Tracklist
Overblaak_ | 13:47 | ||
Kaalbrevo_ | 12:11 |
Credits (4)
- miTDR*Artwork
- Andreas*Mastered By, Lacquer Cut By
- George IssakidisWritten-By, Producer
- Jochem PaapWritten-By, Producer
Versions
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4 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
Collabs 401 12", 33 ⅓ RPM | NovaMute – 12NOMU163 | UK | 2006 | UK — 2006 | |||||
Collabs 401 CDr, Promo | NovaMute – 12NOMU163 | UK | 2006 | UK — 2006 | Recently Edited | ||||
Collabs 401 12", 33 ⅓ RPM, White Label | NovaMute – 12 NOMU 163 | UK | 2006 | UK — 2006 | New Submission | ||||
Collabs 401 2×File, FLAC, Remastered | Not On Label (Speedy J Self-released) – none | UK | 2021 | UK — 2021 | New Submission |
Recommendations
Reviews
referencing Collabs 401 (CDr, Promo) 12NOMU163
Be aware. The tracks on this release are not the ones of the yt links on this entry.
The Collabs 401 tracks are stronger IMO...referencing Collabs 401 (12", 33 ⅓ RPM) 12NOMU163
This is even more demented than Jochem's and George's Collabs 400 release. Both tracks roll along at a slow but steady pace of 108 BPM, with virtually no build ups, twists and turns, but with a certain appeal and irresistible drive.
In fact, neither Overblaak or Kaalbrevo have much going on despite running over ten minutes, but both have a superb screeching noise throughout which I can only describe as a sound produced by kindergarten children trying to establish communication with lost dolphins by toying around with loose and rusty door hinges.
Deep and throbbing bass lines, sick, nasty, low down and dirty effects and tricks, this is Speedy J's and George Issakidis vision of dark and underground after parties, taking place in God foresaken basements and warehouses. This is so ugly you'll love it and be proud of it too. If you listen to this while being anywhere near a mirror you'll have visions of four armed one eyed DJs chasing you with their turntable needles through your bedroom's second dimension. Great stuff, which stands a mile above the modern bleepy bloppy stuff.
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