- Joined on February 5, 2010
Releases
- Pending 319
- Releases Rated 2,258
- Rating Average 4.23
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- Rank Points 1,571
- Average Vote 3.91
- Votes Received 237
- Last 10 Day Average N/A
- Last 10 Day Votes Received 0
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Believe it or not, there was an underground Trance scene back then, with artists producing tracks as a hobby and not really interested in a career. Yes, there is no Trance scene besides mp3 podcasts nowadays, thanks to artist like Tiesto and others,...
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It also sounds similar to Future Sound Of London - While Others Cry.
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The "Original Vocal House Mix" sounds like it is taken right out of Hed Kandi's "Deeper 01.02" Compilation of 2002. A clubby, dark, tribal, progressive affair with really nice vocals, that was not to expected anymore nowadays, but luckily they still...
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The Original Vocal Mix is a soulful Deep House track with lush vocals and soft tribal percussion, reminds me of some classic Naked Music tracks. LadyMonix' Remix is a groovy, more dancefloor oriented track with the vocals cut-up to full effect, and...
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"Bring U Back" is a club-orientated vocal House track with a nice retro sound. Nice LP overall.
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I just want to repeat that this album needs a proper vinyl release or a decent amount of represses.
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As someone else (kind of) stated in the comments, the "Winona" track and imagery heavenly reminds of Vaporwave / Mallsoft aesthetics. So either the producer is not really new or he is new and did a great (?) job by copying the Vaporwave and...
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"Indie Pop". No, just no. In fact this is the biggest piece of garbage until this very day, that I refuse to label it as music. I'm aware that "biggest piece of garbage" is an overused term for shitty music and cash cow artists, but here it is...
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"blasphemously awful version/sample"
Well somehow this is what the Vaporwave is all about, heavy sampled (80s) music for nostalgic or ironic use. The added vocals are rather unusual for Vaporwave (but typical for Chillwave) and clearly debatable, but... See full review |
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Without a doubt this is a Trance classic but just like Weareonenation303 pointed out, it's kind of overrated. Also, words like "best track ever", "way ahead of its time" etc are nothing special anymore, if one can find them under hundreds of releases...
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spaceisnoise Yes, music is personal but this has nothing to do with the musical and compositional effort someone puts into a track. With most... See full review |
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dtoner Oh what a creative and never read before coment that has nothing to offer but insults and "this is not ... but I won't tell you anyway what it... See full review |
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Mark_Anthony Check out this list (not updated anymore though):... See full review |
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As good as this album is and as much as I like it; let's be honest here: Next to Villalobos' "Alcachofa", this one is a strong contender for the most over-hyped record of the noughties.
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The tracks remind me a lot of typical Anthony Rother Techno/Electro stuff. But that's not a bad thing at all.
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Matthew Herbert's remix is kind of next level groovy vocal House.
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The Airwave remix is one of the very few non-standard (build-up, break, synths, end) Trance tracks from the millenium period of Trance. Constantly grooving with a unique, psy-like wobble bassline, long non-vocal intro, several unusual synths with epic...
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I got mine last week form deejay.de, if this helps you.
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It would be really helpful if you contribute this vinyl to the database.
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"hipsterism 101"
Well, just wait until someone finally tells Tiesto that Electro House is, like Trance, also dead and hipsterized music, namely Tropical House is now the latest shit. Guess what will happen then. |
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"Someday Soon" is one the very last "classic" Plastic City tracks. Urban night feeling, deep beats and bassline, typical reverberation effects, long spacey break and a few male spoken words.
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Fun fact: I've been to a commercial club a few days ago and the DJ played a shitload of Electro/Tropical House remixes of well-known House classics. Remixes? No! All of the tracks had different artist names on it and not the original artists. "Ain't...
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The Original Mix is one of those rare tracks that gives you nostalgic and familiar feelings even when there is nothing to be nostalgic about. It's sad, yearning, very "underground-ish" and kind of out of this world.
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The rare original 1993 Club Mix outstands all the other versions, remakes and remixes of this track.
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At least me and nine others do care about the style.
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The blueprint for what I call "Hipster House", followed up by Klangkarussell's "Sonnentanz", Robin Schulz' remix of Mr. Probz' "Waves", the "About Berlin" compilation series, added radiofriendly "girly" female vocals and saxophone samples and finally...
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The Salt City Orchestra Remix is unbelievable future music and the most progressive non-Progressive-House tune ever.
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Very oldschoolish millenium clubby House grooves, vocals and feelings here.
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"Parade" is a progressive deep groovy track with nice chord changes. This is what Lindstrøm's "Lanzarote" could have been.
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I first heard the CD version of this back in 2005 on Saturday evening in my room and was totally overwhelmed by the deepness and groove of it. Funny thing than happened, as my roommate and another friend came in and said, that this is "one note music"...
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This could have been easily one of the very expensive Deep House records, if there were a few famous DJs, magazines or record shop who hyped it when it was new or even now. "Let Me Out" is easily as good as Rick Howard's "About Fourteen (Remix)" but...
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"Jolly Planet" also contains a sample of the movie "Dark City" from 1998 (vox by Kiefer Sutherland). Also, "Roll Dat" has a pre-Bass Music/Dubstep bassline.
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One of the most chilled out Deep House records I own. Perfect for homelistening on a rainy Sunday afternoon.
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