- Joined on December 3, 2006
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Contributor Stats
- Rank Points 13,602
- Average Vote 3.89
- Votes Received 81
- Last 10 Day Average 4.00
- Last 10 Day Votes Received 1
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Just trying to make this platform true and correct, but thanks for taking the time, expressing your emotions and your attention to let your views known.
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Strong contender for greatest rap group of all time. Change my mind.
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Just realized how well this would have suited Guerrilla records and I m betting from a couple of samples used on this that Guerilla sound was a major influence on Mark and David.
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Are there two different versions of the centre label, one with and one with out signatures?
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Probably too heavy for most dancefloors and the arrangements and production also too complex however a dope bangin speed garagish heavy house with hints of hardcore workout. Love to know where Nick obtained the accapella back in 98.
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$200!!!! why??? I mean I dug "Behind You" a bit but really the rest was fairly cheesy Handbag ish biz wasnt it.
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Haha a record that I have been meaning to get rid of for years, thought I'd look up and see if it was worth anything as I was doing so I realised I bet it is. Sure enough.
Terrible mix/master. |
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I like it ruff for sure however I just find this a little too ruff on the mix and also a lot of the transitions are clumsy. Mad respect for SS of course but I wish a bit more time was spent on this ep
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The worst the cover art the more its sort after.....ok got it.
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Systematic Breakdown is one hell of a killer track that reminds me of Christopher Just for some reason, I used to hear it drop very rarely in the latter parts of the 90ies and always destroyed dancefloors.
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Is mine the only one with a pressing issue? both sides have a backwards loop fault A side at around 2/3s and B side around half way.
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One of the last "ravey" type tracks/remixes that FSOL did.
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Faith is an absolute killer, haunting strings, distorted percussion, dope Detroit emotional melodies.
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Hang on, did this track come out prior to Dance Before The Police Come which was 1990 from memory?
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It might be paying homage to UR and NSC I reckon
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Is this in relation to Q Bass? I presume someone of these guys were into the rave scene.
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Synth It was one of AFX's favourite tracks way back in the day.
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Errrr not sure Luke has much of say to be honest its the labels decision on formats, take it up with Josh.
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Indeed a great collection of electronica with a few tracks that don't seem to be available anywhere else.
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Huge respect for one of the unsung legends of the scene.
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Seriously a good year & a half in front of most.
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Have to agree not a favourite Djax release Artificial V2.0 is ok and Basement is kinda decent but as mentioned most part the record doesn't really seem to go anywhere.
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The start synth stab of the Radio Version sounds very very very much like the Roygbiv hook.
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Is it just me or does What Falls Away Is Always sit strangely here? I mean I don't dislike the track but I wouldn't say I'd think it was FSOL with out knowing and for me it sits slightly weirdly on this release.
Another great release regardless. |
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I personally don't think it sounds like Go or Age Of Love or Pacific Symphony or papa new guinea other then in genre, I am talking about a track that sounds basically exactly the same not vaguely similar. Think Rave Generator and Pure Pleasure that is...
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Indeed Scramble is killer also Liquid Flow is amazing in fact all tracks are great and varied, production is spot on but I just saw it was recorded at TTB with no doubt Richard Brown on the mix.
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If you are familiar with both tracks you can’t dispute they sound very very similar. I am fairly certain I heard del terra at the end of 92 I presume it was promo’d early and copied by jens. I am happy to eat my words if proved otherwise but I just...
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For the past 20 years only a few would have thought to buy this type of stuff after finding them in the $1 bins. I used to see Thunk records constantly for next to nothing what a strange turn.
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I always liked this track but felt a mixture of being overwhelmed yet underwhelmed at the same time, so some 25 years later I put it on and well, got say it just seems a bit of a directionless meandering bit of whatever. Sonic wise its not bad...
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Metropolis crossed over into the sets of a heap of people you'd never expect to play Steve Stoll. Perfect example of a simple bit very effective track that had people running onto the dancefloor.
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Trance in the early 90ies was fairly different to trance in the late 90ies.
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Shit there are people on this planet who live in their own worlds
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The bonus track I am talking about is like a slower version of the Schumacher track.
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I remember Nuclear Holocaust getting caned in dark sweaty underground techno nights. Bit of an odd track really.
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Surely should be listed as a techno classic, this track stood out against all others. Nothing in my mind sounded anything like this. Seeing a sea of ravers, eyes closed swaying to the over 3 minute beatless intro at 3am was quite surreal and when that...
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Afx dropped Leisure Techno in a set, count me in
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Discovery has be one of my favorite tracks of all time, as soon as it starts I get tingles everytime.
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Its a pressing issue the second copy I received was the same. Write to R&S.
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I asked Juno whether they have received complaints however they just sent out another copy and sure enough both have noise so its a pressing issue, seriously fuck coloured vinyl, full stop end of story, no ifs or buts about it, fuck coloured vinyl.
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Worth tracking down as there are quite a few exclusives on this release.
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For me it is all about Original Rub N' Dub Style, it got absolutely caned back in the day.
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For me it was always about Sector 2. words words words
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Mell 'O' Gone Crazy is a fairly heavy slab of UK hardcore rap, I can imagine K-Sly over this as well.
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Anyone else think this pressing has heaps of surface noise? listening to The Cost Of Clarity now and the noise especially from the left channel is huge.
*listening after two cleans using a smart matrix and still overpowering surface noise mostly from... See full review |
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Gotta say that when I previewed this album I was borderline whether or not to get it, but damn I am glad I did because as an album it is pretty damn amazing. Definitely one of the best 2019 albums for me.
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I worked in a record store when this came out, a kid who was tripping came into the store to have a bit of a wig out. The kid asked the owner of the store (who had little idea of dance music) to pick out a record for him to listen to on headphones and...
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Gotta agree Nico's track is killer that got a fair bit of play in house sets.
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Never really dug Jazz It Up but Where Are You Coming From? is a funky dope slab of UK business.
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I cleaned mine with a vacuum and its dead quiet.
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