G.Monk

Not a wellknown record which can easily be overlooked when searching for one of the finest housetracks of 1996. If it wasn't for an Outland Records package which I received some years ago, I wouldn't even known that one of my favorite Dutch house... See full review

For me this is one of the best house records ever produced. Each song is a real killer in its own way. Loops & Tings and Psycho Strings became the big classics on this record, but the real masterpiece is Boo-Ya and is one of my most favorite songs... See full review

I've always liked the original version of Aslyum, but when I heard the Digital Boy remix back in 1997 it really blew my mind. What a great remix! What I like the most is the use of complex drum patterns and I suppose these are one of the weirdest drum... See full review

Although I don't own this record (I have the tracks on the ESP Records releases), I have to mention that these tracks were way ahead of their time. When I listened to this record last year (2010), I really thought these were new tracks. They sound so... See full review

The big smasher on here is "Ohh Babehhh" ofcourse, but there is another great track on it, which is "Rhythm". Ronald Winkel actually wrote a bit of hardcore history with this track in my opinion. Most kickdrums used in gabbermusic around 1993 were... See full review

The record has been repressed on clear vinyl.

For me Peter Slaghuis is a true legend, because he introduced me in the late '80s at a young age with housemusic. I will never forget the first time I heard tracks like "Jack To The Sound Of The Underground" on the radio. And although it has been... See full review

Although there are more housetracks containing Batman samples, this must be the finest of them all. All the sounds and samples perfectly match with eachother, where other producers have failed in doing this. I especially like the laugh of "The... See full review

Although I don't like this record (I bought it because the picturesleeve is just an amazing piece of art in my opinion), I have to mention that Frank de Wulf was a man with a futuristic vision. Long before the start of the hype around minimal techno... See full review

The A2 is definitely my favorite Adam Beyer track. This track goes as deep as the fires of hell... like you're hiding deep down below earth's surface surrounded by dark spooky sounds from creatures you don't want to meet.

For me this record is all about the radio version and remarkably this is the only "Alles Naar De Kl- -te" record which contains this version. The dialogue in this version is a bit different than the original rotterdam version. In this version two... See full review

I've always been a big Mijk van Dijk fan and this cd demonstrates perfectly his excellent productionskills which he had in the '90s. He was one of those producers who really had an own sound, which actually nobody else had.

That's why this is one of... See full review

This is definitely one of my favorite trance-cd's of alltime. ESP Records belongs to one of my favorite recordlabels from the past, because they've released a high amount of quality releases back in those days. You can hear this quality back on this... See full review

Although this record is all about the remake of Gerd's "Vorpal Blade" there is also a great remake on the flipside of the record. It kinda samples an old track from Larry Heard called "Stars" produced under his Mr. Fingers alterego in 1988. Just... See full review

This has got to be one of the best records which Dave Lee has produced, beside of the fact he made this record with Andrew Livingstone. One the a-side we here the famous discogroovesounds which Dave has used for many of his other productions. So I... See full review

This first Thunderdome was the first real gabber CD which introduced a sound to a large public which wasn't done before by other recordcompanies.

I can remember the TV-commercial like it was shown yesterday for the first time. In that time I heard... See full review

The M.I.S.T Dub remix of 9 By 9 can be played on 45 rpm as well as on 33 rpm. On 45 rpm it's a fast drum 'n bass track, and because it's too fast for me, I always play it on 33 rpm. Then the track will become much slower, but still sounds great. In my... See full review

I Wanna Be A Hippy is probably the best sold gabber record which was ever made. The 12" sold about 15000 copies, and the cd-single even sold about a million copies worldwide.

This record was Peter Paul's first own EP. The track "Frankfurt, This Is Den Haag/The Hague" was some kind of response to the PCP track "We Are From Frankfurt". After a couple of months when this EP came out, ID&T asked him if he wanted to produce for... See full review

This record has caused some confusion on discogs. First there were two releases. One on the Indisc label and one on the Earprotector label. But there's been only one record released. The problem is that nobody knows exactly on which label.

Because... See full review

The B-side track 'Sick' is actually a very basic hardcore track. It only consists of the famous hoover-sound, a kick drum and a voice sample (dominator is dead).

The story went, that this song was made because the producers behind this record were... See full review

What the real name of the artist behind this record is I don't know, but the story goes, that DJ Paul bought the songs from this producer (in those days this was possible). On the record you can find the producername 'Iriz'. This name is actually a... See full review