RLW – Views
Label: | Anomalous Records – NOM27 |
---|---|
Format: | CD, Album |
Country: | US |
Released: | |
Genre: | Electronic |
Style: | Drone, Experimental, Noise |
Tracklist
1 | Untitled | 21:13 | |
2 | Untitled | 9:43 | |
3 | Untitled | 9:25 | |
4 | Untitled | 10:30 |
Companies, etc.
- Manufactured By – Cinram
Credits
- Design [Uncredited] – Eric Lanzillotta
- Music By [Re-constructed By Spontaneous Mix] – RLW
- Photography By – Rachael Jackson
Notes
VIEWS was conceived in January 2003. Recordings were done for track 1 in January, for track 2 in February, and for tracks 3 and 4 in March 2003. Final Mix: April 2003. All 4 pieces are based on three or four instrumental improvisations by RLW, re-constructed by spontaneous mix afterwards. Track 1 is recorded with tone-generator (TG 77) using self-programmed sounds. An early version of the sounds had been created for the CD" ACHT (1992). The programs have been designed to be controlled via wheels, not by keyboards. The tuning is in 1/8 tone, every sound consist of up to four sound-sources (oscillators), that respond in different ways to the controllers. Track 2 is based on four spontaneous recordings of musical actions in the recordings room, mostly with Orff percussions instruments (designed for children) plus some other tools lying around. Track 3 uses two musical boxes, which were not used by playing along, but seen as instruments, for instance creating wahwah-sounds by squeezing the boxes. The only external instrument was an electrical toolbrush. Track 4 is based on one feedback version each from tracks 2 and 3, one tone-generator track from the recordings of track 1, plus two additional recordings of electric guitar (played back and forth).
Made in Canada.
Made in Canada.
Barcode and Other Identifiers
- Barcode: 6 46315 25272 9
- Mastering SID Code: IFPI LT36
- Mould SID Code: IFPI 6 0 0 0
- Matrix / Runout: LT36 NOM27 #40131Z13
- Other (Inner Ring): MADE IN CANADA 6
Recommendations
Reviews
- Really interesting sounds. When I first heard this, I liked the long electronic first track, but the other tracks seemed mismatched. But I was expecting too much. Listening later, I heard the disc while not knowing it was RLW again, and I was very astonished. What had bothered me earlier -electric toothbrush feedback, etc... actually became highly satisfying. It's a good example of how listening free from expectation can result in a better experience. A studious play of the disc, with the thought "Wow, RLW!" did not lead to the right appreciation. This is electronic composition at a high level of abstraction, and makes good ambiance. Hear consciously but relaxed.
Release
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