- United Kingdom
- Joined on March 17, 2003
- https://www.soundcloud.com/jondavey
Releases
- Pending 2
- Releases Rated 318
- Rating Average 4.64
Marketplace
Contributor Stats
- Rank Points 60
- Average Vote 2.00
- Votes Received 2
- Last 10 Day Average N/A
- Last 10 Day Votes Received 0
Groups
- (( ♥VINYL )) © 3,636
- 1990s mixtapes 513
- Acid 727
- Acid House 5
- Art 56
- Beats, Breaks,... 17
- Best reviewers... 14
- Boogie / Modern... 683
- Breakbeat / Breaks 3
- Breakbeats 80
- Cassette Tape 123
- Chat 37,006
- Chicago House 375
- Deepness 633
- DRUGS 309
- Dub [Techno] 2,411
- Dub Club 228
- Dubstep* 233
- Electronic Music 23,369
- Famous Oggers 6
- Grime central 17
- Hip Hop Music 924
- Indie Post Punk Rock 34
- Industrial,Ambien... 1,378
- It's that Detroit Shit... 1,521
- Italo-Disco 1,308
- John Peel Radio-Shows 8
- Jungle / Drum & Bass 4,696
- Library Music 190
- Linux Users 14
- Mixes 15,355
- Mixes - Eclectic... 284
- Mixes by... 484
- Music Tech 2,771
- Netlabel Forum 578
- Old Skool UK Garage 1,312
- OLDSKOOL LOVERS '80 - '93 4,708
- Psychedelia / Prog Rock 440
- Reggae Chat and Riddim ID 27
- Roots, Rock Reggae 316
- SPAM 12,466
- Speed Garage 582
- starting a... 7
- The Laidback... 11
- Track IDs 58,161
- UK BASS 2
- Underground DISCO 1,257
- Underground House 24
Profile
I am currently not actively selling anything.due to an accute f**k up in the month of March 2020. If you look at my feedback before that it is all good. I used to actually be a very passionate seller here and would adorn the mailers with custom artwork, give records away sometimes, deliberatly underprice items and my grades were way on the conservative side. However after going into partnership with a "friend" who talked me into an idea which subsiquently failed. I took the full brunt of the result and it has ruined my good name forever on here.
Recent Activity
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There are a series of 'dubs' on these releases and they are numbered....or so I thought. Perhaps there just wasn't that info on this because it's a W/L ?
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Vampire Acid really does bang and is twisted to boot !
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I bought this ony your reccomendation and was not dissapointed ! Thanks !
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8 Bit Desert Eagle is a wicked slice of funk that for my mind deserves much morre time to allow that groove to really set it.
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There's one track on this, 'Sensi (Blunted Groove mix) that I can't seem to locate on any other of his 'Bonesbreak' LPs' or EPs'. Does anyone know if it exists anywhere on vinyl ?
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For those of you complaining about the frequency at which this label brings out music please remember; this is dance music ! It doesn't have to have been deliberated over for months for it to make people go wild in a club and this is how it's always...
See full review
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My best guess would be Jex Opolis. He has a monopoly on digging out forgotten progressive records that everyone has written off or forgotten about.
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I was informed by the number of people who have this in their wants. But then you can't really take that and apply it to a situation where money could be lost causing problems for the label so I see the point you're making.
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I always thought it was Lisa Stansfield. But I'm not 100% on that. They might have written the vocal spesificaly for this record.
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This mix, in no way, reflects anything remotly close to 'Brit Hop'. If you're interested in real British Hip-hop look at 'Gunshot', Hijack', 'Blade', Silver bULLET', 'London Possie', 'Rodney P', 'Roots Manuver' etc etc....
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You can't deny the label a lot of his stuff comes out on, 'Future Classic' have a real canny knack of picking decent remixers, which IMHO turn out some decent music.
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The last track on this is, I'm fairly sure, a Yazoo track slowed down. It's defo the work of Vince Clarke anyway. Anyone else getting that ? The title even aludes to this....
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I've been avoiding anything coming out of Germany for quite a while now. I'm fully with you. The Berlin sound, whatever it might be, has frightened me off the musical output of the entire country.....
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Absolutely top notch tunes on here, but one question.....where's the album ?
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I'll join the chant for a repress if that's what it takes ! I'm sure the label would easilly shift another 100 judging by the number of people who have it in their wants here.
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Ha ha ha well observed. He's rising out of the 'poo' so that he can go do his job guarding the van ! He's a van guard.
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Very positive, upbeat little party tune. Would work in the club as wee as outside in a field. Infectious bass line, clever loops and just enough cheeky samples thrown in. Good fun all round !
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I had a copy of this until recently. While I was carefully cleaning it the small amount of tension created in the vinyl by my hands made it crack in two ! It's not like I was mishandling it, it just cracked in half ! Gutted, true story.
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I canj't think of anything better than Prefab Sprout on acid......
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I've been buying vinyl since 1990 and I have absolutly no idea what you are trying to say ? Are you saying sampling is bad ? That these tunes aren't any good because they might be slightly derivative ? Dude all house music is derivative...come to...
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Just wondering if anyone else finds these tracks and other supposedly euphoric proggy trance actually deperessing ? They actually effect my mood state to the point where I can't even listen to it. It's so saccharin, bland, empty.
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OK I'm going to approach this from the perspective pf the most cynical person in the word. To put it succinctly house music was running out of fresh ideas. Then dubstep happens and reinvigorates a scene that was tripping over itself. I don't want to...
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I'm listening to 'Marbles' and I really can't distinguish it from an earlier release called 'Krackpot'. I'm either getting two tracks confused here or they're the same track....hold on let me investigate....Well I checked and it would appear I am tripping...
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Wow all of the mixes of that tune put this one to shame IMHO ! The brooding slightly menacing vibe, the subtle underlying break beat all makes this track look very pedestrian...
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The way 'Keep the Fire Burning' opens up into the Annie Lenox vocal and the key change in the donk is pretty special IMHO It also makes sense of the more agressive sounds in the rest of the track. You gotta' love it !
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Sure but what I think people are expressing here is the legitimacy of even calling this a 'classic' to begin with. There really is nothing outstanding inherent to any part of this track and I think this can be said pretty objectively. What's strange...
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For a while there it seemed to me like electro was gobbling up all of the more creative acid music. Thanks god people making acid have (apparently) begun to realise that their music doesn't have to be electro to be of good quality !
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I couldn't tell you who the recent culprit is. But it was featured on one of Doc Martins seminal mix tapes from the early 90s...
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It's an old tape from 1990. It didn't sound like an edit. more like a W/L version that just had less production put into it but from what I can see here there's no white of this at all...on here anyways...as yet....
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Anyone know where the 'Haa' sample comes from on this ?
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Having just listened to this after also listening to Eat Statics very first album, the one released on cassette only, I can now clearly hear that the track they did called 'Energise' was ...pretty much a remix or even a re-make of this. Have a listen...
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I like the Dan Carey dub, but the Photek remix is pure pop perfection, espescially in the way he handles the vocal.
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I can't hear any 'wanna' start something' sample. I do however hear the voice from that mental acid track by Structure...'we promise you the future of house' etc I don't know which tune you were listening to therealsubwaybaby ?
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I love this tune by Aphex Twin from his first AB EP...No wait....it's not Isopropolex ?......is it ?
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I have to disagree with Stuart on this EP. For myself the absolute bomb on this 12" it the track 'Aural Approach' by Synecitcs. Abstract acid techno at it's finest that remains something you can still dance to. !
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You might have had a point in 2010 when comparing it to the 90s. But to say that everything went down hill from then is wrong. I also have to pull you up on your choice of music and DJs to posit as the pinicle of electronic music in the 90. If you...
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I hear Mr Mondays 'Future' sampled in 'Barefoot in Sydney' It all goes downhill from there unfortunately.
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I think I have to go with the first comment here. The Greyham Park remixes pale in significance compared to the origonal works. The atampt to appeal to the lowest common denominator has ruined what is an interesting and complex sound.
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Given a proper listen 'Keep on Movin' is really an acid track, not so much trance IMHO. I don't really hear any trance elements in there, but pleanty of jackin' acid with the rubbery acid line, the backwards beats and everything else....acid, and a...
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I can hear The Cures 'Forest A' in the 9000 AD track. It's unmistakable actually.
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This must be the source of the vocal sample that D.I.Y. used in their 'hothead' track on WARP. The 'reach' part spesificaly.
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This has got to be THE quintessential house bass line. There's not much more to say other than this. It's the ultimate entirely welcome earworm.
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