Tracklist
| Butcher Baby (See Live) | 3:10 | ||
| Tight Black Pants (Live) | 1:41 |
Credits (11)
Jean BeauvoirBass
Stu DeutschDrums
SA*Lacquer Cut By
Richard Stotts*Lead Guitar
Allan TannenbaumPhotography By [Back]- Butch StarPhotography By [Front]
Versions
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16 versions
| Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
|---|---|---|---|---|---|---|---|---|---|
 | Butcher Baby 7", 45 RPM, Single, Red / White | Stiff Records – BUY 76 | UK | 1980 | UK — 1980 | ||||
 | Butcher Baby 12", 45 RPM, Single | Stiff Records – BUY IT 76 | UK | 1980 | UK — 1980 | Recently Edited | |||
 | Butcher Baby 7", Single | Stiff Records – BUY 76 | UK | 1980 | UK — 1980 | Recently Edited | |||
 | Butcher Baby 7", 45 RPM, Single, Promo | Stiff Records – 6.12 860, Stiff Records – 6.12860 AC, TELDEC – 6.12 860, TELDEC – 6.12860 AC, Stiff Records – BUY 76 | Germany | 1980 | Germany — 1980 | New Submission | |||
 | Butcher Baby 7", Single | Stiff Records – BUY 76 NP | Portugal | 1980 | Portugal — 1980 | New Submission | |||
 | Butcher Baby 7", 45 RPM, Single, Limited Edition | Stiff Records – K-8032, Stiff Records – BUY-76 | Australia | 1980 | Australia — 1980 | Recently Edited | |||
 | Butcher Baby 7", Single | Stiff Records – MO 1977 | Spain | 1980 | Spain — 1980 | New Submission | |||
 | Butcher Baby 12", 45 RPM | Stiff Records – 740 523 | France | 1980 | France — 1980 | New Submission | |||
 | Butcher Baby 7", Single | Stiff Records – 640 200 | France | 1980 | France — 1980 | New Submission | |||
 | Butcher Baby 7", Single | Stiff Records – BUY 76 | Netherlands | 1980 | Netherlands — 1980 | ||||
 | Butcher Baby 7", Single | Stiff Records – 640.200 | Belgium | 1980 | Belgium — 1980 | New Submission | |||
 | Butcher Baby 7", 45 RPM, Promo, Stereo | Stiff Records – MO 1977 | Spain | 1980 | Spain — 1980 | New Submission | |||
 | Butcher Baby 7", 45 RPM, Single | Stiff Records – 6.12 860, Stiff Records – 6.12860-01-1, TELDEC – 6.12 860, TELDEC – 6.12860 AC, Stiff Records – BUY 76 | Germany | 1980 | Germany — 1980 | New Submission | |||
 | Butcher Baby 12", 45 RPM, Single, White Label | Stiff Records – BUY IT 76 | UK | 1980 | UK — 1980 | New Submission | |||
 | Tight Black Pants Acetate, 7", 45 RPM, Single Sided, Single, Promo | Stiff Canada – none | Canada | 1981 | Canada — 1981 | New Submission | |||
 | Butcher Baby Acetate, 7", 45 RPM, Single Sided, Single, Promo | Stiff Canada – 27519 | Canada | 1981 | Canada — 1981 | New Submission |
Recommendations
Released1980 — UKVinyl —7", 45 RPM, Single
Released1977 — UKVinyl —7", 45 RPM, Single
Released1978 — UKVinyl —7", 45 RPM, Single
Released1979 — UKVinyl —7", 45 RPM, Single, Stereo
Released1978 — UKVinyl —7", 45 RPM, Single
Released1977 — UKVinyl —7", 45 RPM, Single, Stereo
Released1981 — UKVinyl —7", 45 RPM
Released1978 — UKVinyl —7", 45 RPM, Single
Released1979 — UKVinyl —7", 45 RPM, EP
Released1979 — UKVinyl —7", 45 RPM, Single
Reviews
The B side of this is so much like "Too Late Too Late" by Motorhead to be well - not a coincidence. I still like it though.referencing Butcher Baby (12", 45 RPM, Single) BUY IT 76
SEE LIVE...! STEVE
YOU WON'T BELIEVE YOUR EYES STEVE
I'm not Steve but I saw her live. Good cheesy fun on stage from chainsaws to shotgun.
I have one of these with the A side label on BOTH sides of the record, yet the record plays both correct sided songs- Does anyone know whether this is the same recording that was issued in 1978 or is this a re-recording?
Edited 12 years agoIf you are inclined to check out The Plasmatics just for the outrage factor, this single is a good place to start (and perhaps end). The vinyl provides the only beauty here, looking like Brach's nougat candy. The tracks are primordial thrash - whether you would want to call it called thrash punk or thrash metal is a tossup to me. The finished product is heavily laced with the sonic bludgeon of Wendy O. Williams guttural vocals. In spite of being familiar with The Ramones already, I can't recall ever hearing anything this fast at the time! But don't look for their black humor here. The end result is fast, exhilarating noise garnished with paradoxically depressing and dismal subject matter. Rod Swenson managed to create outrage and even some heavy-handed social satire - but at what cost?
http://postpunkmonk.wordpress.com
For more ruminations on the Fresh New Sound Of Yesterday
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Recently Edited
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