- Montreal, via Belfast
- Joined on August 16, 2003
Releases
- Pending 797
- Releases Rated 8,435
- Rating Average 4.68
Marketplace
Contributor Stats
- Rank Points 8,168
- Average Vote 3.98
- Votes Received 1,207
- Last 10 Day Average 4.00
- Last 10 Day Votes Received 1
Groups
Profile
top one, nice one, get sorted.
Recent Activity
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@ Skuhm, common practice for Italian dance producers. Take a melody, credit yourself.
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Very well said. Lifeforms is just that, bristling with organic movement and vitality. Dead Cities is the sound of decay, dehumanisation, the machine.
Both essential albums, plus of course the incredible extended play singles that accompany them. |
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Absolutely agreed with the comments below regarding sound quality. Cherry Red have excelled themselves, although to be fair they've been doing quality reissues for a few years now. They've listened to the complaints, and have acted accordingly. Top...
See full review
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Having just listened again to Ghosts after quite a few years, it strikes me how it feels like somewhat of a Darkwave anthem.
Lyrically of course it fits the bill, plus the synths are damned "doom" at times. Of course the chorus melody is chirpy, but... See full review |
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The Olmec Heads were already highly respected for their uplifting anthems as mallam says below, but personally once they released Magic Man that was my mind set that they are LEGENDS.
Surfing the wave of success brought forward by Lift Off &... See full review |
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A sublime album of wistful Indietronica, from the ever reliable Jim Noir this time in collaboration with vocalist Leonore Wheatley.
Noir's melancholic touch is as evident here as ever, although on this album you won't find any of his trademark witty... See full review |
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Picked this up at Asda for £6 to get digital copies of Altered Images' Dead Pop Stars & Susan Fassbender's Twilight Cafe.
I already have virtually everything else (that I'm interested in) on these CDs digitally, but for the price it was a no brainer... See full review |
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It should be noted that this digital Bandcamp release is noticeably louder than the CDr promo.
While it's not brickwalled, on comparison the CDr rip is much easier on the ear. |
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A truly fascinating album. While yes, at times it's clearly rooted in 1980, overall the feeling you get is rather timeless.
It's an album that constantly surprises you, at no point do you feel bored or that "this song sounds like the last". Destiny... See full review |