- Joined on January 29, 2007
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- Rating Average 2.00
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Amazingly early reference to reggae for an American artist on an American release - it only began .and was named in 1968
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People like Robert Christgau have no real love for music - listening to them is an academic exercise where what they 'like' is largely/almost wholly decimated to be what they think will make them look good with other charlatans and twats like ...
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Well not really seeing as Brenda was black and Chantel was white.
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I remember when this came out and James Hamilton reviewing it in his legendary column - basically the first electro tune, or at least big hit ever.
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Remember listening to the biggest hits of 1982 on a London funk pirate station coming home from a club around New Year 1983 and this being quite near the top of the chart.
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i obviously meant to say 'funk dj's' in the comment above!
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In England funk dis around London were playing Eddie Henderson's Cyclops at the 'wrong' speed in 1978 - that was what made it a hit over here.
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According to James Hamilton's legendary disco column rom 1979 the 12" is fractionally faster than the album version.
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Used to have this on a tape I recorded at a weekender back in 1986 played it till it broke also had the 12" which went when I sold my vinyl - nice nice tune.
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Lovely classy tune. Should have been massive. Well worth checking out.
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Actually I've got that wrong he bought it when Howard Jones was playing at the Osborne Arms but I don't think it was recorded there.
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It's pretty strange that the hardcore mix was available everywhere but Britain where hardcore was invented and at its height at the time of this release...
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I understand why theyre on but I think the problem with Discogs is its such a mess - it seems obvious that there should be cartegories for official singles and albums and all the other stuff should be kept together somewhere else on the page.
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Bloody hell! you've got some real problems I'd try to get them sorted if I were you.
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Very true this was probably the first house mix from a 'rock' band and something you'd still hear at Acid House parties in London occasionally in 1988. Of all the groups to use in that atrocious SAW record Fleetwood Mac were probably the least ...
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Omnipresent in 1989 so much so that not long after it was released there was already a house dance versions of one of the tunes in the pop charts. One of those records that like 'Brothers In Arms' by Dire Straits, and 'What's The Story Morning Glory' by ...
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Good appreciation of the music. The ridiculous thing is though that the only people (if anyone) who would have been embarrassed at buying their records were other middle class people. Amongst the working class kids I grew up with they were all firmly ...
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Out of all the listings on Discogs the fact that only 29 people want this surprises me more than anything else I've seen. In the New Romantic/syth-pop heyday of 1982 they were very trendy for a bit and this one with its amous production was THE one of ...
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Recorded at the Osborne Arms in Lane End, High Wycombe I believe - a friend of mine who lived in Lane End used to have it.
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This album was a very big influence on George Michael too as he said in interviews..
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My comment obviously relating to the fact that Are You Ready For Love was recorded at the same 'disco' sessions.
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Other people beg to differ as the remixes of Are You Ready For Love and its subsequently getting to number 1 in the pop charts 30 years later prove. And to the first poster to be pedantic if it was anything drugged up it was 70s seeing as 1979 isnt in ...
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Also the Breaking Hearts single seemns to be missing completely aside from one solitary 7".
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Bit ridicuolous putting Philadelphia Freedom under a separate heading (Elton John Band) theres a countless number of slightly diferent credits for various artists/records throughout Discogs which don't get listed separately.
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Minor point but why is the date in the American style 3/4/83 for March 4th when only America uses this and the group are English.
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I wouldnt have bothered giving him any credence at all he sounds like he thinks he knows everything and knows nothing.
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Never Lost His Hardcore was obviously the big one back ih the hardcore era and was also massive again in bangin' clubs around 96/97 playing trance and hard house. Not many tunes fitted in so well in two different periods. I lost the sheer lumbering ...
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Great reply and the embarrassing thing is he obviously thins he's so "cool" but then proves he doesnt even know what a yuppie is/was.
Probably really always liked indie music or some such nonsense back then thought he better get with the times and ... See full review |
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The original 1980 release that launched a thousand rave tunes.
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Very amateurish release seeing as Hammersmith Palace was Hammersmith Palais.
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Quite strange main page here a group who were known for early 80s synthpop and someone's put a picture of them here that makes them look some rock band.
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As far as I remember the expression 'new wave' died in the 1970s and I think you actually mean synth pop - new wave was a vaguely punk pop-rock music and nothing to do with British groups playing synths and often wearing New Romantic fashions in 1980 and ...
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Yes those 'ecstasy wrappers' were part of the decor at Sunrise's Midsummer's Night Rave at White Waltham (just outside Maidenhead in Berkshire) which was supposedly the niggest rave that had happened numberswise up until that point. The official figure ...
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Think you're right there although it was actually made in 1988. AS the bloke above said too this is like taking a step right back into the maelstrom that was an acid house party in London Town in 1988.
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I agree from a European point of view but they call all of this stuff freestyle in New York/America even when theres absolutely no latinos involved in making a tune and also when the term freestyle didnt even exist when the first electro records were ...
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Yes I remember those freat big batteries - my dad used to use them in his old-fashioned transistor radio many years back.
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This correct song title should 'Honey I' not 'Honey 1'.
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Released a year or 2 before Acid House and the start of all that Ibiza subequently became known for in the public consciousness. This is when it was all on a much much smaller scale.
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Funnily enough I first recorded this off Graham Gold's unmissable Saturday daytime show on Kiss back at this time - he used to play the best current tunes and the other half of the shows was the Kiss dance chart which included this for a few weeks and I ...
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Very un PC mix title here the Schizo mix - pretty disgusting when you think about it.
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I used to think that and to be honest back in 1982 when they had finally become standard for all dance/electronic singles I must have at least once bought a 12" (just because by then it was the format that you bought if you were into the New ...
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Thanks for the tip - I'll have to give it a listen I only know LNND and the no album single I Can See Her Now from later.
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I'm loved the original since it came out when I was still at school but love the Bassheads '93 dub - easily the best of the post 80s remixes in my opinion
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As a bloke in his mid teens back in 1981/82 I wouldn't have gone near this but now I can't get enough o it - unpretentious, infectious, never gets stale. And of course now with added nostalgia for those days thrown in.
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This should have been massive - obviously it was on the dance underground but it surely had the potential to have crossed over to have been a massive pop hit too - problem is other than the funk pirates I doubt anyone else played it.
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I see what you mean about the BBG rhythm track - really surprising when they were respected producers on the underground - Snappiness was even a big club hit on two occasions if i remember correctly.
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Years ahead of its time and obviously must have inspired the New Romantic/sythpop magazine of the time New Sounds New Styles.
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The breakdown on the 12" of this is probably the best on any New Romantic/synthpop record. I'm sure Spandau Ballet would have appreciated it if they'd heard it.In fact its so good I'd put it up there with the some of the best of the (completely different ...
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its been driving me mad but what famous rave record samples the sunth tones from the first 5 seconds of the 1 minute version of Computer Game Theme From The Invaders as included here?
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