Arne Nordheim – Listen - The Art Of Arne Nordheim
Label: | Aurora (5) – ACD 5070 |
---|---|
Format: | 7 x CD, Compilation |
Country: | Norway |
Released: | |
Genre: | Electronic, Classical |
Style: | Musique Concrète, Contemporary, Experimental |
Tracklist
1-1 | Epitaffio Per Orchestra E Nastro Magnetico | 10:02 | |
1-2 | Listen | 10:15 | |
Aftonland (Evening Land) - For Soprano And Chamber Orchestra | (14:16) | ||
1-3 | 1st Movement | 5:46 | |
1-4 | 2nd Movement | 3:51 | |
1-5 | 3rd Movement | 4:39 | |
1-6 | Canzona Per Orchestra | 12:06 | |
1-7 | Colorazione - For Hammond Orga X-66, Percussion, Delay, Ring Modulator And Filters | 18:56 | |
2-1 | Wirklicher Wald - For Soprano, Solo Cello, Mixed Chorus And Orchestra | 26:50 | |
2-2 | Clamavi Per Violoncello Solo | 11:51 | |
2-3 | Tenebrae Per Violoncello & Orchestra | 25:02 | |
The Tempest - Suite From The Ballet | (50:38) | ||
3-1 | Calm Sea, Storm And Awakening | 12:46 | |
3-2 | Magic Circle | 6:27 | |
3-3 | Lacrymae | 8:09 | |
3-4 | A Mazed Trod | 3:04 | |
3-5 | Four Legs And Two Voices | 7:17 | |
3-6 | Caliban's Warning | 12:49 | |
Tres Lamentationes - For Mixed Chorus | (11:19) | ||
4-1 | Quomodo Sedit Sola | 3:56 | |
4-2 | Clamavit Cor Eorum Ad Dominum | 2:56 | |
4-3 | Converte Nos Domine Ad Te | 4:31 | |
4-4 | Aurora - Version For Four Singers, Chorus, Two Percussion Groups And Electronics | 21:05 | |
4-5 | Nedstigningen (The Descent) - For Recitation, Mixed Chorus, Soprano, Orchestra And Electronic Sounds | 26:08 | |
Draumkvedet (The Dream Ballad) (Excerpts) | (11:15) | ||
5-1 | I Pilegrimskyrkja | 4:37 | |
5-2 | Draumar Mange | 6:48 | |
Tre Voci - For Soprano And Chamber Ensemble | (16:30) | ||
5-3 | Francesco Petrarca | 4:33 | |
5-4 | Giordano Bruno | 6:06 | |
5-5 | Guiseppe Ungaretti | 6:00 | |
5-6 | Silver Key - From 'Music To Two Fragments Of Music By Shelley' | 4:51 | |
5-7 | Quasi Fantasia - From 'Partita Per Carillon' | 3:33 | |
5-8 | OHM - For Lur And Tape | 9:11 | |
5-9 | Solitaire | 12:00 | |
6-1 | Magma - For Orchestra | 22:35 | |
6-2 | Pace | 9:23 | |
6-3 | Greening - For Orchestra | 23:25 | |
Eco - For Soprano Solo, Mixed Chorus, Children's Chorus And Orchestra | |||
6-4 | I Morti | 9:17 | |
6-5 | Alle Fronde Dei Salici | 9:15 | |
7-1 | Solar Plexus | 9:30 | |
7-2 | The Return Of The Snark - For Trombone And Tape | 14:47 | |
Partita Fur Paul - For Violin With Electronic Delay | (19:19) | ||
7-3 | Tanze, Du Ungeheuer, Zu Meinem Sanften Lied | 5:04 | |
7-4 | Schwankendes Gleichgewicht | 4:37 | |
7-5 | Schwebenes (Vor Dem Anstieg) | 4:17 | |
7-6 | Harpia, Harpiana | 1:39 | |
7-7 | Individualisierte Höhenmessung Der Langen | 3:48 | |
7-8 | Spur - For Accordion And Orchestra | 24:34 | |
7-9 | Nachruf For Strings | 7:27 |
Credits
- Baritone Vocals – Christopher Keyte (tracks: 3-1 to 3-6)
- Cello – Alfred Gemeinhardt (tracks: 3-1 to 3-6)
- Choir – Süddeutsche Rundfunk Chor* (tracks: 3-1 to 3-6)
- Composed By – Arne Nordheim
- Conductor – Charles Darden (tracks: 3-1 to 3-6), Ingar Bergby (tracks: 1-3 to 1-5)
- Design [Cover], Typography [Typesetting] – Peter Knudsen (2)
- Engineer [Mastering Engineer] – Ingar Hunskaar
- Executive-Producer – Erik Gard Amundsen
- Liner Notes – Arne Nordheim, Folke Strømholm, Gaute Vikdal, Glen Tetley, Kjell Skyllstad, Lorentz Reitan, Morten Eide Pedersen, Yisrael Daliot
- Lyrics By – Pär Lagerkvist (tracks: 1-3 to 1-5)
- Orchestra – BIT 20 Ensemble (tracks: 1-3 to 1-5), Süddeutsche Rundfunk Sinfonieorchester* (tracks: 3-1 to 3-6)
- Photography By [Cover] – Lavasir Nordrum
- Soprano Vocals – Siri Torjesen (tracks: 1-3 to 1-5), Susan Campbell (tracks: 3-1 to 3-6)
- Trombone – Maasaki Yamamoto* (tracks: 3-1 to 3-6)
- Viola – Enrique Santiago (tracks: 3-1 to 3-6)
- Violin – Peter Herresthal (tracks: 7-3 to 7-7)
Notes
Box set including 76 page booklet and three digipak CD sets.
Epitaffio: per orchestra e nastro magnetico (1968) for orchestra and tape.
Listen (1971) for piano.
Aftonland (Evening land) (1959) for soprano and chamber ensemble.
Canzona per orchestra (1960).
Colorazione (1968) for hammond organ X-66, percussion, delay, ring modulator and filters.
Wirklicher Wald (1983) for soprano, cello, mixed choir and orchestra.
Clamavi (1980) for violoncello solo.
Tenebrae (1980) for violoncello & orchestra.
The tempest : suite from the ballet (1979) for soprano, baritone and orchestra.
Tres lamentationes (1985) for mixed chorus.
Aurora (1984) version for four singers, chorus, two percussion groups and tape.
Nedstigningen (The descent) (1980/1996) for recitation, mixed chorus, soprano, orchestra and electronic sounds.
Draumkvedet (The dream ballad) excerpts from the music theatre composition (1994).
Tre voci (1988) for soprano and chamber ensemble.
Silver key from Music to two fragments of music by Shelley (1985) for equal voices.
Quasi fantasia from Partita per carillon.
OHM (1971) for lute and tape.
Solitaire (1968) for tape.
Magma (1988) for orchestra.
Pace (1970) for tape.
Greening (1973) for orchestra.
Eco (1967) for soprano solo, mixed chorus, children's chorus and orchestra.
Solar plexus (1973) for various performers.
The return of the snark (1987) for trombone and tape.
Partita für Paul (1985) for violin with electronic delay.
Spur (1975) for accordion and orchestra.
Nachruf (1956/75) for strings.
Epitaffio: per orchestra e nastro magnetico (1968) for orchestra and tape.
Listen (1971) for piano.
Aftonland (Evening land) (1959) for soprano and chamber ensemble.
Canzona per orchestra (1960).
Colorazione (1968) for hammond organ X-66, percussion, delay, ring modulator and filters.
Wirklicher Wald (1983) for soprano, cello, mixed choir and orchestra.
Clamavi (1980) for violoncello solo.
Tenebrae (1980) for violoncello & orchestra.
The tempest : suite from the ballet (1979) for soprano, baritone and orchestra.
Tres lamentationes (1985) for mixed chorus.
Aurora (1984) version for four singers, chorus, two percussion groups and tape.
Nedstigningen (The descent) (1980/1996) for recitation, mixed chorus, soprano, orchestra and electronic sounds.
Draumkvedet (The dream ballad) excerpts from the music theatre composition (1994).
Tre voci (1988) for soprano and chamber ensemble.
Silver key from Music to two fragments of music by Shelley (1985) for equal voices.
Quasi fantasia from Partita per carillon.
OHM (1971) for lute and tape.
Solitaire (1968) for tape.
Magma (1988) for orchestra.
Pace (1970) for tape.
Greening (1973) for orchestra.
Eco (1967) for soprano solo, mixed chorus, children's chorus and orchestra.
Solar plexus (1973) for various performers.
The return of the snark (1987) for trombone and tape.
Partita für Paul (1985) for violin with electronic delay.
Spur (1975) for accordion and orchestra.
Nachruf (1956/75) for strings.
Barcode and Other Identifiers
- Barcode: 7044581350706
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