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The Japanese hiragana I Ru Ha are supposed to be a name for Illluha, which means "Is There"

Here is how it goes… I accumulate music, re-listening to the standout albums over and over, until all of a sudden I simply can’t take it any longer, knowing that I must share with you my latest find. This month, in particular, has been somewhat... See full review

It’s a beautiful Sunday morning. Nearly December, but the city refuses to fall into its winter grays, boasting thermometer readings at 50ºF. The sun warms my quiet dwelling, and even the piano keys beg to bask in its light. I make myself some tea,... See full review

Time Released Sound is a music label from California, rewarding our ears with timeless ambient, electro-acoustic, and modern classical releases, and our libraries with cherished, limited edition, hand-made little packages. TRS has been covered by... See full review

Iden Reinhart first appeared on the scene back in 2010, with her Sléptis debut on Soundscaping Records. I finally got a chance to properly cover Reinhart’s second release as Strië on Time Released Sounds back in 2012, and Õhtul was featured on... See full review

I’ve been writing about music for what now seems almost a decade. And even so, I must tell you, the closer I come to its essence, the further I seem from its reach. Every listen is always a new venture into the sounds, spaces and mind of the composer... See full review

As I got older I began to gravitate towards classical music again. It’s not that I appreciate it any more than when I was a child. As a classically trained pianist I was exposed to the traditional repertoire of your Baroques, your Romantics and... See full review

“We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.”

It is the last line from the final stanza of T. S. Eliot’s The Love Song of J. Alfred Prufrock that the... See full review

The Angry Child is the latest full length work from UK based artist, musician, and programmer Mark Harris which has been released by n5MD. It is a serene, evocative, and polished album of pure ambient music that can be appreciated just on the hearing,... See full review

Orcas, the duo of Benoît Pioulard and Rafael Anton Irisarri, return with a new release on Morr Music called Yearling in which they seamlessly blend hazy, dream pop song structures with post-minimalist ambient abstractions into a single intoxicating... See full review

Walizka by John Lemke is a significantly enhanced reissue of a three-track EP which was originally released as a teaser for his 2013 full-length album People Do on Denovali. The new version includes the three original tracks (‘Walizka’, ‘Drift’, and... See full review

You remember Bluetech, right? Evan Bartholomew has been producing electronic psychedelia since 2003, most notably known for his releases on Aleph Zero, Interchill, and his very own Native State Records. Sometime in 2007 (I believe), Bartholomew met up... See full review

Somewhere on the edge of our drawn maps lies our planet’s southernmost continent, Antarctica. This is a place where temperatures drop to -90°C, with almost all of its territory covered by ice. On the opposite pole of our planet lies the Arctic, a... See full review

There is a certain sense of pride, which I awaken within, each time a favorite artist steps up in his game. There is a certain sense of nostalgia, which overtakes, when I look back at the earlier memories of discovering a début of the then unknown... See full review

I bet that some of you are occasionally wondering: with all this music that I go through (perhaps a dozen or more albums per week) how can I possibly still enjoy it? Well, I’m happy to report that I still derive an immense pleasure from the experience... See full review

I’ve been sitting on a beach for about four days now, thinking about these waves. How these waves have always been here, calmly licking at this beach, endlessly folding all over each other, even without my observation. How whether or not I was here,... See full review

You’ve surely witnessed some coverage of techno on these pages. There are many a time when I delight in the 4/4 kick and its hypnotic derivatives. As a child of the 90s electronica, I grew up with the Surgeon, Jeff Mills, Adam Beyer, Chris Liebing and... See full review

I’m afraid of listening to Kaboom Karavan during the day, because I don’t want the light to seep into the music and ruin the mood. The setting must be grim, damp and arcane; the air a bit stuffy and moist, to better transmit the vibrations; the smells... See full review

Rauelsson may have recorded two full length albums prior to Vora, but it is once again that with the help of the label that we stumble upon such splendor and grace – I point to the advantages of taste-makers here, that are willing to literally... See full review

After a three day silent retreat I return to the world. But before I dive in, I decide to set aside some time for a quiet morning. Perhaps I’ll sit on the pier looking at New York skyline for just a bit. Perhaps I’ll even close my eyes. And with the... See full review

For the past six years, whenever a new record by Axel Willner hits the streets, I usually approach it in the most reserved and skeptic way. “Oh, here we go again,” I’m thinking, “an hour of the same repeating loops. Why would these loops be any better... See full review

Listen… You could almost hear them walking on your grave… Bodies dragged across the future, smeared with blood and empty dreams… Listen… You could almost hear them screaming… Suffocating in the world that they together built, wrapped in silence that... See full review

Australia’s Preservation imprint has long been in the “business” of releasing beautiful works of ambient and modern classical pieces, which I always consume. Taking a quick glance at its catalog reveals many admired composers such as Sophie Hutchings,... See full review