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M.J. Harris*Martyn BatesMurder Ballads (Passages)

Label:Musica Maxima Magnetica – eee 36
Format:
CD, Album
Country:Italy
Released:
Genre:Electronic
Style:Ambient

Tracklist

1The Bramble Briar13:28
2The Cruel Mother11:29
3The Banks Of Fordie13:10
4The Murder Of Maria Marten17:29
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Credits

Notes

Total time: 55:38

Recorded & mixed at The Box, July 96.

With thanks also to Peter Becker at A-Scale.

Illustrations taken from books 'Jump To Glory Jane', 'Homestead Westward In The Blue Mountains', 'The Passionate Puppets'.

Barcode and Other Identifiers

  • Barcode (Text): 8 020417 103622
  • Barcode (Reader): 8020417103622
  • Matrix / Runout (Variants 1, 2): A0100202106-0101 13 A0 DADC AUSTRIA
  • Mastering SID Code (Variants 1, 2): IFPI L553
  • Mould SID Code (Variant 1): IFPI 94B3
  • Mould SID Code (Variant 2): IFPI 94Z2

Other Versions (2)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Murder Ballads (Passages) (2×LP, Album, Limited Edition, Reissue, marbled vinyl)Sub RosaSRV510Belgium2022
New Submission
Murder Ballads (Passages) (2×LP, Album, Reissue, White Label)Sub RosaSRV510Belgium2022

Recommendations

Reviews

  • bonnicon's avatar
    bonnicon
    Second chapter in the "Murder Ballads" series - more dark, rolling tones & chillingly dream-state voices tell four tales of cruelty. A series much lauded & deservedly so.
    MARTYN has searched around to find a second collection of tales to chill the blood. Although the two artists are credited with 'compositions', I believe these are actually old folk songs, with the fourth piece more commonly known as "The Murder In The Red Barn" and dating back to pre-Jack The Ripper times, when it was then considered to be a crime worthy of portraying in song and even a play (check out the old black and white film starring TODD SLAUGHTER - it kinda romanticises Maria Marten more than history considers she deserves, but is worth seeking out if you like these tales).

    MICK has created a dark screen against which the voice is set, slow, soporific, bad dream driftworks which make a perfect mood for the cold stories to unfold against. As with his LULL project, this is deep, muted and less to do with recognizable 'music' than of a feeling, a mood.

    The backing soundtrack on this is so far up that you need full volume to discern the words. The original demo used this as a carpet over which MARTYN's words crept, and seemed to have a much more powerful effect. Now the soundtrack is a high wall of darkness, over which the voice stands tiptoe to be discerned. I'm not criticising this - this album has been lauded enough for it to be right, but then there can be two conflicting opinions, both correct. I guess it's the difference between two films - say the brooding depression of "10 Rillington Place" as the demo, and "Texas Chainsaw Massacre" as the album. Both very scary films - both effective - but with a distinctly different approach to the horrors they portray.

    But all said, this is still a chilling and fairly unique listening experience. Buy the box set, if you can find it - and "The Bloody Gardner", that elusive 13th track. It'll be money well spent.

    Originally reviewed for Soft Watch.

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    4 copies from $9.74

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    • Want:66
    • Avg Rating:4.26 / 5
    • Ratings:27

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