Ad

Tracklist

Winds May Scatter2:41
Late Summer14:17
November Skies Tokyo5:43
Of A Winter Dawn6:51
Snow Static5:46
Seas Between8:51

Credits (3)

  • Corey Fuller
    Corey Fuller
    Mastered By
  • Davi Sing Liu
    Photography [Cover]
  • Corey Fuller
    Corey Fuller
    Piano, Piano [Prepared], Electric Piano [Rhodes], Organ [Pipe And Pump], Vibraphone, Accordion, Acoustic Guitar, Electric Guitar, Bells [Gamelan], Melodica [Pianica], Cymbal [Thai Finger Cymbals], Percussion [Assorted], Noises [Found Objects, Room Tones, Contact Microphones], Recorded By [Hydrophone Recordings, Field Recordings], Tape [Reel To Reel Tapes, Cassette Tapes], Effects [Analog Tape Delays], Electronics, Computer [Custom Software]

Versions

Filter by
    2 versions
    Image, In Your Collection, Wantlist, or Inventory
    Version DetailsData Quality
    Cover of Seas Between, 2009-12-00, CDrSeas Between
    CDr, Album, Limited Edition
    Dragon's Eye Recordings – de5026US2009US2009
    Cover of Seas Between +, 2010-05-00, CDrSeas Between +
    CDr, Album, Limited Edition
    Dragon's Eye Recordings – de5026bUS2010US2010

    Recommendations

    Reviews

    • Headphone_Commute's avatar
      Opening in mist, with disassembled activity both hidden and continuous, Seas Between is a work containing the solemnity of temporality, trembling tenderness, and the brightest side of sightless imagination. Corey Fuller was born in the United States, but while still very young, he relocated with his family to Japan, where he spent the next 20 years, before returning to the United States to live in Washington state. December 2009 marks the release of his first solo album, and his return to Japan with his own family, to live and work. The album represents both a literary and imaginative vision of home and the distances between, a document of the placement and creation of a convolved third-culture reality. Seas Between was created using an expansive assortment of acoustic instruments, including piano, prepared piano, Rhodes electric piano, pipe organ, pump organ, vibraphone, pianica, accordion, acoustic/electric guitars, Gamelan bells, Thai finger cymbals, assorted percussion, and found objects. Field recordings were given delicate attention, including room tones, contact microphones, hydrophone recordings of both shores of the Pacific Ocean, field recordings from Japan and Washington, reel to reel tapes, cassette tapes, and analog tape delays. Custom software was also employed to create a convolved, indeterminate blend of instruments. In addition to the above mentioned palette, a group of collaborative musicians contributed work, such as John Friesen on cello, Tyler Wilcox on saxophones and bass clarinet, and Tomoyoshi Date on piano and electronics. Their contributions further complete a graceful warmth, to an already startlingly pronounced recording of poetic allusion, uncertain acceptance, and hazed mystery. Throughout the 45-minute work, clarity is demonstrated through swelling, warm tones, acute instrumentation, combined with the chill of the ocean breeze, and the indistinguishable traits of swirling, impermanent images. Beside crisp crescendos of the early morning dawn, foamy field recordings are hidden in the fine clouds; a formed, thin film, hidden in winter's winds. In Seas Between, here falls the shadow, between essence and descent, longing and fulfillment, wholeness and brokenness. The sense of separation and constant longing is ever-present, in our surroundings that are unwavering, but often unpredictable as the sea.
      • Luxer1's avatar
        Luxer1
        simply brilliant!!!!

        Master Release

        For sale on Discogs

        Sell a copy

        No items available in the Marketplace

        Learn more about selling on Discogs

        Statistics

        • Avg Rating:4.65 / 5
        • Ratings:31
        Ad

        Videos (2)

        Edit
        Ad
        Ad