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Nitzer Ebb - Basic Pain Procedure


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Label: Not On Label (Nitzer Ebb Self-released)
Catalog#: none
Format: Cassette, Demo
Country:UK
Released:1983
Genre: Electronic
Style: EBM
Credits: Artwork By - SCG
Producer - Chris Piper , Paul Chousmer
Notes:The first demo tape.
Side B is from a liveperformance 09th Dec. 1983 at CIHE, Chelmsford.
Rating:   5.0/5 (2 votesRate It
Submitted by:INTOX-Matze

Tracklisting:

A1   Faded Smiles
A2   Tradition
A3   The Home
A4   Star
A5   The Pass
A6   The Book
A7   Crane
A8   Trust Ran In Colours
B1   Live Performance 91283

User Reviews:

Crijevo, Jun 06, 2008

Nitzer Ebb alone should be responsible for hordes of faceless EBM imitators (themselves included) that continue to lean on the very same DAF pattern to this present day - however, the duo of Bon Harris and Douglas McCarthy (at first Dave Gooday was also a member) remain a unique language by which, unlike many after them, they had the luck to improve DAF's legacy, providing the original with a desired hardcore effect.

This very first demo cassette is typically raw and sounds too similar a flat reproduction of DAF's to be identified with any other band. However, a positive thing about it is, it continued exactly where DAF of the time left off into more disco-orientated territory (with 'First Step To Heaven').

Naive, predictable but already marking bits of sliding away from the Cologne's legendary twosome - McCarthy's vocals is powerful if not childish at times and alone informs the oncoming sound that fans will associate with as Nitzer Ebb's mid 80s finest 'funk aggression' examples ('Murderous', 'Let Your Body Learn' and of course, 'Join in the Chant').

While this tape of Nitzer's is indeed impossible to find or track down anywhere, even through Soulseek's or Torrent's wider range of individual MP3 collections, it is worth a listen for the fact it is truly the earliest Nitzer ever got into music. The sound of the tape is satisfactory albeit it betrays a typical demo of the time, the voices, drums, dub effects and synths fight between each other respectively - among the studio tracks taken, one is significant of surviving a transfer onto vinyl ('Crane', in a slightly different version, of course) while among the standout, predominantly DAF-esque tracks, 'The Pass' is a chilling, unique example of what Nitzer Ebb would become in their later days.

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