Kate Bush – The Red Shoes
Label: | EMI United Kingdom – EMD 1047, EMI United Kingdom – 7243 8 27277 1 2, EMI United Kingdom – 8 27277 1 |
---|---|
Format: | Vinyl, LP, Album |
Country: | UK |
Released: | |
Genre: | Rock, Pop |
Style: | Pop Rock |
Tracklist
A1 | Rubberband Girl | 4:45 | |
A2 | And So Is Love | 4:18 | |
A3 | Eat The Music | 5:11 | |
A4 | Moments Of Pleasure | 5:18 | |
A5 | The Song Of Solomon | 4:29 | |
A6 | Lily | 3:53 | |
B1 | The Red Shoes | 4:03 | |
B2 | Top Of The City | 4:15 | |
B3 | Constellation Of The Heart | 4:47 | |
B4 | Big Stripey Lie | 3:33 | |
B5 | Why Should I Love You? | 5:02 | |
B6 | You're The One | 5:53 |
Companies, etc.
- Licensed From – Novercia Ltd.
- Licensed To – EMI Records Ltd.
- Marketed By – EMI
- Distributed By – EMI
- Phonographic Copyright ℗ – Novercia Ltd.
- Copyright © – Novercia Ltd.
- Published By – Kate Bush Music Ltd.
- Recorded At – Abbey Road Studios
- Pressed By – EMI Records
Credits
- Arranged By [Orchestra] – Michael Kamen
- Arranged By [Trio Bulgarka Vocal Arrangements] – Димитър Пенев (tracks: Demetr Penev)
- Baritone Saxophone – Nigel Hitchcock (tracks: A1)
- Bass – John Giblin (tracks: A1 to A3, A6, B2, B3, B6)
- Coordinator [Bulgarian Interpreter] – Boromira Nedeva
- Coordinator [French Interpreter] – Sir Ali
- Design [Sleeve], Artwork – Peacock Marketing & Design*
- Drums – Stuart Elliott (tracks: A1 to A3, A6 to B3, B5, B6)
- Engineer – Haydn Bendall
- Guitar – Danny McIntosh (tracks: A1, A5 to B3)
- Keyboards – Kate* (tracks: A1 to A3, A5 to B6)
- Lacquer Cut By [Cut By] – Chris Blair
- Music Consultant [Digital Consultant] – Ian Sylvester
- Organ [Hammond] – Gary Brooker (tracks: A2, B3, B6)
- Other [Maintenance] – EFM
- Percussion – Stuart Elliott (tracks: A1, A3, A5, B1)
- Photography By – John Carder Bush, Kindlight
- Piano – Kate* (tracks: A4, A5, B2, B3)
- Programmed By [Fairlight] – Del Palmer
- Recorded By, Mixed By – Del Palmer
- Songwriter [All Songs Written By] – Kate Bush
- Tenor Saxophone – Nigel Hitchcock (tracks: A1, A3, B3, B5)
- Trombone – Neil Sidwell (tracks: A1, A3, B3, B5)
- Trumpet – Paul Spong (tracks: A1, A3, B3, B5), Steve Sidwell (tracks: A1, A3, B3, B5)
- Vocals – Kate*, The Trio Bulgarka (tracks: A5, B5, B6)
- Written-By, Producer – Kate Bush
Notes
[Inner sleeve]:
Recorded at Abbey Road Studio Number One
Lyrics reproduced by kind permission of the publisher
Eric Clapton appears courtesy of Reprise Records.
Prince appears courtesy of Warner Bros. Records/Paisley Park Records.
Jeff Beck appears courtesy of Epic Records.
Colin Lloyd-Tucker appears courtesy of Humbug Records (2).
The Trio Bulgarka appears courtesy of Hannibal Records.
This album is dedicated to the memory of Hannah, my mother.
[Rear sleeve]:
Place of manufacturer as stated on label
Marketed and distributed by EMI
Printed in the UK
℗ 1993 The copyright in this sound recording is owned by Novercia Ltd. and is exclusively licensed to EMI Records Ltd.
© 1993 Novercia Ltd.
[Labels]:
All titles published by Kate Bush Music Ltd.
℗ 1993 The copyright in this sound recording is owned by Novercia Ltd. and is exclusively licensed to EMI Records Ltd.
© 1993 Novercia Ltd.
The 8 27277 1 part of the 7243 8 27277 1 2 cat# is in bold.
Some copies came with a "Made in Holland" sticker on the back.
Recorded at Abbey Road Studio Number One
Lyrics reproduced by kind permission of the publisher
Eric Clapton appears courtesy of Reprise Records.
Prince appears courtesy of Warner Bros. Records/Paisley Park Records.
Jeff Beck appears courtesy of Epic Records.
Colin Lloyd-Tucker appears courtesy of Humbug Records (2).
The Trio Bulgarka appears courtesy of Hannibal Records.
This album is dedicated to the memory of Hannah, my mother.
[Rear sleeve]:
Place of manufacturer as stated on label
Marketed and distributed by EMI
Printed in the UK
℗ 1993 The copyright in this sound recording is owned by Novercia Ltd. and is exclusively licensed to EMI Records Ltd.
© 1993 Novercia Ltd.
[Labels]:
All titles published by Kate Bush Music Ltd.
℗ 1993 The copyright in this sound recording is owned by Novercia Ltd. and is exclusively licensed to EMI Records Ltd.
© 1993 Novercia Ltd.
The 8 27277 1 part of the 7243 8 27277 1 2 cat# is in bold.
Some copies came with a "Made in Holland" sticker on the back.
Barcode and Other Identifiers
- Barcode: 7 24382 72771 2
- Matrix / Runout (Runout side A, stamped): EMD 1047 A-1-1-1 D
- Matrix / Runout (Runout side A, etched): FOR H
- Matrix / Runout (Runout side B, stamped): EMD 1047 B-1-1-1 D
- Matrix / Runout (Side A label): EMD 1047 A
- Matrix / Runout (Side B label): EMD 1047 B
- Other (Catalogue number, UK): EMD 1047
- Price Code (F): none
Other Versions (5 of 95)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | The Red Shoes (CD, Album, Stereo) | EMI United Kingdom, EMI United Kingdom | CDEMD 1047, 7243 8 27277 2 9 | Europe | 1993 | ||
Recently Edited | The Red Shoes (Cassette, Album) | Columbia, Columbia | CT 53737, CT53737 | US | 1993 | ||
Recently Edited | The Red Shoes (CD, Album, Pitman Pressing) | Columbia | CK 53737 | US | 1993 | ||
Recently Edited | The Red Shoes (CD, Album) | EMI Music Canada, EMI United Kingdom | E2 7243 8 27277 2 9 | Canada | 1993 | ||
New Submission | The Red Shoes (Cassette, Album) | EMI United Kingdom, EMI | TCEMD 1047, 7243 8 27277 4 3 | UK & Europe | 1993 |
Recommendations
Reviews
- Does this copy sound any better than the 2018 reissue? I know vinyl records from the 90's can be super hit or miss.
- The time has arrived! This one along with all of kate bush back catalog has been repressed on cd and vinyl and will be out in november.
- Edited 6 years agoA personal note: I am truly and utterly disgusted by collectors' price standards these days for anything secondhand that is "out of print". Ten years ago, I am sure "The Red Shoes" LP would have cost an acceptable 25 EUR a piece, and that is still a reasonable price for a second hand record to purchase. In the past I did afford myself a pricy record on occasion, but I am not keeping them framed on the wall while bullshitting about, saying "vinyl forever" while clicking the YouTube video instead... I actually enjoy listening to a vinyl record I buy, no matter how delicately rare these may seem, especially when it comes to potential damage...
Yes, I am taking good care of my collection and find the rarity aspect fascinating just like many people do - however, this collectors' craze per se just spiralled out of control on all levels. Today nothing is sacred and records quickly go skyrocket for sheer profit (yes, I am that naive an idealist expecting it otherwise), no solidarity among people willing to sell something at a decent price. Expecting instant fortune for an LP that was once a standard regular release (and pretty much constantly available via secondhand) is sometimes beyond mental. Sure there are even crazier examples regarding prices out here, but the hype is truly terrorising and downright degrading - the message being "take it or leave it". I say, fuck it.
Release
For sale on Discogs
Sell a copy37 copies from $54.24