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Bronski BeatTruthdare Doubledare

Label:MCA Records – MCAD-5751
Format:
CD, Album
Country:US
Released:
Genre:Electronic
Style:Synth-pop

Tracklist

1Hit That Perfect Beat3:38
2Truthdare Doubledare4:42
3C'Mon! C'Mon!3:49
4Punishment For Love4:14
5We Know How It Feels4:13
6This Heart4:17
7Do It3:49
8Dr John4:36
9In My Dreams4:17
10Hit That Perfect Beat (12" Version)6:25
11C'Mon! C'Mon! (12" Version)6:14
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Companies, etc.

Credits

Notes

Manufactured in Japan for MCA Records, Inc., 70 Universal City Plaza, Universal City, California—U.S.A.

©1986 London Records Ltd. ℗1986 London Records Ltd.

Matrix code is loosely-stamped dot matrix as typical for early Nippon Columbia/DENON pressings.

Barcode and Other Identifiers

  • Barcode (Text): 0 76732-5751-2 3
  • Barcode (Scanned): 0076732575123
  • Matrix / Runout (Stamped): MCAD-5751 1A1 68
  • Other: JVC-511

Other Versions (5 of 55)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Truthdare Doubledare (LP, Album, Gloversville Pressing)MCA Records, MCA Records, Forbidden FruitMCA 5751, MCA -5751, MCA-5751US1986
Recently Edited
Truthdare Doubledare (CD, Album)London Records, Forbidden Fruit828 010-2UK & Europe1986
Recently Edited
Truthdare Doubledare (LP, Album, Purple Drummers)London Records, Forbidden Fruit828 010-1, BITLP 3UK1986
Recently Edited
Truthdare Doubledare (LP, Album)London Records828 010-1Netherlands1986
Recently Edited
Truthdare Doubledare (LP, Album, Embossed Green Drummers)London Records, Metronome828 010-1Germany1986

Recommendations

Reviews

  • postpunkmonk's avatar
    postpunkmonk
    Edited 12 years ago
    I was initially less than enamored by Bronski Beat's emergence into the world. In a nutshell, I really HATED Jimmy Somerville's falsetto singing! No matter how I might like the music [what I heard then was not ultra compelling] I didn't want to know. Imagine my surprise when Somerville ditched the band and he was replaced by a singer I could stand. Moreover, the song that cought my ear, "Hit That Perfect Beat" was a super hi-nrg stomper that was breathtaking in its BPM, yet it offered a great synth guitar solo [it sounded like a single sampled plucked string with some sweet pitch bending] that contrasted with the grain of the beat. Excellent!

    So I got the album and found it to be a varied program of music that mostly succeeded. The other single "C'Mon C'Mon" was a McLaren-eqsue blend of Afro hi-life pop and Appalachian fiddle. Best of all was the crystalline ballad "We Know How It Feels" featuring some great vocal arrangements. The only track here that let me down was "In My Dreams" which sounded far too much like a Howard Jones track for my liking! Overall, a strong album. Too bad this lineup of the group broke up after this.

    http://postpunkmonk.wordpress.com
    For more ruminations on the Fresh New Sound Of Yesterday

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    • Want:39
    • Avg Rating:3.89 / 5
    • Ratings:19

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