T Bone Burnett* – The Criminal Under My Own Hat
Tracklist
1 | Over You | 2:20 | |
2 | Tear This Building Down | 4:37 | |
3 | It's Not Too Late | 4:27 | |
4 | Humans From Earth | 2:49 | |
5 | Primitives | 3:15 | |
6 | Criminals | 3:45 | |
7 | Every Little Thing | 2:54 | |
8 | I Can Explain Everything | 1:54 | |
9 | Any Time At All | 3:03 | |
10 | I Can Explain Everything | 3:19 | |
11 | The Long Time Now | 3:01 | |
12 | Kill Switch | 2:55 |
Companies, etc.
- Manufactured By – Columbia Records
- Pressed By – DADC – DIDP-077623
- Phonographic Copyright ℗ – Sony Music Entertainment Inc.
- Copyright © – Sony Music Entertainment Inc.
Credits
- A&R [Artist & Repertiore] – Michael Gallelli
- Art Direction – Mary Maurer
- Artwork [The Death Of Sequoya Letter, Collage] – John Flex Fleming
- Bass – Edgar Meyer (tracks: 5, 7, 12), Jerry Scheff (tracks: 2, 4, 6, 10), Roy Huskey, Jr.* (tracks: 9, 11)
- Bass [Slap] – Roy Huskey, Jr.* (tracks: 1, 3)
- Dobro – Jerry Douglas (tracks: 3, 5, 7, 11, 12)
- Drums – Jim Keltner (tracks: 2, 4, 6, 8, 10)
- Guitar – Marc Ribot (tracks: 2, 6, 8, 10)
- Mandolin – Mark O'Connor (tracks: 3, 12)
- Mastered By – Stephen Marcussen
- Mixed By – Joe Schiff (tracks: 1, 5, 7, 9, 10), Tchad Blake (tracks: 2, 4, 6, 8)
- Photography By – Steven Nilsson
- Photography By [Inset Photo] – Bob Wade
- Producer, Written-By – B. Neuwirth* (tracks: 3, 7, 11), H. Burnett*
- Recorded By – Joe Schiff (tracks: 1, 5, 7, 9), Tchad Blake (tracks: 2, 4, 6, 8, 10)
- Recorded By [Additional Recording] – Bil Vorn Dick*, Max Garcia*
- Recorded By, Mixed By – John Hanlon (tracks: 3, 11, 12)
- Violin – Mark O'Connor (tracks: 3, 7, 11)
Notes
For all songs: (c) 1992 A.B. Stahr Music (BMI),
Admin. by Bug, except "It's Not Too Late": (c) 1992 A.B. Stahr Music/Dry Clam Music (BMI),
Admin. by Bug/Plangent Visions Music (ASCAP),
All Rights Reserved. Used by Permission.
Mastered at Precision Mastering, Los Angeles, California
Recorded at Kiva West, Los Angeles, California; Ocean Way, Hollywood, California; Sunset Sound Factory, Hollywood, California; Sound Emporium, Nashville, Tennessee; Music Row Audio, Nashville, Tennessee
Mark O'Connor and Van Dyke Parks appear courtesy of Warner Bros. Records, Inc.
Marc Ribot appears courtesy of Les Disques du Crépuscule.
Admin. by Bug, except "It's Not Too Late": (c) 1992 A.B. Stahr Music/Dry Clam Music (BMI),
Admin. by Bug/Plangent Visions Music (ASCAP),
All Rights Reserved. Used by Permission.
Mastered at Precision Mastering, Los Angeles, California
Recorded at Kiva West, Los Angeles, California; Ocean Way, Hollywood, California; Sunset Sound Factory, Hollywood, California; Sound Emporium, Nashville, Tennessee; Music Row Audio, Nashville, Tennessee
Mark O'Connor and Van Dyke Parks appear courtesy of Warner Bros. Records, Inc.
Marc Ribot appears courtesy of Les Disques du Crépuscule.
Barcode and Other Identifiers
- Barcode: 0 7464-45213-2
- Matrix / Runout: DIDP-077623 3
- Other (Catch ring stamp): ['D' logo]
Other Versions (5 of 13)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | The Criminal Under My Own Hat (CD, Album) | Columbia, Columbia | 467978 2, COL 467978 2 | Europe | 1992 | ||
New Submission | The Criminal Under My Own Hat (Cassette, Album) | Columbia | 4679784 | 1992 | |||
New Submission | The Criminal Under My Own Hat (Cassette, Album) | Columbia | CT 45213 | US | 1992 | ||
New Submission | The Criminal Under My Own Hat = 自己犯罪意識 (CD, Album, Promo) | Sony | SRCS 5944 | Japan | 1992 | ||
New Submission | The Criminal Under My Own Hat (2×CD, Album) | Columbia | CK 45213 | US | 1992 |
Recommendations
Reviews
- This review relates to published works of T-Bone Burnett, in that only those works that have a subjective tick of approval; there are really only 3 releases that are considered listener worthy, namely Trap Door, EP, 1982; Proof Through The Night, album, 1983; The Criminal Under My Own Hat, album, 1992.
Listening in that order is recommended, but YMMV. These releases are considered 3.5-4.0 stars . . . well worth the listen.
Other releases can be difficult listens, content often introverted, abstract and non-tuneful. It's taken me a few decades to distil this stance, I sincerely hope others get some value from it.
Release
For sale on Discogs
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