M.J. Harris* • Martyn Bates – Murder Ballads (Passages)
Label: | Musica Maxima Magnetica – eee 36 |
---|---|
Format: | CD, Album |
Country: | Italy |
Released: | |
Genre: | Electronic |
Style: | Ambient |
Tracklist
1 | The Bramble Briar | 13:28 | |
2 | The Cruel Mother | 11:29 | |
3 | The Banks Of Fordie | 13:10 | |
4 | The Murder Of Maria Marten | 17:29 |
Companies, etc.
- Recorded At – The Box (2)
- Mixed At – The Box (2)
- Glass Mastered At – DADC Austria – A0100202106-0101
Credits
- Artwork, Design – Martyn Bates
- Composed By – Martyn Bates, M.J. Harris*
- Executive-Producer – Luciano Dari
- Illustration [Illustrations] – Laurence Housemen
- Producer – Martyn Bates, M.J. Harris*
- Recorded By, Mixed By – M.J. Harris*
Notes
Total time: 55:38
Recorded & mixed at The Box, July 96.
With thanks also to Peter Becker at A-Scale.
Illustrations taken from books 'Jump To Glory Jane', 'Homestead Westward In The Blue Mountains', 'The Passionate Puppets'.
Recorded & mixed at The Box, July 96.
With thanks also to Peter Becker at A-Scale.
Illustrations taken from books 'Jump To Glory Jane', 'Homestead Westward In The Blue Mountains', 'The Passionate Puppets'.
Barcode and Other Identifiers
- Barcode (Text): 8 020417 103622
- Barcode (Reader): 8020417103622
- Matrix / Runout (Variants 1, 2): A0100202106-0101 13 A0 DADC AUSTRIA
- Mastering SID Code (Variants 1, 2): IFPI L553
- Mould SID Code (Variant 1): IFPI 94B3
- Mould SID Code (Variant 2): IFPI 94Z2
Other Versions (2)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Murder Ballads (Passages) (2×LP, Album, Limited Edition, Reissue, marbled vinyl) | Sub Rosa | SRV510 | Belgium | 2022 | ||
New Submission | Murder Ballads (Passages) (2×LP, Album, Reissue, White Label) | Sub Rosa | SRV510 | Belgium | 2022 |
Recommendations
Reviews
- Second chapter in the "Murder Ballads" series - more dark, rolling tones & chillingly dream-state voices tell four tales of cruelty. A series much lauded & deservedly so.
MARTYN has searched around to find a second collection of tales to chill the blood. Although the two artists are credited with 'compositions', I believe these are actually old folk songs, with the fourth piece more commonly known as "The Murder In The Red Barn" and dating back to pre-Jack The Ripper times, when it was then considered to be a crime worthy of portraying in song and even a play (check out the old black and white film starring TODD SLAUGHTER - it kinda romanticises Maria Marten more than history considers she deserves, but is worth seeking out if you like these tales).
MICK has created a dark screen against which the voice is set, slow, soporific, bad dream driftworks which make a perfect mood for the cold stories to unfold against. As with his LULL project, this is deep, muted and less to do with recognizable 'music' than of a feeling, a mood.
The backing soundtrack on this is so far up that you need full volume to discern the words. The original demo used this as a carpet over which MARTYN's words crept, and seemed to have a much more powerful effect. Now the soundtrack is a high wall of darkness, over which the voice stands tiptoe to be discerned. I'm not criticising this - this album has been lauded enough for it to be right, but then there can be two conflicting opinions, both correct. I guess it's the difference between two films - say the brooding depression of "10 Rillington Place" as the demo, and "Texas Chainsaw Massacre" as the album. Both very scary films - both effective - but with a distinctly different approach to the horrors they portray.
But all said, this is still a chilling and fairly unique listening experience. Buy the box set, if you can find it - and "The Bloody Gardner", that elusive 13th track. It'll be money well spent.
Originally reviewed for Soft Watch.
Release
For sale on Discogs
Sell a copy4 copies from $9.74