EPOCHALYPSE
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+1 .... GAS

Hmmm, ijustspeak, that last bit is just the most perfect sentiment for the man, which casts a wink and a flashlight upon the very unique sense of the very one-of-a-kind depth of the mind of Tom Waits that his lifetime fan base proudly possesses, and... See full review

One of the, if not the, single most flawlessly written, technically brilliant, beautiful and respectful of its source material, modern re-imaginings of any classical piece ever made. A monumental achievement and one of the best collections of... See full review

+10,000

One of the best Soul Deejay mixes ever, bar none. The selection, the mixing and the scratching are all flawless. Anytime I put this mix on at a party I get a huge response, more than any other mix in any genre. Everyone wants to know what it is and... See full review

Absolutely stunning EP. All three tracks are gems and if you are a deejay, you will be hard-pressed to choose one to play out or on your hot new mixtape. Beautifully constructed disco-house to make your woman shake it all out.

This track is so classic. One of Bobby Orlando's best productions and as fresh today as it was in 1982, possibly even fresher on the dancefloor since so many of today's partgoers have not been properly introduced and yet are more prepared to... See full review

Dexter channels a classic electro sound sickness that once manifested itself as Drexciya. This record feels like both an homage to a fallen master and a maiden voyage into the murky depths of electro, past and present. At all times the beats are... See full review

Straight sound design wizardry. All three tracks are superbly produced and oozing with quality.

While picking this up does not excuse you from searching down Alden's classic 12" singles, it is undoubtedly a necessity, mostly bearing on the inclusion of a new track, Voyagers End. Voyagers End is one of Alden Tyrell's best tracks to date, with a... See full review

The End Of It All is John Tejada's sickest track to date. And I do not say that lightly. The man makes very few tracks that I would not dub as ill. Perfectly crafted beats and brilliant off time melodies create a harmonoius, dynamic beauty rarely... See full review

Sozinho may be the sickest track that I have heard all year. This track has all the elements that make a sick track for me: ill beat, syncopated melting bleepy ridims, single note saw-tooth bass lines, a fat change half-way through . . . it just... See full review

George Evelyn has always kept it absolutely real. To say the man knows himself and his sound is an understatement. And yeat, over the many years, his style has evolved in many subtle and delicate ways, his sound has matured if you will, yet always... See full review

To this day, I still lose my shit anytime I hear La Roc 01 dropped in a set . . . any set . . . one of the dopest songs of this millenium. I prefer Poney part 1 in my own sets. Altogether an amazing record. As stated above, except that I will... See full review

Psycho Happiness is a bubbling, screeching, thumping monster of a track. This record has earned a permanent home in my box. Whenever I play it, the crowd goes all mad ang giggly. The track really does spontaneously cause psychotic episodes of... See full review

MDSLKTR's big muff remix is one of the hottest guitar based, acid tinged, electro mixes I've heard in a long ass time. Otto Von Schirach provides his best work IMHO on the extremely cut-up mashed IDM breakcore tip . . . tip . . . TIP! 5/5

Amazing EP featuring some sickness, with two particularly viral, gangrenous bloody and delicious tracks from Brooklyn songbird Tiombe Lockhart with some ill bass and vocals, and the Black Barbie Remix from Bpitch Control's MDSLKTR (Modeselektor)... See full review

Even though Q modestly turned down the title, he officially became Grandmixer Q-Bert at the Turntablist Festivel in NY in 2001 after Grandmixer DST, the original father of the scratch, passed it on to him at the end of the show. Q-Bert respectfully... See full review

Seriously funky and necessary minimal dub techno from the new Spanish label, Apnea. These tracks are an excellent example of how complex minimalism can be. Geoff White does an excellent job of leaving subtle sonic clues that only grow to full... See full review

In the mix is bpitch control head honcho Ellen Allien. The seamless beauty of this mix is especially apparent in her deft mixing of her label's own plates. Particularly spectacular are the mixes between Ellen's own 'Bang Bang' and Modeselektor's... See full review

One of the best party records ever. Latin meets hip-hop meets turntablist cut n paste meets funk with a little Manu Chau-esque flavor thrown into the mix. Let the fiesta begin!

Ahhh . . . "I'm losing controllllllll!" I remember the first time I heard the Carl Craig remix of this track I had a head full of acid and was quite literally out of control. For some reason the lics on this track brought me around into a mad fit of... See full review

This was released on the eve of 20.05, and did not thus bless my ears until this year. Therefore, KELPE's 'Sea Inside Body" is my frontrunner for 20.05 album de l'annee. Amazing microrhythms and lush evaporating negative spaces. This is the new... See full review

This was released on the eve of 20.05, and did not thus bless my ears until this year. Therefore, KELPE's 'Sea Inside Body" is my frontrunner for 20.05 album de l'annee. Amazing microrhythms and lush evaporating negative spaces. This is the new... See full review