- San Francisco, CA
- Joined on August 30, 2003
- https://soundcloud.com/manys
Releases
- Pending 16
- Releases Rated 925
- Rating Average 3.97
Marketplace
Contributor Stats
- Rank Points 1,250
- Average Vote 3.94
- Votes Received 17
- Last 10 Day Average N/A
- Last 10 Day Votes Received 0
Groups
- Interstate FM -... 625
- 1990s mixtapes 507
- Cycling 59
- Discogs Mix Tournament 15
- DJing 14
- Electro 473
- Electronic Music 23,320
- Italo-Disco 1,285
- Library Music 188
- Mixes 15,291
- Mixes Archive 97
- Mixes by... 483
- Music Production 1,029
- Music Tech 2,770
- OLDSKOOL LOVERS '80 - '93 4,697
- Re-Edits /... 77
- SWAP FORUM- CD,... 187
- The OGS Book of Records 296
- Track IDs 57,251
- Vinyl Hospital 473
Profile
- Records for sale will be in the Marketplace.
- Do not ask to buy records that are not listed for sale.
- Do not send me EBay links.
- Do not ask to buy records that are not listed for sale.
- Records for sale will be in the Marketplace.
- Don't ask for MP3s.
- Records for sale will be in the Marketplace.
- Do not ask to buy records that are not listed for sale.
Track IDs and more:
http://www.mixingpersons.com
http://flyers.synthesizer.org
- Do not ask to buy records that are not listed for sale.
- Do not send me EBay links.
- Do not ask to buy records that are not listed for sale.
- Records for sale will be in the Marketplace.
- Don't ask for MP3s.
- Records for sale will be in the Marketplace.
- Do not ask to buy records that are not listed for sale.
Track IDs and more:
http://www.mixingpersons.com
http://flyers.synthesizer.org
Recent Activity
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Do you mean the "Par-tay!"? It's from "You Gotta Fight For Your Right to Party" by the Beastie Boys. It's been used a million times.
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Trish Keenan of Broadcast had to have owned this record.
I wouldn't call it flower power, it's too melancholy. It's a kind of vocal rock, what in the US was Bubblegum (judging from the backing tracks), but maybe with more of a Ye Ye influence?... See full review |
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Straight up freaky and ripe for resurrection by stone groove jocks! The industrial overdubs aren't embarrassing or overwhelming and you can't beat a dubbed out I Feel Love with a grunchy break under it. Top Fuel Eliminator is sort of a bonus beat with...
See full review
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IIRC (I was only a kid at the time), he had a Showtime/HBO-type standup special after this came out which included the Sledge-O-Matic as one of his prop-comedy bits, and it all took off from there. I was very into this album at the time and I still...
See full review
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The sample is actually "it's a more subtle type of beat."
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The Frank Black part is B.S., you don't need permission to release a cover version in the US. You just have to send them royalties. Makes a good story, though!
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Quality Russell Thompkins Jr. approximation on "Life and Breath," and that's no criticism.
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That is not what I'd call a reliable reference for a release date.
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UK release of Love's Melodies with a different track listing and order, with a new recording of "Sick and Tired" replacing the song "Love's Melodies."
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This has the same tracklisting as the regular Man Parrish album, but with the...
See full review
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The track in the mix is the same as it is on vinyl, no added glitching or anything like that.
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It's very common. They're regular releases, just defaced in some way when given to radio stations and the other half of all copies pressed and charged to the band. "Promo" as a separate release will have its own cat#, or different/no artwork, or...
See full review
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From the scans it looks like those notes don't come from the release itself, so feel free to edit them for clarity.
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It is the single most inexplicable track in my entire collection
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One of the best basslines of the 90s. It doesn't sound like much, but in the right hands it has as much energy as the vocals.
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It doesn't need it, no, but it doesn't hurt, neither. "Stone Roses" and "stonker" don't often go in the same sentence, but for me it works here.
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This record may have been the result of payola and marketing aided by mass advertising, but as the years roll on this remains a legit slice of 1979 punk wave hits and otherwise. A good party record.
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Any idea who the producer of the new/redone music is?
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All tracks have poor sound quality and the cover is obviously scanned.
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Brutal prices for an amazing album, timeless and unclassifiable music from masters of their instruments.
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A great little collection of mid- to late-70s classics from Mr. Reed.
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Deep House remake of Konk's "Love Attack" in four great mixes very faithful to the source material. Jocks out there who like that kind of thing will probably like having it in a more mixable form.
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This is an update of a couple of It's A Beautiful Day songs and a host of solid mid-70s Progressive Pop Rock tunes with great production. Replaces the "psych" of IABD with trumpets and a smidgen of pre-Disco white funk. An enjoyable, diverse, and...
See full review
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The difference between this one and Frank Zappa - Stairway To Heaven is that this one does not mention "THE BEST BAND YOU NEVER HEARD IN YOUR LIFE" on the back.
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That's right: Kim Fowley produced a Helen Reddy album. Earle Mankey is no slouch either, having gone on to usher in the best of the Paisley Underground and College Rock in the 80s and 90s.
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No, it uses the same loop, just over a different backing track.
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Trident logo is a little lower than the center hole than the other one.
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Trident logo is a little higher on this one, slightly higher than the center hole.
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How sick is "The Dog?" Tons of momentum and a beat that can be run every which way.
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Don't be afraid of all the classical composers, this is understated ambient music with genius pedal steel with no fluff whatsoever. File somewhere between The KLF - Chill Out and DATacide.
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There are two MCA-5471s, this one has a smaller "STIFF" logo lower on the back cover than Tracey Ullman - You Broke My Heart In 17 Places
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This has a larger "STIFF" logo placed toward the middle of the back cover than Tracey Ullman - You Broke My Heart In 17 Places
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This is a fun little obscurity, studio recordings of a mid-70s New Hampshire ski lodge bar band playing some covers and some originals in fine Raspberries style.
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Sound quality is good, but the cover is fuzzy, pixelated, obviously printed from a digital scan.
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The version of "Mirror in the Bathroom" by The (English) Beat here is actually a dub version!
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I don't care if this was played out back in the day, the "It's Time" mix is one of the all-time classic beat burners. Fakes you out with a Soccioid turnaround and makes irresistable hay of the dancefloor.
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Balls out! The stage is set for a good two or three years of New York Techno. A master class in dance track construction, there are just enough knowing winks and signals to the DJ to keep it fun for everybody.
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Probably the most distinguishing feature of these remixes is the removal and remaking of the Timothy Leary samples.
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The Futureheads' "Robot," is a different version, much slower, than is on their album.
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This would be a stone-cold 1990 classic, comparable to Dopewax records and other New York Techno of the time, if they hadn't chosen some unfortunate New Beat elements to carry forward.
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Should be: "Chosen me the superseder of the humdrum beat"
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"Funky Drummer" or no, The Heart Dub is a timeless party house cut. One of my favorite Shep Pettibone tracks.
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So good even Ken Ishii sampled it as one of the very few vocals in his early output.
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