Orchant_

Is everybody can remember the experience where its passion for electronic dance music has begin ?
Even if in any specific case, influence vectors are multiple, everybody can probably remember its really first real rave party experience. The kind of... See full review

Nice to read you here again Eph Dé, you missing on Discogs. Take care.

I remember when I discovered this records in the 2014 late springs. I lived in Quebec City at this time, and after a very tough winter during six month of snow, at the end of my bachelor, the summer was rising up. I was in the high of a love story... See full review

Another impressive release on Mother Tongue Records, and what a start for this young italian label, which is already a major place for house lovers. Here is K15 with a totally uplifting production, with all his classy jazzy-keys and his looking... See full review

Highly remarquacable release. It sounds like a stunning techno LFO beamed from the future and it remind me the dark powerfull energy of sci.fi techno of the origins, but in another (and very innovative) way. I don't know if this kind of techno's... See full review

I don't know if this records is underrated or not, as said in the previous comment, but the fact is this duo is a nice match between two of the most inspired and respected producers of the moment who are able to perfectly combine their owns feelings... See full review

Picked for 2€ at Extend And Play, in Marseille, France. Totally overlooked records. As noticed DanceDisc bellow, the Derrick Carter remix is a worth track, as many of his remix or collaborative productions from this period. But to me, the best track... See full review

Philip Budny shows all his class and his feelings with Hash. It sounds wet and atmospheric, like in a dream and when keynotes are falling, we have top notch House Music as all we want. His other releases are worth too, and he seems to be an high... See full review

In 2019, J. M. Atkins' tracks under his allias Electro Music Union, Xonox & Sinoesin tracks are repressed on a compilation called "Works 1993 - 1994". We hope it will be the same for any Nine-L releases.

This records is OK, but as some Further Electronix releases, it looks over hyped and the limited edition method looks as a pure tool of communication made to obtain artificial value. For instance, the B1 track sounds good but there is absolutly no... See full review

After Chez Oim sounds really singular to my ears, with a great balance between a deep mood and something optimistic and naive. It's medicinal and it will stand the test of time.

Nowadays and since the 10's, Voiron is maybe the most interresting... See full review

At this time, James Shinra looks as a worth newcomer from the UK, and this four tracker confirm his capacity to make dance music for body and soul. The A side is a cosmic journey where Shinra shows his ability to use technical skills without... See full review

The B side is really impressive. It reminds me Curley Esoteric, R-Zac and some french Tribe from olddays. Unstoppable.

I Only Wanna Burn With You (Mix 1) is an interresting acid house lost track. For sure, in a certain way, the lead theme is quite cheesy but the whole track is FUN with this spicy sampled voice ("I on.. I on.. I on..") and it looks like a little ground... See full review

Obviously, Jaz Love #2 is also based on the well known Heavy Vibes vibraphone. In other words, Jaz Love #2 sounds like a tribute to Vincent Montana Jr., and what a tribute ! This is pure class, even your grand mother could like it... P.S. : don't... See full review

IMO, Lost Into The Vortex is clearly the main track here. These days, it's funny to see how some new electronic producers or Djs pays some attention to the early UK sound. Yes, there's nothing new here but it works very well and this revival is really... See full review

Shake Dat Booty (A Pal Joey Interpretation) has been repress : https://www.discogs.com/The-MD-X-Spress-Three-Kings-2-Featuring-Jaygun-And-Bashy-Classic-Tracks/release/13610537

I've picked this one in a 5€ bin at Crevette Records in Bruxelles and I was really stunned when I heard Dubberware in my headphones... These subs hits so low in the ground and it works perfectly with this reverb and these nice sax/voices samples... To... See full review

Sometimes I wonder why some electronic records from the 80's or the 90's looks as so under the radar on the internet. In this case, I think I have a strong hypothesis : people who know this records are quite "old" now and they don't care about... See full review

I like both sides wich are really similar : two nice house tracks with some powerfull leads, a stomp feet kick drum, a bit of 80's rap, some Depeche Mode' samples, some crazy chorus voices ("Oooh !")... That's still fresh IMHO and it looks like a... See full review