The Red Paintings – The Revolution Is Never Coming
| Label: | Buttercup Records (4) – Butt007 |
|---|---|
| Format: | Vinyl, LP, Red Vinyl, LP, White All Media, Album, Limited Edition, Numbered |
| Country: | Australia |
| Released: | |
| Genre: | Rock |
| Style: | Alternative Rock |
Tracklist
| A1 | Vampires Are Chasing Me | |
| A2 | Dead Children | |
| A3 | Dead Adults | |
| B1 | Wasps | |
| B2 | The Fall Of Rome | |
| B3 | Walls | |
| B4 | Streets Fell Into My Window | |
| C1 | You're Not One Of Them | |
| C2 | It Is As It Was | |
| C3 | Deleted Romantic | |
| D1 | Hong Kong | |
| D2 | Rain | |
| D3 | The Revolution Is Never Coming |
Companies, etc.
- Licensed From – Robot Records (7)
- Copyright © – The Red Paintings
- Phonographic Copyright ℗ – The Red Paintings
- Engineered At – Alchemix Studios
- Mixed At – Tranzformer Studios
- Mastered At – Forensic Audio
- Pressed By – GZ Media – 125208E
Credits
- Arranged By [String Arrangements By] – Ellen Stancombe, Trash McSweeney
- Artwork [Cover, Back Art Painted By] – Scott Sheildy
- Backing Vocals – Celia O'Danger (tracks: A1)
- Bass – Ryan Ven Gennip
- Bassoon – Rosa Sottie
- Cello [Lead] – Dave Sue Yek
- Choir – Adelaide Short, Ainsley Dobson, Alice Wheeler (2), Ashley (19), Celia O'Danger, Dave Hooper, Elliot Neville, Emily Holt, Emma Nightingale, Hannah Evans (2), Hot Coffee (2), Jack Tivoli, Jessica Neliason*, Lana Calnan, Luke Shaw (2), Michelle Freeman (2), Moshe Papp, Natasha Pilbeam, Rosa Sottie, Timothy Tate
- Co-producer, Other [Trash Mentor] – John Billington
- Conductor [String Conductors] – David Sue Yek, Trash McSweeney
- Design Concept [Album Artwork Concept] – Trash McSweeney
- Design [Album Design], Artwork [Image Editing] – Adele Walker (Bambi Wants Revenge)*
- Drums – Andy Davis (10), Josh Engelking (tracks: B3, B4)
- Engineer, Mixed By – Bryan Carlstrom, Trash McSweeney
- French Horn – Jenna Breen
- Harp – Naomi Brett
- Mastered By – Simon Struthers
- Orchestra – Andrew Chamberlain, Asher Yanw, Camilla Harvey, Cristina Zantiv, David Rabinovici*, Ellen Stancombe, Fiona Laycock, Francis Parker, Guy Bursle, Helane Ramsey, Jane Oliver Lange, Janine Oostenbroek, Jennifer Waanders, Jessica Neilson, Katherine Baker, Kathryn Paine, Katie Adams, Marina Levy, Natalie Schimpf, Neridah Oostenbroek, Nicholas Jensen, Philip Cadell, Priscilla Cocis, Rachael Meredith, Rob Knaggs, Robyn Weir, Skye McNicol, Steve June, Tiffany Shih (2), Tommas Gazzola, Yvette McKinnon
- Other [Studio Painters] – Moogie, Sundari Mitchell
- Photography By [Trash McSweeney Photo By] – Gee Greensdale
- Piano – Neridah Oostenbroek
- Producer – Trash McSweeney
- Theremin [Moog Theremin] – Timothy Tate
- Trombone – John Carpenter (7)
- Trumpet – Alice Wheeler (2), Tim Francis (2)
- Violin [Lead], Backing Vocals – Ellen Stancombe
- Vocals [End Vocals] – Lionel Theuniseen (Opera Man)* (tracks: D3)
- Vocals, Guitar, Bass, Piano, Synthesizer, Glockenspiel – Trash McSweeney
- Voice [Voice Over] – Wayne Jennings (tracks: B4)
- Written-By, Composed By – Trash McSweeney
Notes
Red and white vinyl version in gatefold packaging, limited to 100 copies. Hand-numbered out of 500 copies (latter 400 copies are on black vinyl).
The track sequence of Deleted Romantic and Hong Kong are reversed from the CD version of the album. The record labels list this correctly, however the rear artwork displays the same track sequence as the CD.
First recorded in Brisbane at Alchemix Recording Studios, and then 8 other studios world wide.
Mixed in Los Angeles at Tranzformer Studios.
Mastered at Forensic Audio Mastering, Perth, Australia.
(C)(P) 2015 The Red Paintings.
Released through Buttercup Records under exclusive license from Robot Records.
The track sequence of Deleted Romantic and Hong Kong are reversed from the CD version of the album. The record labels list this correctly, however the rear artwork displays the same track sequence as the CD.
First recorded in Brisbane at Alchemix Recording Studios, and then 8 other studios world wide.
Mixed in Los Angeles at Tranzformer Studios.
Mastered at Forensic Audio Mastering, Perth, Australia.
(C)(P) 2015 The Red Paintings.
Released through Buttercup Records under exclusive license from Robot Records.
Barcode and Other Identifiers
- Barcode: 0 609224 846267
- Matrix / Runout (Side A): 125208E1/A BUTT007-A
- Matrix / Runout (Side B): 125208E2/A BUTT007-B
- Matrix / Runout (Side C): 125208E3/A BUTT007-C
- Matrix / Runout (Side D): 125208E4/A BUTT007-D
Other Versions (5 of 7)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | The Revolution Is Never Coming (CD, Album) | Bird's Robe Records | BRR034 | Australia | 2013 | ||
Recently Edited | The Revolution Is Never Coming (CD, Album, Limited Edition) | Bird's Robe Records | BRR034 | Australia | 2013 | ||
New Submission | The Revolution Is Never Coming (CD, Album) | The End Records | TE328-2 | US | 2013 | ||
New Submission | The Revolution Is Never Coming (CD, Album) | Graphite Records (3) | GRAPHFAR21CD | UK & Europe | 2013 | ||
New Submission | The Revolution Is Never Coming (2×LP, Album, Numbered) | Buttercup Records (4) | Butt007 | Australia | 2015 |
Reviews
I've heard some brilliant, bonkers albums in my time, but this is just remarkable. The passion, vision and sustained effort to make this incredible. A lost classic.
Release
For sale on Discogs
Sell a copyNo items available in the Marketplace