- Berlin - Germany
- Joined on November 23, 2003
- https://www.facebook.com/pages/FaTeR-DJ-Fate/367751709904014?ref=hl
Releases
- Pending 1,214
- Releases Rated 1,300
- Rating Average 3.01
Marketplace
Contributor Stats
- Rank Points 6,895
- Average Vote 3.93
- Votes Received 825
- Last 10 Day Average 4.00
- Last 10 Day Votes Received 1
Groups
Profile
Something about FaTeR aka DJ Fate aka FATError:
Starting with visiting clubs (BUNKER) and raves and collecting records in 1993/1994.
DJ, producer, organizer since the later 1990s.
Involved in different projects and events.
Fuckparade, Radio Bruchteil, auf.BRUCH!!!, Auralsex, Speedcoreboard / Core-Board / Lärmboard, Riot-Rave, Tacheles-Hartcore, 12 Hz, etc etc.
Was on the decks at:
Tresor (Berlin), Triebwerk (Dresden), Köpi (Berlin), Maria am Banhof (Berlin), Maria am Ufer (Berlin), Tacheles (Berlin), Rote Flora (Hamburg), Scherer 8 (Berlin), Baracke (Hamburg), Eimer (Berlin), Bunker Dreetz (Dreetz), MIKZ (Berlin), Papierfabrik (Hohenofen), Casseopaya (Berlin)...
Fuckparade-After-Party (Berlin), All Out Demolition (Hamburg), Hakke meetz Tekkno (Dresden), Death to our enemys (Hamburg), Kanal B (Berlin), Hirnfasching, Hirn-Tot, Saxony Speedcore Force events (Dresden), Liber al Core (Berlin), Reinasseln (Berlin), Easttek (hidden area) and so on and so on ....
On Discogs:
Sorry, i will not sell records from my collection!!! Because... I'm a fuckin' collector.
And no - there's no digital file or CD in that collection. Only VINYL!
for contact : please, write slowly.. sometimes my english is a little bit sick. ^^
DJ Fate
BDT Records
Useful items for editing purposes (work in progress):
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℗ © ® ℗&© ℗+© ℗© ©&℗ ©℗ ™ ℠ № n©b
» « › ‹ ½ ⅓ ⅔ ¼ ¾ ⅛ ⅜ ⅝ ⅞
Aι A¹ A₁ Bι B¹ B₁ A₂ B₂
¹ ² ³ ⁴ ⁵ ⁶ ⁷ ⁸ ⁹
ª
► ◄ ▲ ▼ ♦
▷ ◁ ◊ ∇ ∆ ◇ ▵ △ ▽
↔ ← ↑ → ↓ ↕ ▷—
· • ●☉⦿ Θ θ ⓧ Ο ㅇ∞ ◎ ⌾ ⊝ ⊖ ⊜ ⊗
■ ⛧ ▀ ▄ █ □ Ɐ Ↄ
★ ☆ ✩ ✴ ☼ ✱ ✽ ✳ ※
♡ ♥ ♦ ♢ ♠ ✤
Ⓐ Ⓑ Ⓒ Ⓓ Ⓔ Ⓕ Ⓖ Ⓗ Ⓘ Ⓙ Ⓚ Ⓛ Ⓜ Ⓝ Ⓞ Ⓟ Ⓠ Ⓡ Ⓢ Ⓣ Ⓤ Ⓥ Ⓦ Ⓧ Ⓨ Ⓩ
ⓐ ⓑ ⓒ ⓓ ⓔ ⓕ ⓖ ⓗ ⓘ ⓙ ⓚ ⓛ ⓜ ⓝ ⓞ ⓟ ⓠ ⓡ ⓢ ⓣ ⓤ ⓥ ⓦ ⓧ ⓨ ⓩ
⓪ ① ② ③ ④ ⑤ ⑥ ⑦ ⑧ ⑨ ⑩ ⑪ ⑫ ⑬ ⑭ ⑮ ⑯ ⑰ ⑱ ⑲ ⑳
¦ | ‒ — ¬ Γ ∟ ∠ ‡ ‖ ¯ Π ⏙ ⌴ ⏘ † ι Ξ ✝± ✞
¢ ñ ã ¿ ¡ ç ∀ Æ æ ∃ κ τ υ ω χ И Λ ℒ Ψ Ƨ œ
the C I P
create a master
☻ ☻ ☻
Shortcuts:
G-D = Dashboard
G-F = Forums
G-S = Submissions
G-W = Wantlist
G-C = Collection
G-P = Purchases
G-G = Groups
G-I = Manage Inventory
G-U = Profile Page
G-M = Inbox
Starting with visiting clubs (BUNKER) and raves and collecting records in 1993/1994.
DJ, producer, organizer since the later 1990s.
Involved in different projects and events.
Fuckparade, Radio Bruchteil, auf.BRUCH!!!, Auralsex, Speedcoreboard / Core-Board / Lärmboard, Riot-Rave, Tacheles-Hartcore, 12 Hz, etc etc.
Was on the decks at:
Tresor (Berlin), Triebwerk (Dresden), Köpi (Berlin), Maria am Banhof (Berlin), Maria am Ufer (Berlin), Tacheles (Berlin), Rote Flora (Hamburg), Scherer 8 (Berlin), Baracke (Hamburg), Eimer (Berlin), Bunker Dreetz (Dreetz), MIKZ (Berlin), Papierfabrik (Hohenofen), Casseopaya (Berlin)...
Fuckparade-After-Party (Berlin), All Out Demolition (Hamburg), Hakke meetz Tekkno (Dresden), Death to our enemys (Hamburg), Kanal B (Berlin), Hirnfasching, Hirn-Tot, Saxony Speedcore Force events (Dresden), Liber al Core (Berlin), Reinasseln (Berlin), Easttek (hidden area) and so on and so on ....
On Discogs:
Sorry, i will not sell records from my collection!!! Because... I'm a fuckin' collector.
And no - there's no digital file or CD in that collection. Only VINYL!
for contact : please, write slowly.. sometimes my english is a little bit sick. ^^
DJ Fate
BDT Records
Useful items for editing purposes (work in progress):
==========================================
℗ © ® ℗&© ℗+© ℗© ©&℗ ©℗ ™ ℠ № n©b
» « › ‹ ½ ⅓ ⅔ ¼ ¾ ⅛ ⅜ ⅝ ⅞
Aι A¹ A₁ Bι B¹ B₁ A₂ B₂
¹ ² ³ ⁴ ⁵ ⁶ ⁷ ⁸ ⁹
ª
► ◄ ▲ ▼ ♦
▷ ◁ ◊ ∇ ∆ ◇ ▵ △ ▽
↔ ← ↑ → ↓ ↕ ▷—
· • ●☉⦿ Θ θ ⓧ Ο ㅇ∞ ◎ ⌾ ⊝ ⊖ ⊜ ⊗
■ ⛧ ▀ ▄ █ □ Ɐ Ↄ
★ ☆ ✩ ✴ ☼ ✱ ✽ ✳ ※
♡ ♥ ♦ ♢ ♠ ✤
Ⓐ Ⓑ Ⓒ Ⓓ Ⓔ Ⓕ Ⓖ Ⓗ Ⓘ Ⓙ Ⓚ Ⓛ Ⓜ Ⓝ Ⓞ Ⓟ Ⓠ Ⓡ Ⓢ Ⓣ Ⓤ Ⓥ Ⓦ Ⓧ Ⓨ Ⓩ
ⓐ ⓑ ⓒ ⓓ ⓔ ⓕ ⓖ ⓗ ⓘ ⓙ ⓚ ⓛ ⓜ ⓝ ⓞ ⓟ ⓠ ⓡ ⓢ ⓣ ⓤ ⓥ ⓦ ⓧ ⓨ ⓩ
⓪ ① ② ③ ④ ⑤ ⑥ ⑦ ⑧ ⑨ ⑩ ⑪ ⑫ ⑬ ⑭ ⑮ ⑯ ⑰ ⑱ ⑲ ⑳
¦ | ‒ — ¬ Γ ∟ ∠ ‡ ‖ ¯ Π ⏙ ⌴ ⏘ † ι Ξ ✝± ✞
¢ ñ ã ¿ ¡ ç ∀ Æ æ ∃ κ τ υ ω χ И Λ ℒ Ψ Ƨ œ
the C I P
create a master
☻ ☻ ☻
Shortcuts:
G-D = Dashboard
G-F = Forums
G-S = Submissions
G-W = Wantlist
G-C = Collection
G-P = Purchases
G-G = Groups
G-I = Manage Inventory
G-U = Profile Page
G-M = Inbox
Recent Activity
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Came via "House network" mailing-list for free.
Shipped as a letter with other promotion stufff / flyer. |
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The A side of my copy is pressed ugly as fuck. Looks like a lunar landscape and is crackling up over the sound on the first quarter.
Bought my record absolutly new and there's clearly no sign of using. But the quality is awful. So turning around and... See full review |
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Four separate identical cardboard sleeves including inner sleeves.
... filler words ... |
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If you find a major scratch on side A that goes all the way across the record: this is unfortunately a consistent flaw found on much of the pressing.
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Actually, we were very happy about this series with the re-issues. We bought all parts and were not only able to check all 6 releases, but also each one several times or 3 times.
The sound quality convinces us, but every single record has slight but... See full review |
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The visual difference between the first, faulty pressing and the second pressing on my copies is:
- the second pressing is much darker coloured, - the space of the runout groove is dimensioned much larger at the first pressing and - there is a little... See full review |
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The reissue has a corrected tracklisting at the center label Lucien–N–Luciano And Pier Bucci - Amael / Stone Age.
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Kommt drauf an wo genau.
Im Gesicht wäre es schon okay. |
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The CD was never a bootleg!
Why should they release a bootleg? Under the name of A&E??? |
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Play the whle record at 33 rpm, write AFX on it and sell 2000 copies.
Really, it sounds so aphex-twin-esque at lower speed and I like it. Where is the publication on Rephlex or Warp? |
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That record was mispressed in his whole amount.
So it was never released with printed center labels. |
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Because of the complaint by Marlboro for "Marlboro Music".
Sounds stupid but it seems there's no connection between the label and the Philip Morris International. So every release from Marlboro Music is banned on Discogs. |
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What an ugly rip-off from the oldschool gabber tune by Bodylotion.
Where's the fuckin' Hardcore here? WHERE??? That record sucks really hard only. And the "best" move by these bitches: they didn't name the original writer on the vinyl release - only... See full review |
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I really like the record since the original release back in the days.
I bought the picture disk and was fallin' in love up to the first listening. Unfortunately the sound is not really good and the pressing quality awful. My copy came fresh from the... See full review |
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I was always a fan of all the releases from 1992 up to "Home" by E&E, but than i was listen to that one here.
"Come together" ... WHAT A COMMERCIAL CRAP! No... seriously... NO! What the hell was going wrong here? I don't get it. |
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I bought this record because a stupid user was listed the release here as "Acid" style, but in fact: it's just a cheesy crap of disco dance trash.
All three versions are pretty boring and embarrassing. Only "Out There" is a usable techno track. |
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One of the BEST releases from DBN.
3 complete different tracks and everyone is really good. Starting with noisy early gabber within "Softy Mother Fucker" which was really hard stuff that time. Next one - Lethal Acid - is a floorfilling raving acid... See full review |
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Back in the days there was a story about that release.
True or not - i've no idea. It was written ... maybe in the Frontpage (?) that Aphex Twin was burning the CD / cover after listening to it for the first time. Unfortunately, his curtains... See full review |
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Because u didn't listed it.
Let's go - u have a rar item! |
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Seriously? You're using the name of the legendary "Bloody Fist Records" in the name of a compilation but actually it is not a single title represented by an artist of the label from Australia.
In fact: whoever made that compilation - he has clearly... See full review |
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