Morrissey – Live At Earls Court

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Label:	Attack Records (3) – ATKCD014
Format:	CD, Album
Country:	Europe
Released:	Apr 4, 2005
Genre:	Rock
Style:	Alternative Rock, Indie Rock

Tracklist

1	How Soon Is Now? Written-By – Marr*, Morrissey	4:35
2	First Of The Gang To Die Written-By – Whyte*, Morrissey	3:48
3	November Spawned A Monster Written-By – Langer*, Morrissey	5:15
4	Don't Make Fun Of Daddy's Voice Written-By – Whyte*, Morrissey	2:57
5	Bigmouth Strikes Again Written-By – Marr*, Morrissey	3:20
6	I Like You Written-By – Boorer*, Morrissey	4:36
7	Redondo Beach Written-By – Kaye, Smith, Sohl*	4:07
8	Let Me Kiss You Written-By – Whyte*, Morrissey	3:36
9	Subway Train/Munich Air Disaster 1958 Written-By – Whyte, Morrissey Written-By [Subway Train] – Johansen, Thunders*	3:16
10	There Is A Light That Never Goes Out Written-By – Marr*, Morrissey	4:50
11	The More You Ignore Me, The Closer I Get Written-By – Boorer*, Morrissey	3:52
12	Friday Mourning Written-By – Whyte*, Morrissey	4:32
13	I Have Forgiven Jesus Written-By – Whyte*, Morrissey	4:06
14	The World Is Full Of Crashing Bores Written-By – Boorer*, Morrissey	3:55
15	Shoplifters Of The World Unite Written-By – Marr*, Morrissey	3:21
16	Irish Blood, English Heart Written-By – Whyte*, Morrissey	2:49
17	You Know I Couldn't Last Written-By – Whyte, Day, Morrissey	7:10
18	Last Night I Dreamt That Somebody Loved Me Written-By – Marr*, Morrissey	3:57

Companies, etc.

Phonographic Copyright ℗ – Sanctuary Records Group Inc.
Copyright © – Sanctuary Records Group Inc.
Recorded At – Earls Court
Mixed At – Studio Without Walls
Mastered At – The Mastering Lab
Glass Mastered At – Deluxe (7)

Credits

Bass – Gary Day
Coordinator [Production] – Brandi Whitmore
Crew [At The Helm] – Jed Weitzman, Merck Mercuriadis, Peter Asher
Crew [Live Sound] – Adam Scott (9), Kevin Moran (2), Malcolm Giles, Oliver Waring
Drums – Deano Butterworth*
Engineer [House Mix] – Dave Millward (2)
Engineer [Monitor Mix] – Dave Guerin
Guitar [Left], Clarinet, Congas, Backing Vocals – Boz Boorer
Guitar [Right] – Jesse Tobias
Keyboards, Trumpet, Percussion, Backing Vocals – Mikey V. Farrell
Mastered By – Doug Sax, Robert Hadley
Mixed By – Nathaniel Kunkel
Photography By [Inside] – Jed Weitzman
Producer – Peter Asher
Recorded By – Tim Summerhayes
Recorded By [Assistant] – Mat Wood, Ollie Nesham

Notes

Recorded live at Earls Court in London on the 18th of December 2004 in front of 17,183 people
Everything on this CD was recorded live. Nothing was added or replaced in the studio

℗ 2005 The copyright in this sound recording is owned by Sanctuary Records Group Inc.
© 2005 Sanctuary Records Group Inc.
Made in the EU

White sticker on jewel case front: The Best of Morrissey Live from London's Earls Court Christmas 2004

Barcode and Other Identifiers

Barcode: 5 050749 301420
Label Code: LC6448
Matrix / Runout (Variant 1, 2, 4, 5): deluxe ATKCD014 01
Matrix / Runout (Variant 3): [4 x Universal logo] ATKCD14 03
Matrix / Runout (Mould, variant 1, 3): MADE IN THE UK
Matrix / Runout (Mould, variant 2): MADE IN UK
Matrix / Runout (Mould, variant 4, 5): none
Mastering SID Code (Variant 1 to 5): IFPI L136
Mould SID Code (Variant 1): IFPI 0470
Mould SID Code (Variant 2): IFPI 0451
Mould SID Code (Variant 3): IFPI 0472 / IFPI 04AJ
Mould SID Code (Variant 4): IFPI 04AB
Mould SID Code (Variant 5): IFPI 04AL

Other Versions (5 of 25)

View All

	Title (Format)	Label	Cat#	Country	Year
Recently Edited	Live At Earls Court (CD, Album)	Attack Records (3)	06076-86012-2	US	2005
Recently Edited	Live At Earls Court (CD, Album, Digisleeve)	Attack Records (3)	ATKDP014	UK	2005
Recently Edited	Live At Earls Court (CD, Album, Card Sleeve)	Attack Records (3)	06076-86012-2	US	2005
	Live At Earl's Court (CD, Album, Copy Protected, Promo)	Attack Records (3)	ATKPR014	UK & Europe	2005
New Submission	Live At Earls Court (CD, Album)	BMG, Attack Records (3)	BVCM-41033, ATKCD-014	Japan	2005

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Reviews

lsind Mar 12, 2016
Am I the only one with a CD that sounds quite weird on You Know I Couldn't Last? For about a minute, the sound gets 'glitchy' - for lack of a better description. It is almost as if the sound was saturated, but in a digital way. Or if the sound turned to 8-bit instead of 16-bit.