- Joined on November 13, 2013
Releases
- Pending 171
- Releases Rated 64
- Rating Average 4.42
Marketplace
Contributor Stats
- Rank Points 1,143
- Average Vote 3.49
- Votes Received 51
- Last 10 Day Average N/A
- Last 10 Day Votes Received 0
Profile
Recent Activity
| Action | Description |
|---|---|
|
|
|
|
|
|
|
|
|
|
|
Slightly different early studio mix. Not too interesting. (you're a genius if you can hear difference.)
But the etching on side b is sort of nice. Especially for people who were given a signed, and personally named copy. |
|
Sadly, on Side B, again joined by Simon H. Fell, their special brand of space noise rock turns into some pitiful messy jazzy improv.
|
|
Each copy has a unique handmade sleeve, made from other artists' sleeves. Most copies have some inserts added (f.i. ripped out bookpages, a matchstick). White, empty labels are common.
|
|
Right to Kill track-order
Though most people agree it's not their best album by far, when the track-order is changed, that album can indeed be improved, to much more coherent whole; Try this: 1 7 5 4 9 10 2 3 8 11 6 |
|
Yes!
This THE VERSION to own (With the Brian version of "Wouldn’t It Be Nice".) And even comparatively still very cheap to obtain... |
|
Too late for that now?
Nowadays it's merely remembered for its obnoxious stupidity. It's sad really |
|
|
You mean "Jungle Law"?
Well, yes, indeed rather odd And the biggest hit / best track, hidden in the middle of side B Hahaha |
|
I had to know... I bought one and tested it:
sadly the indicated 12:01 is nót true. When stopwatched, Bikedance ended at 7:03 |
|
|
This is how i reprogrammed it:
Track-order 3 8 2 4 5 6 1 9 7 10 Problems solved! And dare i say: "improved" a lot. |
|
|
Yep, this album always has been known for its difficult, scrambled, jumbled up track-order
That is, on vinyl. Because when we bought the CD version, problems were easily solved. We just reprogrammed it into a better, more enjoyable track-order,... See full review |
|
Hell yeah, an outrageous mix only on this version here
|
|
To me, these tracks are to be played at 45 rpm.
|
|
The track-order is awkward and unconvenient
OK, how about this: 6 1 7 9 8 10 4 5 3 2 11 |
|
This 2011 reissue sounds F A N T A S T I C !
What an experience; never heard it THIS OUTSTANDING Very highly recommended to all aficionados of, IMHO, their best album |
|
Totally different version; now containing not 12 or 14, but 16 tracks,
including the Medley and Don't Worry Baby |
|
|
|
|
|
|
The album has properly started, and following with a big hit too, then suddenly, as a hazy wet light after a spiffy evening, some dreary dross spoils the fun. Why?! Didn't they dare to this album being really totally good? Didn't want us to be happy?...
See full review
|
|
Satanic Warmaster Opferblut Pic LP = a DUD.
When he is on the turntable, instead of gripping and biting/mawing, he’s falling backwards!! |
|
Sordidindustrial Yes, you're right: it's 506 alright. (Btw.: It occurred to me that phonetically 506 sounds a bit like varforsvek...) |
|
|
|
|
|
|
fixed
(Yes. You were right of course: "How could 3rd pressing be pressed in 2016 while previous vinyl was released in 2017") |
|
Agreed! And especially side two of "Peter Kürten" is fantastic
|
|
Aha! I've always thought (simply) the titles of A2 & B2 had been switched..
|
|
|
|
This release does not 'mostly' consist of a field-recording:
Side A, only, which is in fact the shorter of the two tracks, is a recording by William Bennett walking along a street, no more no less :) The rest of side A is the first part of a studio... See full review |
|
Hi,
i checked the run-out writing: A-side is the long track; Stapleton's. B-side is the Whitehouse-like screaming feedback track. After the release of the Come Org. Anthology 1 there's bound to be some confusion, because there Bennett's track was... See full review |
|
Quite silly that the bootlegger used a Whitehouse band picture when the band isn’t even on here!
Because this is one of the famous Come Org trio of: The 150 Murderous Passions, Bradford Red Light District/The New Order & I’m Jack. |
|
|
I once bought this bootleg (yeah, i know now) and listened to it maybe once a year. And so i did yesterday, thrice, and it occurred to me that i was missing some female radio voice at the end. But where had i heard that?
The New Order B-side? Yes... See full review |
|
About the 'source':
In the magazine is written: 'The Train Kept A Rollin' was recorded in April live in Newcastle and has since been reworked in the studio by Lemmy & Co. (And 'No Sleep 'til Hammersmith' was recorded there!, though not in April, but... See full review |
|
It was originally composed (a remake of "Nina Bobo") and released in 1971.
Only the B-side is a re-release. |
|
|
|
|
|
|
|
|
|
|
|
These two versions are mixed differently than the first 12" (and 7") versions – a lot louder – and they also differ in track-time.
(The B-side here is the same as on the initial 12".) |
|
|
|
|
|
|
|
|
Notes:
Recorded 2/24/80 binaural stereo and 11/30/79 mono. C60. Including: "Prime Mover", "No Rule", "I'm Alive", "Here Comes Life", "Ensam I Natt", "Search and Destroy", "Slow Death". According to the tracklisting on the cover they also played a... See full review |
|
Everybody i knew who had this album used to play side B first
|
|
interestingly Almost Red and Turn To Red have traded places on this reissue!
|
|
|