- Joined on December 3, 2010
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- Pending 1
- Releases Rated 642
- Rating Average 4.67
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Discogs needs to add a sixth star for this release.
Been blowing my mind for 20 years now. |
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How this has less than 4 stars is beyond me. These are classic tracks. 5 easy.
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Love most everything from Kerri, but "That’s All I Needed" is my favorite track of his. It's dreamy, bumping and deep, the perfect 4am track.
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For me, this track has it all. The best of Trent and Nicholson wrapped in one. Sublime and mellow, it gets me grooving every time.
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Everyone loves Born Slippy .NUXX, but it's available lots of places. The real gem here is the Alex Reece remix of Banstyle. Great late 90's intelligent D&B remix. Never fails to take me back. For me, it's the sound of Tokyo on a warm Sunday afternoon...
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They gave up on the whole psy scene years ago. There's little money in the psytrance (unless you're the organizer of Ozora or the owner of HillTop, of course) and they probably just wanted to branch out and get paid. I'll never forget when Classical...
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Surprised at the low ratings for this album. I've never been a fan of SUN Project's guitar-heavy tracks, but this album contains some of their finest guitar-free material. Luna, Paranormal, That's a Trap, Computer Breath and Simplicity are all bangers...
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Two fabulous tracks that meld perfectly with Tomasz's releases on Naja and Spiral Trax from the same period. These may sound somewhat dated to someone coming across them for the first time in 2022, but in '99 these tracks blew our minds. Funky,...
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Still a fairly good track. The breakdown at 4:29 is well crafted.
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Just came across this.
Especially liking the collaborations with Conti and Malheiros. Amazed these guys can still make music like this at their age. Overall a great album. Just what you would expect from the legendary Mr. Trent. |
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I've owned this album for 22 years now and have only now come to appreciate it.
Mixed properly, it can be quite funky. Played straight through, it all sounds quite similar, but mixed in a retro set with some Gabriel Le Mar, SUN Project and Shiva... See full review |
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Legendary floor destroyer, the X-Dream mix in particular. Sounds as fresh as ever and harder hitting than anything that's come out since 1998.
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I keep coming back to this album, liking it more every time.
Olivetti's and Jorge's fingerprints are all over this - it's unlike any other Valle album. They were really on fire at the time. Aside from their masterful eponymous album, also check out... See full review |
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Anything produced by the Mizells with Wade Marcus is a must own. Highly refined jazz funk and an indicator of impeccable taste. The brilliance of Bartz with a classic track by the great Skip Scarborough put this album near the peak of Mizell...
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Wish everyone in the world listened to and enjoyed music like that presented here, Joy and Pain being a prime example of musical genius and all-around good vibes. Mr. Beverly et al really bring it on this release.
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For more than 20 years now, the track Family of Light has always made it on my Goa/Psytrance playlists. Pounding and dark, it fits in perfectly with X-Dream and Orichalcum tracks. Blows dancefloors up.
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As with so many funk and jazz funk releases of the era, this album would be far more impressive with the vocals removed. Toney had an incredible lineup of musicians whose fine workmanship is muddied by a bunch of mediocre lyrics.
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Hard to express how innovative and ingenious this album is. All of of Ayers's stuff is good, but this is somewhat of a departure him. He was trying to make a statement and succeeded brilliantly.
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Mr. Odell's best work in my opinion. Been enjoying it regularly now for over 20 years. The Blazing Water and Shivering Sand are funky, thoughtful affairs, some of the best in the genre. They both would've fit well on his Snert release under his...
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Never heard of Filur and I know nothing about them or their music. What I do know is that the Larry Heard edit of Fallin' is incredible. Fingers never fails.
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The B-side of this album is brilliant and features some of Blackmon's best work. Haven't been able to find anything quite like it on any of White's other releases, which tend to be more jazz-rock oriented. Definitely could've used some more of this...
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Brilliant release from the beloved Mantis Recordings.
Frankly, anything from Mantis was great. Mixes well with stuff from Winding Road, later DIY releases, and some Freerange stuff. |
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You'd be mighty hard pressed to find a more soul touching track than Sorrow & A Cup Of Joe.
I always imagine what was going through Mr. Stinson's mind when he crafted this, and I'm glad he took the time to do so. |
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Olivetti and Jorge's fingers are all over this one. Masterful Quincy Jones-esque attention to production. All the tracks are good, but it's really all about Sossego and its sped-up version Vitoria Regia.
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Worth it for Ongaku alone. Absolutely brilliant track that perfectly captures a mid-80s Tokyo street scene. Brings tears to my eyes every time I hear it.
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Takanaka copied the style of Tatsuro Yamashita's Come Along albums which are also highly recommended.
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Really, dude?
Why don't you move on? This is a legendary album. For a musician to release something of this caliber even once is nothing short of a miracle. |
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As expected, the Larry Dunn track is exceptional. Worth the entire album and a lost gem.
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The fact that Al Jarreau, Michael Franks and Take 6 showed up just to handle vocals says it all. Great effort full of heavy hitters.
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Worth it for the Total Eclipse track alone. One from their downtempo/experimental phase.
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Been going through my old Goa/Psy albums and came across Steve Good's gem from 2000.
Definitely an album that takes a bit of work, but sounds really unlike anything else from the period. This album has always seemed to be one more suited for listening... See full review |
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Obviously our fine man Atmos had a major influence here. I would like it more were it not so blatant, but I guess Atmos had a influence on the entire genre at the time and it can't be helped.
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Nice to Mr. Nicholson in full form here. Excellent release.
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Cannot find this or the Good Morning Peckham release anywhere except vinyl.
Damn shame too. These are great tracks. Edit: I was able to find his anthology which contains all tracks from this and Peckham:... See full review |
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Classic comp here. One of my favs. XL Middleton in particular rips it up here.
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Leaving Metro Area's remix of Central Living's track "Inside" (included on the CD version) off the album version was a fatal error. Absolutely essential track.
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One of Mr. Heard's top five releases. Fits right in with Guidance EP and Sceneries Not Songs Volume Tu/Ice Castles. Instantly recognizable Larry Heard sound, both deep and extremely thoughtful. Buy on sight.
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An interesting release from Hanna. Different than his normal deep house offerings with its breakbeat/Dnb sound, but not nearly as harsh and foreboding as Amen. Wasn't particularly fond of it at first, but now my 2nd or 3rd favorite Hanna release after...
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Incredible release as is evident from the price it fetches. Very soulful and smooth with the excellent production quality you'd expect from Trackmode. Buy on sight.
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A very dark and hard release from Hanna. 180 degrees different from the masterful Contemplating Jazz. Mostly DnB, without any of Hanna's signature sound. You would have no way of telling this is a Hanna release. Mr. Harris must of been in a dark frame...
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Lol...that's funny. Says ye 20 years after its release. Blew our minds when it came out. Still sounds superb today.
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My favorite MFM release. Great compilation of Bibiloni's best that highlights his wide range. Played it throughout my trip through Peru and it fit the scenery like a glove. Highly recommended in any format.
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IMO this is the best version. Second CD includes all instrumental versions, which sound much more contemporary than the vocal versions.
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One of Hanna's best three albums. Exciting, refreshing, positive and unique. Came out 16 years ago and still moves the heart and soul. Buy on site.
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Maurice Fulton's "remix" on B1 samples Atjazz's masterful Wind and Sea from https://www.discogs.com/Atjazz-Wind-Sea-Remixes-1/master/41795
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Much different album than expected from Mamao. Honestly, the album has a strange overall theme and its definitely one of the darker Azymuth-related releases. That said, I do quite like it. 4/5
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A carefully crafted album that was well ahead of its time.
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Worth it for just for the Atmos remix. Top notch effort.
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