best selections IN THE WORLD on discogs. Adding new items daily. We ship multiple days a week in strong, sturdy boxes. Open 7 days a week, easy to call and pro customer service. I check Discogs often and will attempt to get back to you quickly. Feel free to call the shop if needed 206-568-5446.
We also sell items on eBay, thought discogs has the larger stock.
Please visit our record store when in the Seattle area.
All shipments come with TRACKING which is emailed to your account connected to paypal.
SHIPPING RATES:
International shipping is determined by weight. Discogs will automatically send a shipping invoice when you checkout. If there is any issues with the rate, we will contact you.
Thanks for your support!
Recommended from this seller
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