Miss Kittin & The Hacker – PPPO People Pleasure Objects Power
Label: | Nobody's Bizzness – BIZZ5, Nobody's Bizzness – BIZZ 5 |
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Format: | Vinyl, 12", 45 RPM, 33 ⅓ RPM |
Country: | Germany |
Released: | |
Genre: | Electronic |
Style: | Techno |
Tracklist
A | PPPO (Function Remix) | 7:44 | |
B1 | PPPO (Original) | 6:32 | |
B2 | PPPO (Instrumental) | 6:32 |
Companies, etc.
- Designed At – Le 188
Credits
- Artwork, Design – Pierre-Jean Buisson
- Mastered By – Benjamin*
- Mixed By – Pascal Gabriel
- Written-By, Lyrics By, Producer – Caroline Hervé, Michel Amato
Notes
A side plays 45 RPM
B side plays 33⅓ RPM
Track durations are not mentioned on release.
B side plays 33⅓ RPM
Track durations are not mentioned on release.
Barcode and Other Identifiers
- Barcode: 673798 600518
- Label Code: LC 18299
- Matrix / Runout (A-Side): B 957026-01 A1
- Matrix / Runout (B-Side): B 957026-01 B1
Other Versions (3)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
PPPO (File, MP3, 320 kbps) | Nobody's Bizzness | 4250330512827 | Germany | 2009 | |||
New Submission | PPPO (4×File, WAV) | Nobody's Bizzness | 4250330512827 | Germany | 2009 | ||
New Submission | PPPO (4×File, FLAC, Reissue) | Not On Label (Miss Kittin Self-released) | none | 2009 |
Recommendations
Reviews
- Edited 13 years agoWow, just where did this come from? For reasons I will not elaborate upon here, Miss Kittin's & The Hacker's latest joined output, "Two", did not impress me at all as whole, but my god does PPPO shine! The obvious electro influences are toned down, so is Kittin's vocal presence. In return, they offer more striaght up dance floor material, where her impressive voice bursts out with the terms "people pleasure objects power" with huge crescendos of sound building and building as her crazy voice fades out. There is this hypnotic hook throughout with a god sent bass line. There is no way in hell this won't devastate clubs.
Speaking of which, Sandwell District hero Function drops a deep techno killer, with subtle and rolling percussion, with enough punch in the bass department to make subwoofers twitch in agony, as Miss Kittin's haunting voice is layed over pulsating hooks. Unlike the original version, Function's remake is more linear, meaning there are no eruptions of acoustical madness and rabid hisses, but just deep and hypnotic sequences with pulsating onmarches of techno fury.
If somehow Miss Kittin's vocals just don't do it for you, on the B2 side you have the instrumental version of the original.
In brief: my hypothesis is that if this one does not become a club hit shortly, all music has gone to hell. Mesmerizing, effective and above all, damn good! I actually enjoyed listening to all three versions of PPPO more than the album this single was taken from.
Release
For sale on Discogs
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