Queen – A Night At The Opera
Label: | Mobile Fidelity Sound Lab – UDCD 568, Hollywood Records – UDCD 568 |
---|---|
Series: | Original Master Recording, Ultradisc II |
Format: | CD, Album, Reissue, Remastered, Stereo, 24kt Gold Plated |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Pop Rock, Art Rock, Glam |
Tracklist
1 | Death On Two Legs (Dedicated To...... | 3:43 | |
2 | Lazing On A Sunday Afternoon | 1:07 | |
3 | I'm In Love With My Car | 3:04 | |
4 | You're My Best Friend | 2:52 | |
5 | '39 | 3:30 | |
6 | Sweet Lady | 4:03 | |
7 | Seaside Rendezvous | 2:17 | |
8 | The Prophet's Song | 8:20 | |
9 | Love Of My Life | 3:39 | |
10 | Good Company | 3:23 | |
11 | Bohemian Rhapsody | 5:55 | |
12 | God Save The Queen | 1:12 |
Companies, etc.
- Record Company – Mobile Fidelity Sound Lab, Inc.
- Distributed By – Mobile Fidelity Sound Lab, Inc.
- Licensed From – Hollywood Records
- Licensed From – Queen Productions Ltd.
- Manufactured By – JVC
- Phonographic Copyright ℗ – Hollywood Records, Inc.
- Copyright © – Hollywood Records, Inc.
- Published By – B. Feldman
- Published By – Trident Music (2)
- Recorded At – Sarm East Studios
- Recorded At – Roundhouse Studios
- Recorded At – Olympic Studios
- Recorded At – Rockfield Studios
- Recorded At – Scorpio Studios
- Recorded At – Lansdowne Studios
- Mixed At – Sarm East Studios
Credits
- Art Direction – David Costa
- Composed By, Arranged By, Performer – Queen
- Crew [Equipment Supervision] – John Harris
- Electric Bass – John Deacon
- Engineer [Additional Engineering] – Gary Lyons
- Engineer [Executive] – Mike Stone
- Guitar, Performer [Orchestral Backdrops] – Brian May
- Percussion – Roger Taylor
- Producer – Queen, Roy Thomas Baker
- Vocals – Freddie Mercury
- Written-By – May* (tracks: 5, 6, 8, 10), Mercury* (tracks: 1, 2, 7, 9, 11), Deacon* (tracks: 4), Taylor* (tracks: 3)
Notes
Recorded at Sarm, Roundhouse, Olympic, Rockfield, Scorpio and Lansdowne
Mixed at Sarm Studios
© ℗ 1971 & 1991.
Published by B. Fedlman trading as Trident Music
Ultradisc II™ 24 KT Gold CD from Mobile Fidelity Sound Lab "Original Master Recording" collection.
This is the MFSL release manufactured by JVC. Here the MFSL Queen - A Night At The Opera edition pressed by Zomax Optical.
Mixed at Sarm Studios
© ℗ 1971 & 1991.
Published by B. Fedlman trading as Trident Music
Ultradisc II™ 24 KT Gold CD from Mobile Fidelity Sound Lab "Original Master Recording" collection.
This is the MFSL release manufactured by JVC. Here the MFSL Queen - A Night At The Opera edition pressed by Zomax Optical.
Barcode and Other Identifiers
- Barcode (Text): 0 15775 15682 1
- Barcode (Scanned): 0015775156821
- SPARS Code: AAD
- Matrix / Runout (Mirrored, variant 1): UDCD-568 1D MFD BY JVC
- Matrix / Runout (Mirrored, variant 2): UDCD-568 1D ¦2 MFD BY JVC
- Matrix / Runout (Mirrored, variant 3): UDCD-568 1D ¦1 MFD BY JVC
- Matrix / Runout (Mirrored, variant 4): UDCD-568 1D 2¦ MFD BY JVC
- Matrix / Runout (Mirrored, variant 5): UDCD-568 1D 1¦ MFD BY JVC
Other Versions (5 of 589)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
A Night At The Opera (LP, Album, Stereo, Gatefold) | EMI | 5C 062-97176 | Netherlands | 1975 | |||
Recently Edited | A Night At The Opera (LP, Album, Stereo, Embossed Gatefold) | EMI, EMI | EMTC 103, 0C 066 ∘ 97176 | UK | 1975 | ||
Recently Edited | A Night At The Opera (LP, Album, Gatefold; Embossed) | Elektra, Elektra | 7E-1053, 7E 1053 | Australia | 1975 | ||
A Night At The Opera (LP, Album, Stereo, CSM, Gatefold) | Elektra | 7E-1053 | US | 1975 | |||
A Night At The Opera (LP, Album, Stereo, Gatefold) | EMI, EMI | 1C 062-97 176, 1 C 062-97 176 | Germany | 1975 |
Recommendations
Reviews
- Edited 5 months agoThis Queen release was the first Mobile Fidelity CD in their catalogue that was only treated to the Ultradisc II process. Prior to this there were many releases that came out both as Ultradisc (typically printed in Japan) AND as Ultradisc II (typically printed in the US) even though sonically they proved to be essentially identical. Also, this release originally came out in a long box version since this was still during the time that record stores were struggling with how to display CDs in their record bins.
- Superb dynamic range. Lead guitar sounds loud and clear like it should be, and vocals sound clear. Acoustics of the drums sounds authentic. This CD sounds very close to "live".
Release
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