Bob Dylan – The Real Royal Albert Hall 1966 Concert!
| Label: | Columbia – 88985361441, Legacy – 88985361441 |
|---|---|
| Series: | Audio-Sonic Sound Reproduction |
| Format: | 2 x Vinyl, LP, Album, Record Store Day, Stereo |
| Country: | US |
| Released: | |
| Genre: | Rock |
| Style: | Folk Rock, Acoustic, Electric Blues |
Tracklist
| A1 | She Belongs To Me | |
| A2 | Fourth Time Around | |
| A3 | Visions Of Johanna | |
| A4 | It's All Over Now, Baby Blue | |
| B1 | Desolation Row | |
| B2 | Just Like A Woman | |
| B3 | Mr. Tambourine Man | |
| C1 | Tell Me, Momma | |
| C2 | I Don't Believe You (She Acts Like We Never Have Met) | |
| C3 | Baby, Let Me Follow You Down | |
| C4 | Just Like Tom Thumb's Blues | |
| C5 | Leopard-Skin Pill-Box Hat | |
| D1 | One Too Many Mornings | |
| D2 | Ballad Of A Thin Man | |
| D3 | Like A Rolling Stone |
Companies, etc.
- Copyright © – Sony Music Entertainment
- Phonographic Copyright ℗ – Sony Music Entertainment
- Distributed By – Sony Music Entertainment
- Manufactured By – Noiseland Industries – 16-0539
- Lacquer Cut At – SST Brüggemann GmbH
- Pressed By – MPO
- Recorded At – Royal Albert Hall
Credits
- Bass, Backing Vocals – Rick Danko
- Design [Package] – Geoff Gans
- Drums – Mickey Jones (2)
- Guitar – Robbie Robertson
- Lacquer Cut By – Kr*
- Mastered By, Transferred By [Digital Transfers] – Andreas Meyer*, Rebekah Wineman
- Mixed By – Chris Shaw
- Organ – Garth Hudson
- Photography By [Stills From Color Film Shot By] – D.A. Pennebaker
- Piano – Richard Manuel
- Producer [Produced For Release] – Jeff Rosen, Steve Berkowitz
- Production Manager [BDMC Productions] – Callie Gladman, David Beal, Debbie Sweeney, Diane Lapson
- Recorded By – Mike Claydon
- Research [Tape Research] – Glenn Korman, Parker Fishel
- Songwriter – Bob Dylan (tracks: A1 to C2, C4 to D3)
- Vocals, Guitar, Piano, Harmonica – Bob Dylan
Notes
The US release doesn't have the Sony Music logo on rear cover left lower corner.
Issued in gatefold sleeve.
Red label on LP-1 (sides A and B), blue label on LP-2 (sides C and D), with "180 Sound Stereo" with arrows along the bottom.
Originally recorded 1966 & released 2016.
Issued in Columbia / Audio-Sonic Sound Reproduction printed inner sleeves, catalog numbers 88985361441SV1 and 88985361441SV2.
Labels:
Made in the EU.
Jacket:
Made in EU
First released on Black Friday 2016 Record Store Day.
"Exclusive Record Store Day" embossed sticker affixed to shrinkwrap (catalog number 1RAW10493S1).
Title on jacket spine, labels: "The Real Royal Albert Hall 1966 Concert"
Title on jacket front cover: "The Real Royal Albert Hall 1966 Concert!"
Jacket back cover title variations to label tracklist:
A2: "4th Time Around"
C5: "Leopard-Skin Pillbox Hat"
Record labels:
Columbia and Legacy on back cover.
Columbia on labels, inner sleeves.
Columbia/Legacy on spine.
Issued in gatefold sleeve.
Red label on LP-1 (sides A and B), blue label on LP-2 (sides C and D), with "180 Sound Stereo" with arrows along the bottom.
Originally recorded 1966 & released 2016.
Issued in Columbia / Audio-Sonic Sound Reproduction printed inner sleeves, catalog numbers 88985361441SV1 and 88985361441SV2.
Labels:
Made in the EU.
Jacket:
Made in EU
First released on Black Friday 2016 Record Store Day.
"Exclusive Record Store Day" embossed sticker affixed to shrinkwrap (catalog number 1RAW10493S1).
Title on jacket spine, labels: "The Real Royal Albert Hall 1966 Concert"
Title on jacket front cover: "The Real Royal Albert Hall 1966 Concert!"
Jacket back cover title variations to label tracklist:
A2: "4th Time Around"
C5: "Leopard-Skin Pillbox Hat"
Record labels:
Columbia and Legacy on back cover.
Columbia on labels, inner sleeves.
Columbia/Legacy on spine.
Barcode and Other Identifiers
- Barcode (Printed): 8 89853 61441 7
- Barcode (Scanned): 889853614417
- Label Code: LC00162
- Rights Society: BIEM / GEMA
- Matrix / Runout (Side A label): 88985361441-A
- Matrix / Runout (Side B label): 88985361441-B
- Matrix / Runout (Side C label): 88985361441-C
- Matrix / Runout (Side D label): 88985361441-D
- Matrix / Runout (Runout side A): 16-0539NL A 88985361441 Kr SST MPO
- Matrix / Runout (Runout side B): 16-0539NL B 88985361441 Kr SST MPO
- Matrix / Runout (Runout side C): 16-0539NL C 88985361441 Kr SST MPO
- Matrix / Runout (Runout side D): 16-0539NL D 88985361441 MPO Kr SST
Other Versions (5 of 14)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | The Real Royal Albert Hall 1966 Concert! (2×CD, ) | Columbia, Legacy | 8898537434-2 | Argentina | 2016 | ||
| The Real Royal Albert Hall 1966 Concert! (2×CD, Album) | Columbia, Legacy | 88985374342 | US | 2016 | |||
Recently Edited | The Real Royal Albert Hall 1966 Concert! (2×CD, Album) | Columbia, Legacy | 88985374342 | Europe | 2016 | ||
| The Real Royal Albert Hall 1966 Concert! (2×LP) | Columbia, Legacy | 88985361441 | Europe | 2016 | |||
New Submission | The Real Royal Albert Hall 1966 Concert! (2×CD, ) | Sony Records Int'l | SICP 5099-5100 | Japan | 2016 |
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Reviews
- Dead quiet vinyl with nice double LP packaging. Cardboard inner sleeves need to replaced with polyvinyl/rice paper sleeves. Sound quality is better than I expected.
Seems like a straight vinyl version of the Bootleg Series Vol. 4..
Has it been remixed or tweezed? Sounds a bit different from my cds. I can hear the "hall" more on this record, accoustice part at least. Haven't got to the live bit yet.- From what I see here and hear now, this may be criminally underrated. Amazing listen and feels like I’m sitting in Royal Albert Hall myself.
Love this record. The definitive Dylan live performance in my opinion - at least of the electric era. He and his band are on fire.
Agree with the other commenter that it is fairly sibilant, though I do think it is more inherent to the recording than the pressing itself. In any case, by no means does the pressing sound bad. It sounds something like you would expect a live Dylan recording from '66 to sound like. Still extremely enjoyable.- Gave this one another listen today, really sibilant! Awesome show, but Bob's hissing the whole time. Pulled it up on my computer to check if it was just the recording, but the digital version sounded great. Too many "new" records seem to be mastered wrong or something.
Release
For sale on Discogs
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