Azzido Da Bass – Dooms Night
Label: | Club Tools – 012028-0CLU |
---|---|
Format: | Vinyl, 12", 45 RPM |
Country: | Germany |
Released: | |
Genre: | Electronic |
Style: | Breakbeat, Trance, Electro House |
Tracklist
A1 | Dooms Night (Timo Maas Remix) | 6:16 | |
B1 | Dooms Night (Pascal F.E.O.S. Treatment Mix) | 6:50 |
Companies, etc.
- Phonographic Copyright ℗ – Edel Records GmbH
- Copyright © – Edel Records GmbH
- Mixed At – Massive Studios
- Published By – MCA Polygram Songs
- Published By – Cyclus Musikverlage
- Mixed At – Electro Island
- Mixed At – Planet Vision Studios
- Mastered At – Planet Vision Studios
- Pressed By – Damont
Credits
- Design – Marc Schilkowski
- Photography By – Ali Ghandtschi
- Producer, Arranged By, Written-By – Azzido Da Bass, Stevo Wilcken
Notes
A1: Mixed for Time Tools Production Germany
Side B has the track info
Side B has the track info
Barcode and Other Identifiers
- Barcode (Text): 4 029758 202807
- Barcode (EAN): 4029758202807
- Label Code: LC 04923
- Matrix / Runout (Runout side A, etched): 012 0280 CLU A1 DAMONT
- Matrix / Runout (Runout side B, etched): 012 0280 CLU B1 DAMONT
- Rights Society: GEMA / BIEM
Other Versions (5 of 48)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Dooms Night (12", 45 RPM) | Club Tools | 006671-0 CLU | Germany | 1999 | ||
Recently Edited | Dooms Night (Remixes) (12", 33 ⅓ RPM) | Club Tools | 0066810 CLU | Germany | 1999 | ||
Dooms Night (Remixes) (CDr, Single, Promo) | Edel | none | UK | 1999 | |||
Dooms Night (Remixes) (12") | Edel America Records | ED 70961 | US | 2000 | |||
Recently Edited | Dooms Night (CD, Maxi-Single) | Club Tools | 012126-5CLU | Germany | 2000 |
Recommendations
Reviews
- By the time I heard this, it was a Garage anthem so I was a bit late to the party but it was still one of the most-played tunes for a good solid year or 2 after. I'd only been Djing on Technics for a few months so it was a real challenge to mix out of it before that looong breakdown in the middle.
The whoomph sound was even emulated in a lot of jump-up dnb tracks years later (not saying guys like G Dub intentionally copied it but there were similarities in some of their tunes). Can't think of another tune which has crossed genres so successfully, featured on House, Trance & Garage comps alike and an equally huge track in all.
I read an interview with Timo Maas around the time and he said he made it in 2 or 3 hours.. usually seems to be the way with some of the biggest hitters - Everybody knows the deal. I mean EVERYBODY. Timo's work led to...probably the most twisted, most f$#@!ked up, most devastating pre-millenium mainstream (or semi-mainstream) breaks release. We live in the so-called " '10s", new genres are spawning and spawning, every 10th guy is making music, dubstep came etc. - but THIS overshadows literally everything.
It's still relevant and fresh today. Like nothing changed in the past ~15 years. Seminal rave anthem, a reference tune for electronic music. It caused so much buzz that I cannot express with words.... - Edited 19 years agoThe Timo Maas Remix is probably one of those few remixes pushing the original to other spheres.
While the original version is in my opinion rather boring, the maas remix is hard, funky, kickin', dry -just a technoish prime time mover.
And You have to keep in mind, that this remix is almost 5 years old and is still sounding as fresh.
Release
For sale on Discogs
Sell a copy38 copies from $2.50