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Peter FrohmaderStringed Works

Label:Multimood Records – Mrc 006
Format:
CD, Album
Country:Sweden
Released:
Genre:Electronic
Style:Modern Classical, Experimental

Tracklist

1Bass Symphony No. 2
Bass [4/8 String Basses], Fretless Bass, Electric Upright Bass [Electric Double Bass]Peter Frohmader
DrumsRudi Haunreiter
22:42
2Symphony For Basses And Guitars
Electric Guitar [Electric Guitars], 12-String Acoustic Guitar [Acoustic 12 String Guitar], Electric Bass [Electric Basses], ElectronicsPeter Frohmader
22:48
3Bass Symphony No. 3
Bass [4/6/8 String Basses], Fretless Bass [Fretless Basses], ChoirPeter Frohmader
Solo Vocal [Solo Singing]Birgit Metzger
13:54
4Winter Music
Chapman Stick [Stick], ChoirPeter Frohmader
Solo Vocal [Solo Singing], ChoirBirgit Metzger
15:03
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Credits

Notes

Track 1 in booklet titled as: Bass Symphony No. 2 [Bass Inferno]
Track 2 in booklet titled as: Symphony For Basses And Guitars [Outset]
Track 3 in booklet titled as: Bass Symphony No. 3 [Creation]

Recorded at Nekropolis Studio, Munich, Germany;
Track 1: 1982 2: 1982/1983 3+4: 1984.
Digital remix of tracks 1+2+3: 1991 - 1993 at Nekropolis Studio.

Manufactured and distributed by Staalplaat
Multimood Records 1994

Packaging: White tray jewel case with a 4-page booklet.
Label everywhere written as Multimood Records on this release.

Tracks 3 & 4 were original released as: Wintermusic / Bass Symphony No. 3

Barcode and Other Identifiers

  • SPARS Code (Tracks 1 to 3): ADD
  • SPARS Code (Track 4): AAD
  • Matrix / Runout (Mirrored): STRINGEDWORKS 24 A2 DADC AUSTRIA

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Reviews

  • ultimathulerecords's avatar
    Interesting to see copies of this going so cheap on Discogs! I wonder why? Could it be something to do with the titles? "Stringed Works" would imply orchestral, and 3 tracks have "Symphony" in the title. This is anything but classical if you ask me - in spite of someone adding Modern Classical to the style tag here on Discogs.
    The strings featured here are not violins, not orchestral, but are various forms of bass guitar, 4/6/8 String, Fretless, Electric, Chapman Stick, augmented by multi-voice harmonic choir, some guitar, electronics, etc., all patent early Peter Frohmader / Nekropolis of classic status. In these works I can hear influences as wide as early Amon Düül II jams, via Fripp & Eno through to the more free-form moments of Jannick Top with Magma, a field that Peter was indeed an innovator, and people like Caspar Brotzmann or Frank Fromy took it further since. But, for some reason Peter never went further down this avenue, concentrating on electronics instead.
    Krautrock with more atmosphere than rock, and essential!

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    4 copies from $9.00

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    • Avg Rating:4 / 5
    • Ratings:10

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