Supersuckers – Must've Been High
Label: | Improved Sequence Records – IMP111, Sub Pop – IMP111 |
---|---|
Format: | Vinyl, LP, Album, Reissue |
Country: | Italy |
Released: | |
Genre: | Rock, Folk, World, & Country |
Style: | Country, Country Rock |
Tracklist
A1 | Must've Been High | 3:26 | |
A2 | Dead In The Water | 2:12 | |
A3 | Barricade | 3:20 | |
A4 | Roamin' 'Round | 3:03 | |
A5 | Hungover Together | 4:05 | |
A6 | Non-Addictive Marijuana | 2:45 | |
B7 | The Captain | 3:04 | |
B8 | Blow You Away | 1:52 | |
B9 | Roadworn And Weary | 3:28 | |
B10 | Hangin' Out With Me | 2:20 | |
B11 | Juicy Pureballs | 1:50 | |
B12 | One Cigarette Away | 2:49 | |
B13 | Hangliders | 2:51 | |
B14 | Supersucker Drive-By Blues |
Companies, etc.
- Phonographic Copyright ℗ – Sub Pop Records
- Copyright © – Sub Pop Records
- Licensed From – Sub Pop
- Licensed To – Improved Sequence
- Published By – Muscle Car Music
- Recorded At – Ironwood Studios
- Mixed At – Pedernales Studio
- Mastered At – Bernie Grundman Mastering
- Pressed By – AFG Record Manufacturing
Credits
- Design – Kenneth Sherwood
- Drums, Cymbal [Cymbals] – Dancing Eagle
- Electric Guitar – Dan "Raised By Wolves" Bolton*
- Electric Guitar, Acoustic Guitar, Vocals – Renaldo Allegré*
- Engineer [Engineering Assistants] – David Fisher (2), Floyd Reitsma
- Engineer [Mixing Engineer] – Larry Greenhill
- Engineer [Recording Engineer] – Jon Dunleavy
- Guest [Hired Gun], Baritone Guitar – Jesse Dayton
- Guest [Hired Gun], Fiddle, Mandolin – Brantley Kearns
- Guest [Hired Gun], Harmonica, Harmonica [Echo Harp, Baritone Harp] – Mickey Raphael
- Guest [Hired Gun], Pedal Steel Guitar [Pedal Steel], Lap Steel Guitar [Lap Steel], Dobro, Banjo – Brian Thomas (17)
- Illustration [Front Cover Illustration By] – Whiting Tennis
- Mixed By [Mixing Assistant] – Steve Chadie
- Producer [Produced], Mixed By – Randall Jamail
- Sleeve Notes – The Supersuckers*
- Vocals, Bass, Acoustic Guitar – Eddie Spaghetti
- Written-By – D. Bolton* (tracks: A2), Danny Bland (tracks: A5), E. Spaghetti* (tracks: A1, A3, A4, A7, B7 to B12), R. Heathman* (tracks: A6)
Notes
Standard black vinyl.
Despite being listed on side A, The Captain actually plays on side B instead.
Track B14 is not listed anywhere on the release.
Tracks are numbered sequentially on the backsleeve.
This particular recording remained in the analog until it was mastered for long playing album. Ten microphones were used to record the entire album, all Neumann tube microphones (U67, U47 and U149) except for a pair of Neumann stereo condensor microphones used as overhead mics on the drums. All of the effects that you hear on this record were created with live chambers, plate reverbs and analog tape slap delay.
Recorded at Ironwood Studios, Seattle, Wash
Mixed at Pedernales Recording Studios, Spicewood, Texas
Mastered by Bernie Grundman Mastering, Hollywood, California
Kelley Deal appears courtesy Nice Records; Jesse Dayton appears courtesy Justice Records; you know who appears courtesy Island Records
Despite being listed on side A, The Captain actually plays on side B instead.
Track B14 is not listed anywhere on the release.
Tracks are numbered sequentially on the backsleeve.
This particular recording remained in the analog until it was mastered for long playing album. Ten microphones were used to record the entire album, all Neumann tube microphones (U67, U47 and U149) except for a pair of Neumann stereo condensor microphones used as overhead mics on the drums. All of the effects that you hear on this record were created with live chambers, plate reverbs and analog tape slap delay.
Recorded at Ironwood Studios, Seattle, Wash
Mixed at Pedernales Recording Studios, Spicewood, Texas
Mastered by Bernie Grundman Mastering, Hollywood, California
Kelley Deal appears courtesy Nice Records; Jesse Dayton appears courtesy Justice Records; you know who appears courtesy Island Records
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (Side A runout, etched): IMP111 A
- Matrix / Runout (Side B runout, etched): IMP111 B ANALOGCUT
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