Fernando Lagreca started his career in 1989, as a member of the band "Necrollage", one of the first musical projects wich indeed techno music in Uruguay. By the end of 1990, started his solo career, adding new technologies and defining his style as techno-ambient, as well as participate as keyboardist of several projects of electronic based music.
During 1991-1995 produce his 3 first pieces, distributed in an independent way. In 1996, in addition with two others artists, hold out a tour called "Ceremony", based in electronic covers of Joy Division’s songs.
In 1997 assume back the solo activities, launching a CD named "Paseo Boomerang", in 1998 started his live performances in the underground circuit of Montevideo, introducing themes of the next job, "Jardín Esencial",
"El Vuelo", and a parallel project, an alter ego named Nisakku, wich develop the Restó_Jungle style, as the artist define.
In Jan 1999, launch an EP titled "Frecuencia 1.5", in august join the musicians Federico Deustch and Fabián D’alesio and videoartist Guillermo Amato to develop Innova, the most famous electronic "colectivo" in the country. At this time, Innova released the first CD of electronic musicians exclusively made in Uruguay, with national music only.
Numerous presentations take place from this moment, as well as part of the Innova musicians or showing his solo pieces. As solo artist, principally develop music for dance clubs, performing a lot of sets with the most popular Djs of South America in several clubs of Montevideo, Punta del Este and a tour in Buenos Aires.
The artist is currently working as producer of progressive house themes for dance clubs, live acts of restó_jungle, played as Nisakku, and the activities with Innova, wich became in a kind of show enterprise in Uruguay.
Currrently, the artist has moved to Barcelona since September 02, and is looking for contacts to promote their job in Europe.
Their styles round on Progressive House and Techno, for dance clubs, in wich the musician develops live acts based in a laptop + sampler deck, and the other face, ambient melódico and electronic in-noise frequencies, combining radio cuts, static, loops and another kind of generated noise with sounds of our daily environment, showing the most experimental side of the artist.
