- future wetlands of Louisiana, New World
- Joined on November 18, 2006
Releases
- Releases Rated 1,024
- Rating Average 4.09
Marketplace
Contributor Stats
- Rank Points 10
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Yes, it is available for pre-order from Bleep, for those who don't mind their original pressings plummeting in value. And this one will be worth every dollar lost : )
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I remember buying this out of the New Orleans Tower Records bin way back in '94/95. I bought it simply off the fact it was on Deviant Records ... yet it has become one of my all-time favorite 12" records ever. "Credo" has such delightful melody and...
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For all those music lovers who dream of perfect pop songs defiled by strange rhythms, distracting noises, and the delights of general musical mayhem? This album is divine. Acid-Free Atlantis, with wonky sounds needling its groove out of the spare...
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Almost 7 years later (~17 years since release!)and I am still listening to and loving this mini-album. PACKED with ideas that are as well balanced as they are well executed; nearly perfect. A desert island disc, for me.
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16 years on and this is (still) a quite overlooked treasure: melodic techno with unique-sounding rhythms done exquisitely well. If this was on a major label I think it might have been remembered as a classic, but unfortunately it probably never had...
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While I am no ethnomusicologist, able to determine what is and what isn't "authentic" music, this cd is enjoyable and diverse music from start to finish. The ragas are compelling, but the real highlight is the Suite for Two Sitars and Indian Folk...
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Yes, but the tracks seem to be in different "veins". Still treasured, nevertheless.
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A much better compilation than it seems to be thought of; although some tracks appear elsewhere ("Dark Fader" seemed to be licensed to all sorts of compilations! "Snapping Fuss" re-appears as a Wagon Christ release) the ones that are unique to it are...
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A strange little album, full of possibly-sampled possibly-live music. Discerning ears will hear samples of noted jazz standards - loops of rhythm and noise - spun into tight tracks; definitely not experimental music but not lounge or pop either,...
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Whole lotta rare (and good) exclusive ones on here: "Blue Notes", "Burnin' Headz", "Dark Matter" just to start. This compilation did an excellent job of displaying the exploding drum n bass scene at the time as it mutated into far more than mere...
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Not at all like later commercial-ized Moby releases, Alt.Quiet.Version is an unsettling listen. It isn't particularly ambient (as in background music, or as some pastoral techno term) but rather isolationist. Bits of melody appear in snatches, but...
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10 years has put some distance between original impressions and current opinion; and all I can really say is: listening to it at 33rpm is little different than 45 rpm. I guess that isn't saying much, but it also damns this record with faint praise,...
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12 tracks. That was the entirety of Nurmad Jusat's output: 8 tracks as Nuron, 2 as Fugue, 1 Nuron remix, and 1 Nuron/Stasis collaboration. Some artists put out that many tracks on 1 ep, but if ever the moralism that "quality not quantity" rang more...
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A mere two albums was Roupe's output, combined with 2 eps, a precious few compilation appearances, and only one remix. I'd gather, that for the fickle tastes of the public, these handful of tracks don't merit much attention, much less appreciation. ...
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Susumu Yokota has always created readily accessible work; chipper melodies and predictable rhthyms weave their way along to natural conclusions with little unexpected happening inbetween: perfect techno pop music. On Cat, Mouse And Me he does this...
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This sounds very much like Witchman (naturally enough, considering John Roome is both Gold Water and Witchman) with the rhythms removed or at least slowed down. That's not a bad thing, as he is very accomplished at constructing involved soundscapes...
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The stickers on my copy are placed on the wrong sides; the a-side sticker is on the b-side and vice versa. Of course with Skam, this could have been done on purpose!
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Looking at the roster of acts on this comp, you'd expect it to be held in better regard (Photek and Source Direct under guise contribute 8 of the 12 tracks); this is a solid dnb compilation. Klute's entries are very good: "Workout" comes across as a...
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As one would expect from a compilation bearing SKAM's name (even if on a co-release with V/VM), there are many highlights: Gescom's "Two Of" stutters along a wash of percussion and gentle tones, Bola's "01706"'s dizzying rhythyms and jazz-ish melody,...
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Kirk Degiorgio has produced lots of brilliant music, but this is undoubtedly his finest moment. Soul jazz meets electro meets techno, with many sublime pop music moments stirred in. "Epic" slowly builds on a repeating melody, and while it doesn't...
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Terribly ordered - it sounds like a collection of singles, not a coherent album - but priceless nevertheless. Highlights are pretty much the entire album: Fila Funk shifting and turning in what eventually would become a Fila Brazillia trademark;...
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One of the most tremendous electronic albums ever made! 20 years since its release, it sounds fresh, unique, and unbelievable: just hear "L.F.O." for churning speaker-erupting bass wedded to sharp beats and mind-blowing chirps. "We Are Back"...
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I'll actually skip much commenting on the album proper; suffice to say it is a credible, although not groundbreaking, endeavor. But the 2nd disc is the keeper, mainly for the sublime "Beelzebeat" (originally a B-side to "Funny Break (One is...
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A good 17 years on this album probably doesn't look too important. It is necessary to remember that this album was F-R-E-E, which at the time was critically important to this then-impoverished college student, when considering its impact. I don't...
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One of the bright shining examples of a domestic (US) compilation of superior work from abroad, this is actually a very, very good album. A quick glance of the roster clearly identifies this as more than just a crass attempt to exploit a marketing...
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I've held off on commenting on this album, mainly because I lose all my critical senses when listening to it. Yes, it is previously released goods; yes, it is now 17 years old; yes, I adore both sets of artists. But what great music! It is no...
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An excellent early showing from Yunx, full of off-kilter melodies, chirpy percussion, and playful spirit. Certainly not for the dancefloors (there is little bass to be heard on these tracks), and perhaps too skittering and difficult for headphones...
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There is little to add beyond personal reflection of this album; many (most?) listeners instantly establish an inexpressible rapport with the music, and I am no different. When I first purchased this album lo-those-16-years-ago, I hated it. Instead...
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An impeccable release by two hit-or-miss performers, and perfectly titled to encapsulate a mood. There is little to add in the way of plaudits that previous reviewers have not touched upon. This is a wonderful soundtrack for some lucid dreaming or a...
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Of the many adjectives I could use to describe the sound of B12, perhaps the most personal may be "sensitive". Sensitive not in a limited way, but sensitive in all its meanings: each track released is a perfect balance of rhythm and melody, obvious...
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What an album! Renegade Soundwave is criminally overlooked by the public nowadays, with their predictable beats, clever samples, and single-minded focus on "urban grit" being quite out of fashion. That's too bad, as this record - a collection of...
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A solid compilation, yet the clearcut heads-above-the-rest track is Thug's "Tsunami Brothers II": melodic, catchy, hummable and relentlessly cheerful. 10 years on I still play this track regularly. Others (Ocone, Caural, Pliant) turn in good tracks,...
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An absolute delight to listen to, whether in parts or in whole! Interesting rhythms swirl throughout the album, accompanied by samples both ethereal and grounded (hear the fantastic kettle drums, vocal stutters, and operatic cries in "Yayli" for...
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A decent collection, although not all of it to my ears really fits the profile of "ambient dub". Most find a sort of low-techno chill coursing through them. Unfortunately, many of the tracks seem to suffer from a mastering issue - they are mastered...
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Perhaps her finest album; Journey in Satchidananda is breathtaking and perfectly balanced jazz album. Beautiful and restrained playing from all participants, especially Alice on harp: see the title track for a wonderful example of how mystical yet...
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Such a simple yet brilliant disc. Only 4 tracks, but an ep I would easily bring to a desert island with me; experimental, dissonance, pop standards all blend into a tangibly filling delight. My Favourite Things shows SHJ moving well beyond their...
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In retrospect, this album was an idea whose time had come past due. So fittingly 90's, and indeed fittingly Dot, a label that strongly featured artist remixes of orginal tracks as B-sides: remixes of remixes of remixes. The a-list of remixers is...
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I wouldn't say that this is (was) fresh new ground; what it is, however, is extremely well-performed dark ambient. Ambient as in background noise, rather than mood-setting. Several of the tracks are credibly done, but leave precious little imprint:...
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Sublime listening for all hours of the day. Anyone featured on a 12" with Nuron is liable to be overshadowed, but Fugue turns in 2 stuttering, shuffling pieces: Interlagos with a gentle repeating melody that reminds of Japanese chamber music, and...
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15 years on these tracks still astound. Lush yet angular, synthetic yet so organic; the very premise of FSOL seems at odds. FSOL's affinity for wavering chords, sampled voices, and sudden changes in tempo shimmers here: Part 1 slowly develops its...
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Many of the tracks on this release were originally released in small quantities and are very hard-to-find, so this 2cd set finds itself both a welcome primer and near-exhaustive compilation. The differences in style between the "artists" here dizzy:...
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10 years on, the Ad Vanz vs. Gescom track "Viral" sounds as fresh as ever. It is rather straightforward for a Gescom release: washes of melody, a driving rhythm, empty space and a steadily building crescendo; yet the insistent vocal cut-up and...
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Music that hasn't dated at all, B12's first release from the archives is outstanding and timeless music. From "Metropolis" pulsing sweep and strings to the funk of "Telefone 529", the first B12 12" gets freshly remastered and it is LOUD but crystal...
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Compilations are, by their nature, varied. But the breadth and depth of this release is simply stunning! As a primer into the world of dub - a term that itself can mean to copy, to add, or to furnish with new sounds - many bases are touched on. The...
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This is a very different Icarus than most previous releases, one that is much less rhythmic and propulsive, and far more contemplative. Akin to free jazz in sound, yet obviously the fruit of minute attention to detail, I Tweet The Birdy Electric is...
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As a collection this album is an excellent teaser. Obviously lacking the focus of _Every Man and Woman Is a Star_, the very diversity of sound found here astonishes. House, ambient, dub and deep groove converge in perfectly hummable melodies - the...
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A diverse recording spanning Detroit techno, ambient house, and touches of fusion, rooted in a strong dance ethos. The highlight must be "Mad Mike Disease" in all its warped and twisty funk, although "Homeless", with lush strings and some fantastic...
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Criminally neglected - it does sound dated but there are many brilliant pop-ambient moments on this disc. "Hooter" is sublime funk. "Happy Land" is mellow, hummable, and classic pop. But the highlight simply must be "English Heritage" for the last...
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Tis a pity this record is so underappreciated - it is one of the best chill-out jungle albums. The feeling of space and emotion FLF creates is stunning, and doubly so that such a level of excellence is maintained over the whole album.
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