Jackie Moore – Sweet Charlie Babe
Label:
Collectables – COL-CD-6720
Format:
CD, Album, Reissue
Country:
US
Released:
2005
Genre:
Funk / Soul
Style:
Soul
Tracklist
| Position | Title/Credits | Duration |
|---|---|---|
| 1 |
Sweet Charlie BabeArranged By [Strings & Horns] – Richard Rome*Bass – Bob Babbitt, Ronnie Baker*Drums – Andrew Smith (4), Earl YoungEngineer – Carl ParuoloGuitar – Bobby Eli, Norman Harris, Tony BellHorns, Strings – Don Renaldo & The Philadelphia Strings And Horns*Keyboards – Cotton Kent*, James SiglerPercussion – Larry WashingtonProducer – The Young ProfessionalsProducer [The Young Professionals] – LeBaron TaylorWritten-By, Keyboards, Producer [The Young Professionals] – Bunny SiglerWritten-By, Producer [The Young Professionals] – Phil Hurtt |
2:34 |
| 2 |
Clean Up Your Own YardBass – Bob Babbitt, Ronnie Baker*Drums – Andrew Smith (4), Earl YoungEngineer – Carl ParuoloGuitar – Bobby Eli, Norman HarrisGuitar, Arranged By, Conductor, Producer [The Young Professionals] – Tony BellHorns, Strings – Don Renaldo & The Philadelphia Strings And Horns*Keyboards – Bunny Sigler, Cotton Kent*, James SiglerPercussion – Larry WashingtonProducer – The Young ProfessionalsProducer [The Young Professionals] – LeBaron TaylorWritten-By – Anthony Bell*Written-By, Producer [The Young Professionals] – Phil Hurtt |
4:15 |
| 3 |
IfBass – Bob BabbittBass, Arranged By [Strings & Horns], Conductor – Ronnie Baker*Drums – Andrew Smith (4), Earl YoungEngineer – Carl ParuoloGuitar – Bobby Eli, Norman HarrisGuitar, Producer [The Young Professionals] – Tony BellHorns, Strings – Don Renaldo & The Philadelphia Strings And Horns*Keyboards – Cotton Kent*, James SiglerPercussion – Larry WashingtonProducer – The Young ProfessionalsProducer [The Young Professionals] – LeBaron TaylorWritten-By, Keyboards – Bunny SiglerWritten-By, Producer [The Young Professionals] – Phil Hurtt |
3:30 |
| 4 |
Darling BabyBaritone Saxophone – Hugh GarrawayBass – Vernie RobbinsDrums – James StroudEngineer – Tommy CouchGuitar – Jerry PuckettKeyboards – Wardell QuezergueProducer, Keyboards – Dave CrawfordProducer, Percussion – Brad ShapiroTenor Saxophone – Booker Walker, James Mullen (2)Trombone – Ed Butler (4)Trumpet – Charles Wicker, Phares CorderWritten-By – Brian Holland, Lamont Dozier, Eddie Holland* |
|
| 5 |
Cover MeBass – Harold CowartDrums – Ron Zeigler*Engineer – Ron AlbertGuitar – Cornell Dupree, Jimmy O'RourkeHorns – Andrew Love, The Memphis Horns, Wayne JacksonOrgan – Billy CarterProducer – Brad ShapiroProducer, Piano – Dave CrawfordWritten-By – Eddie Hinton, Marlin Greene |
|
| 6 |
Both Ends Against The MiddleBass – Bob Babbitt, Ronnie Baker*Drums – Andrew Smith (4), Earl YoungEngineer – Carl ParuoloGuitar – Bobby Eli, Norman HarrisGuitar, Arranged By, Conductor, Producer [The Young Professionals] – Tony BellHorns, Strings – Don Renaldo & The Philadelphia Strings And Horns*Keyboards – Bunny Sigler, Cotton Kent*, James SiglerPercussion – Larry WashingtonProducer – The Young ProfessionalsProducer [The Young Professionals] – LeBaron TaylorWritten-By – Anthony Bell*Written-By, Producer [The Young Professionals] – Phil Hurtt |
|
| 7 |
TimeBass – Jesse BoyceDrums – Freeman BrownEngineer – Ron AlbertGuitar – Dennis Coffee*, Ray MinettHorns – Andrew Love, The Memphis Horns, Wayne JacksonKeyboards – Mac Rebennack, Michael UtleyPercussion – Jack AshfordProducer, Percussion – Brad ShapiroWritten-By, Producer, Keyboards – Dave Crawford |
|
| 8 |
Precious, PreciousBass – Harold CowartDrums – Ron Zeigler*Engineer – Ron AlbertGuitar – Cornell Dupree, Jimmy O'RourkeHorns – Andrew Love, The Memphis Horns, Wayne JacksonOrgan – Billy CarterWritten-By – Jackie MooreWritten-By, Producer, Piano – Dave Crawford |
|
| 9 |
WillpowerBass – Harold CowartDrums – Ron Zeigler*Engineer – Ron AlbertGuitar – Cornell Dupree, Jimmy O'RourkeHorns – Andrew Love, The Memphis Horns, Wayne JacksonOrgan – Billy CarterWritten-By, Producer, Piano – Dave Crawford |
|
| 10 |
Something In A LookBass – Jesse BoyceDrums – Freeman BrownEngineer – Ron AlbertGuitar – Dennis Coffee*, Ray MinettHorns – Andrew Love, The Memphis Horns, Wayne JacksonKeyboards – Michael UtleyPercussion – Jack AshfordProducer – Brad ShapiroWritten-By – Willie MartinWritten-By, Producer, Keyboards – Dave Crawford |
Seller Terms
Automatic Cancellation Policy:
Orders will be cancelled if payment is not received within 4 days.
WE OFFER COMBINED SHIPPING!!!
(COMBINED SHIPPING IS CALCULATED BY THE TOTAL WEIGHT OF THE PACKAGE, NOT BY THE NUMBER OF ITEMS.)
WE ARE NOT RESPONSIBLE FOR ITEMS LOST OR DAMAGED IN TRANSIT.
INSURANCE IS OPTIONAL.
BUYER PAYS FOR RETURN SHIPPING.
BUYER HAS 4 DAYS AFTER INVOICE TO MAKE PAYMENT OR ORDER WILL BE CANCELLED.
***VINYL GRADING GUIDE***
STILL SEALED (SS): Unopened. Original Packaging.
MINT (M): Absolutely perfect in every way - certainly never played.
NEAR MINT (NM or M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
VERY GOOD PLUS (VG+): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sign are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
VERY GOOD (VG): Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
GOOD (G), GOOD PLUS (G+): Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
POOR (P): The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
WE OFFER COMBINED SHIPPING!!!
(COMBINED SHIPPING IS CALCULATED BY THE TOTAL WEIGHT OF THE PACKAGE, NOT BY THE NUMBER OF ITEMS.)
WE ARE NOT RESPONSIBLE FOR ITEMS LOST OR DAMAGED IN TRANSIT.
INSURANCE IS OPTIONAL.
BUYER PAYS FOR RETURN SHIPPING.
BUYER HAS 4 DAYS AFTER INVOICE TO MAKE PAYMENT OR ORDER WILL BE CANCELLED.
***VINYL GRADING GUIDE***
STILL SEALED (SS): Unopened. Original Packaging.
MINT (M): Absolutely perfect in every way - certainly never played.
NEAR MINT (NM or M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
VERY GOOD PLUS (VG+): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sign are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
VERY GOOD (VG): Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
GOOD (G), GOOD PLUS (G+): Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
POOR (P): The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
Recommended from this seller
The seller assumes all responsibility for this listing. Sellers certify that they only offer products or services that comply with applicable laws and regulations. The seller is responsible for the sale of their items and for managing any issues arising out of or in connection with the contract for sale between the seller and the buyer.