Rebel MC, Double Trouble – Twenty One Mixes
Genre: | Electronic, Hip Hop |
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Style: | House, Hip-House |
Year: |
Tracklist
Just Keep Rockin (Sk'ouse Radio Mix) | 3:14 | ||
Just Keep Rockin (Hiphouse Mix) | 5:00 | ||
Just Keep Rockin (DMC Mix) | 6:00 | ||
Just Keep Rockin (Sk'ouse Remix) | 5:39 | ||
Just Keep Rockin (Hiphouse Dub) | 3:22 | ||
Just Keep Rockin (Hiphouse Radio Mix) | 3:25 | ||
Just Keep Rockin (Sk'ouse Mix) | 4:55 | ||
Just Keep Rockin (Robin Albers Mix) | 5:16 | ||
Just Keep Rockin (Hiphouse Remix) | 5:22 | ||
Just Keep Rockin (Sk'ouse Dub) | 2:52 | ||
Street Tuff (Scar Radio Mix) | 3:28 | ||
Street Tuff (Club Mix 12") | 5:03 | ||
Street Tuff (Norman Cook Mix) | 5:26 | ||
Street Tuff (Robin Albers Mix) | 5:40 | ||
Street Tuff (Bass Heavy Mix) | 5:45 | ||
Street Tuff (Club Radio Mix) | 3:27 | ||
Street Tuff (Scar 12" Mix) | 4:58 | ||
Street Tuff (Ruff Mix) | 4:20 | ||
Street Tuff (Longsy D Mix) | 5:20 | ||
Street Tuff (Norman Cook Instrumental Mix) | 5:11 | ||
Street Tuff (Time To Rock - The Trouble Dub) | 3:13 |
Credits (2)
- Double TroubleProducer, Mixed By, Edited By
- Rebel MCProducer, Mixed By, Edited By
Versions
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3 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
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Twenty One Mixes 2×12", 33 ⅓ RPM | Desire Records – LUV 4, Desire Records – LUV LP 4, Desire Records – 841 894-1 | UK | 1989 | UK — 1989 | Recently Edited | ||||
Just Keep Rockin' / Street Tuff (21 Mixes) 2×12", 33 ⅓ RPM | Desire Records – 841 894-1 | Netherlands | 1989 | Netherlands — 1989 | Recently Edited | ||||
Just Keep Rockin' / Street Tuff Cassette, Maxi-Single | Desire Records – 841 894-4 | Canada | 1989 | Canada — 1989 | New Submission |
Recommendations
Reviews
referencing Twenty One Mixes (2×12", 33 ⅓ RPM) LUV 4
Boh of these tunes are two that even after 28 years I never get bored of - they also sort of sum up that great year of 1989 when anything went and was done. Especially like the Robin Albers and Hip House 12" of Just Keep Rockin' .referencing Twenty One Mixes (2×12", 33 ⅓ RPM) LUV 4
C5, D3, D5, D6 my favs. and my recordplayer reset automatic. no need to put the needle on the record myself haha.referencing Twenty One Mixes (2×12", 33 ⅓ RPM) LUV 4
In the early's 80 a Remix meant an extended, dance-friendly version of a pop song. Remixing involved hiring a famous DJ like Shep Pettibone or Francois Kervokian to apply their knowledge to the task of adjustinga song to fit dancefloor requirements, given that records originally mixed for radio or domestic hi-fi sound systems tinny compared to records designed for club sound systems. This example above is not what you're saying: "The end of originality". DJ's are responsible for the rebirth of many artists. In this case (it still happens nowadays) DJ's are called to transform a song. This is basic into the DJ culture. If you don't understand that, you are in wrong place.referencing Twenty One Mixes (2×12", 33 ⅓ RPM) LUV 4
It was 1989 and the "let's make a rap mix for the rap people and a rock mix for the rock people and every other style too" idea that would plague the 90's begins at this time..the end of originality nears.
greed is not good.
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